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Pro Video Coalition

cinematrography lighting production tips

Helpful Ways for Cinematographers to Get a Grip on Lighting

Part I: Foreground and Background Exposure

By Bobby Marko | July 31, 2014

I spent the 1st half of this year releasing two films, a feature length documentary and a short film narrative (Becoming Fools and Fruitcake respectively). Through this process I've attended screenings and festivals of our own films and for others. I've also sat through several Q&A's with independent filmmakers and although I love hearing how other creatives move through the process of producing their work I sometimes get increasingly frustrated with the fact that camera gear takes such a center stage while lighting, composition, sound design and production design take a distant back seat.

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The dawn of CFast video recording

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A tiny CFast chip now rivals HDCAM SR tape, and a US$50 CFast reader now rivals an HDCAM SR deck which typically costs US$50k +

By Allan Tépper | July 31, 2014

The first CFast devices were shown at CES in 2009, but NAB 2014 was the first time I saw professional video products using it. CFast is a derivative format of CompactFlash which offers the very high bit rates required by virtually lossless intraframe 10-bit 4:2:2 códecs like ProRes 422 and DNxHD for HD, and even for 4K. The pioneers I saw using it were Átomos and Blackmagic. A tiny CFast chip now rivals an HDCAM SR tape, and a US$50 CFast reader now rivals an HDCAM SR deck which typically costs well over US$50k. Ahead are the details.

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Premiere Pro News Notes #08

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Catching up on the latest news

By Rich Young | July 31, 2014

A series of as-they-come notes on news of assorted Adobe Premiere Pro tutorials, tips, and related tools continues. And there's more to come. Read More

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Relatively Speaking, Absolutely!

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This Week on MacBreak Studio

By Mark Spencer | July 31, 2014

 

Absolute or Relative?

It's up to you, as you'll discover in this week's episode of MacBreak Studio, in which Steve and Mark from Ripple Training continue their exploration of the feature enhancements in the 10.1.2 update to Final Cut Pro X.

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Your 4K Questions Answered

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Participants of the live webinar answer all of the questions that came in during the event

By Jeremiah Karpowicz | July 30, 2014

During the live "The Benefits of Using 4K Now" webinar, presenters James Fox, Geoff Peck and Scott Hamilton presented info that content creators need to consider in the present and future when it comes to 4K. As the CEO and VP of Technology at Dawnrunner, respectively, James and Geoff discussed... Read More

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Sharknado 2 and Vashi’s Premiere Pro Editorial Workflow

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You can use Adobe Premiere Pro CC to edit feature films. Sharknado 2's editor tells us how.

By Scott Simmons | July 29, 2014

Sharks and tornados go together so well that Syfy is on their second round of Sharknado movies with Sharknado 2: The Second One. This second coming of sharks and tornados was edited on Adobe Premiere Pro CC by Vashi Nedomansky (IMDB) as he shoehorned PPro into what has traditionally been a Final Cut Pro Classic workflow. I was curious as to how the process went (and feature film editing in general on tools other than the standards) so I sent over a list of questions that Vashi was kind enough to answer. Watch the mayhem on July 30 at 9/8c on Syfy.

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ProMAX Delivers a New Experience for Users Across Media & Entertainment

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An interview with ProMAX CEO Jess Hartman about how acquisition of Cache-A affects their present and future

By Jeremiah Karpowicz | July 29, 2014

Big news was announced on July 22nd, as ProMAX went public with their acquisition of Cache-A, a leading supplier of network-attached video archive appliances. The move will allow ProMAX to integrate Cache-A’s archival technology into the multi-functional capabilities of Platform storage... Read More

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Saving Time and Money in Audio Post

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Preparation is Key

By Woody Woodhall | July 27, 2014

Some picture editors say “I don’t do sound.”  Other picture editors storm into the bay and insist that as much of their edits, effects and automation as possible from the AAF remain so that their “audio doesn’t get [screwed] up.”  I am much more... Read More

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Review: SLR Magic ANAMORPHOT 1,33x 50 anamorphic adapter

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Make your camera a mean, clean, widescreen machine with this affordable anamorphic adapter

By Adam Wilt | July 27, 2014

SLR Magic's ANAMORPHOT 1,33x 50 is an affordable anamorphic adapter lens (US$899; $1099 with two diopters) letting you shoot 2:37:1 widescreen on a 16x9 camera, or, if you're in a retro mood, 16x9 widescreen on a 4x3 standard-def camera. It works on lenses with a clear front aperture of... Read More

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More Sources of FREE Music and Sounds

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There are multiple sources of FREE music and sounds on the web. I've compiled a list to get you started. Legally!

By Jose Antunes | July 25, 2014

When I recently wrote here at PVC an article entitled "Assure all Your Audio is Legal", I really meant that as authors we should not only offer others a work that we know is legal in all aspects, we should also promise ourselves to follow the path of legality. In audio and other aspects.

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ProAm USA Aims to Bring its CarryOn Jib to Market Through a New Kickstarter Campaign

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A new trend for filmmaking tools manufacturers to get products to market

By Jeff Foster | July 24, 2014

Filmmaker Jonathan Baty of ProAm USA taps into the Kickstarter filmmaking community to help launch the CarryOn Jib, the most compact, lightest camera crane of its kind.

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Adobe Premiere Pro CC 2014.0.1 - the biggest little update you’ll see today

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Minor in number but a few major enhancements for offline to online delivery

By Scott Simmons | July 24, 2014

It seems like only yesterday that Adobe updated Premiere Pro CC to the 2014 version. Well check your updaters because now we have version 2014.0.1. The nomenclature is minor but there’s a couple of big editing enhancements that those who have been wanting them will be thrilled with.

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Radiant Images Creates Simple and Effective Solutions for Filmmakers of Every Size

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An interview with Sinclair Fleming , Director of Engineering at Radiant Images

By Jeremiah Karpowicz | July 24, 2014

Radiant Images is solution-oriented rental house singularly focused on advancing cinematography. At Cine Gear they showcased their Novo action camera accessories and a wide selection of custom camera stabilizers for attendees.  Their focus on simplicity in design and operation and ease of... Read More

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Blackmagic Production Camera Gets A New “Heads Up Display”

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Audio Meters, Time Remaining & Histogram

By Brian Hallett | July 24, 2014

Blackmagic release firmware 1.9 with a new "heads up display." To say the new features found in firmware 1.9 is good news is a massive understatement.  If you own or shoot with a Blackmagic Production Camera download this firmware as quickly as possible, because these features will only make capturing great footage and sound easier.

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Assure ALL Your Audio is Legal

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While audio in video is not only music, music is an important part for new videographers. Be sure to use only legal music!

By Jose Antunes | July 23, 2014

The note "Disputed third party matched content" will be the first sign that YouTube considers you audio to be used without permission

When starting in videography with a DSLR, the main problem a newcomer has is with sound. DSLR's excel at image but are absolute crap when it comes to sound, either monaural or stereo. So, the first option for someone starting on this path is to skip the sound recording at the source and think of some background music or sounds to add to the video afterwards. Choose your music widely.

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Inspiring Hate and Love with Sharks and Tornadoes…Again!

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An interview with Sharknado and Sharknado 2: The Second One director Anthony C. Ferrante

By Jeremiah Karpowicz | July 22, 2014

Although the Syfy channel has been producing original movies since 2001 (when it was known as the Sci-Fi channel), it’s safe to say that none of them have made an impact like the original Sharknado. When it first aired in the summer of 2013, the movie drew 1.4 Million viewers... Read More

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Finding Unused Clips in Final Cut Pro X

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This Week on MacBreak Studio

By Mark Spencer | July 22, 2014

 

Did I use that clip already?

Continuing their exploration of new features introduced in the 10.1.2 update to Final Cut Pro X, this week on MacBreak Studio Steve Martin and Mark Spencer from Ripple Training demonstrate the expanded capacity to filter and build... Read More

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A Simple Suction Cup for Your DSLR

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The Manfrotto Suction Cup 241V is a simple solution for mounting your camera inside or outside a moving car.

By Jose Antunes | July 21, 2014

Usable as a camera support to shoot through a car window or windshield, the Manfrotto Suction Cup 241V is also usable on a car bonnet, for video capture on the move. Or for some unique photographs or time-lapse!

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Canon EOS C500 at 150mph

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Shane Hurlbut explains, in a long interview at CPN, why the Canon EOS C500 was chosen as the key camera for "Need for Speed".

By Jose Antunes | July 18, 2014

The Director of Photography Shane Hurlbut is well versed in the use of Canon systems by now. Considered a pioneer in digital cinematography, he started with the Canon 5D Mark II in "Act of Valor" and his comments after using it have, surely, helped Canon to sell the system.

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Capturing the pulse of the capital

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Video production company wins clients with outstanding time-lapse photography and videos developed using Adobe Creative Cloud

By Michelle Gallina | July 17, 2014

Over the course of 12 years, Drew Geraci’s has gone from being a photographer’s mate on a U.S. Navy aircraft carrier to a sought-after time-lapse photographer and videographer. After leaving the U.S. Navy, Geraci worked as a multimedia producer for the Washington Times before his... Read More

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