Camera Log

by Adam Wilt
» See Arri Alexa in San Francisco at DCS, next Tuesday, 10 August
» Low Light: Do HDSLRs Really Rule?

Stunning Good Looks

by Art Adams
» The Best of Stunning Good Looks
» Canon 5D: How much dynamic range does it have, really?

The Editblog on PVC

by Scott Simmons
» Review: Get - Phonetic searching for Final Cut Pro
» Wes’ Home Depot How-To

FRESHDV

by Matthew Jeppsen & Kendal Miller
» Rarevision 5DtoRGB vs MPEG Streamclip for transcoding
» iPad KeyPad Pro wirelessly controls your pro apps

TecnoTur

by Allan Tépper
» Add eSATA to a 27” iMac and untap RAID speeds of 3.3 times faster than FireWire 800
» TecnoTur English episode 4: interviews with AJA, DVKitchen, and Carla Sánchez

Creating Motion Graphics

by Chris & Trish Meyer
» Designing British Road Signs
» Creative Suite 5 is Shipping

CMG Keyframes

by Chris & Trish Meyer
» Deeper Modes of Expression, Part 8: Going for a Loop
» Deeper Modes of Expression, Part 7: Making Decisions

HD for Indies

by Mike Curtis
» Yo, Creative Pros—Apple Doesn’t Love You Any More. Here’s why.
» Did Apple actually lame out on the new Mac Pros?

Bruce's Blog

by Bruce Johnson
» AdobeCS5 and nVidia:  First Impressions Part 3
» A Big Bargain On A Great Tool!

CUT.N.COLOR

by Steve Hullfish
» Final Cut Pro “gets” ability to search for words in audio
» BlackMagic Resolve on Mac OSX

Ripple Training

by Steve Martin, Brian Gary & Mark Spencer
» Custom Shape Styles in Motion
» MacBreak Studio: Frenetic Text

Production Values

by Mark Christiansen
» Foundry Releases CameraTracker and Kronos 5.0 Plug-ins for After Effects
» Innovation and Cinema 4D Part Two: William Dudley on Virtual Sets

Pixel Corps

by Alex Lindsay
» Tablet Madness
» Greenscreen Primer Part 2

From The Trenches

by Michael Goldman
» Why artists need to value themselves
» What, and who, are visual effects anyway?

HDSLR Shooter

by Clint Milby
» Shane Hurlbut’s HDSLR Revolution
» Canon Strikes Back!

Picture Elements

by Richard Harrington
» DSLR Field Test
» Blu-ray and Final Cut Studio

Odds and Ends

by Matthew Armstrong

Production Gear

by Scott Gentry
» PVC Camera Survey
» Classifieds on PVC!

Motion Graphics & Visual Effects

by PVC Contributors
» Friday Inspiration

Editing & Post

by PVC Contributors
» The Terence & Philip Show

Lights Camera Action

by PVC Contributors
» ScopeBox Software with the Reflecmedia LED Green Screen System

Web Video & Beyond

by PVC Contributors
» Mobile Video: Distribution to the Fourth Screen

ProAudio Coalition

by PAC Contributors
» Drums & Drummers: Two Drum Loop Libraries

Livewire

by Sony
» Twice as Nice?

Adobe on Adobe

by Adobe
» To Transcode or Not to Transcode

Zacuto

by Zacuto
» Zacuto’s Great Camera Shootout 2010

Apple

by Apple
» Automation Mixing
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Rarevision 5DtoRGB vs MPEG Streamclip for transcoding

Matt Jeppsen | 08/30

Another handy tool for DSLR footage transcoding

There’s a new transcoding tool making the rounds on that newfangled Twitter thingy the kids are using these days, it’s called Rarevision 5DtoRGB. It’s a free app for Mac users that they claim offers a much higher quality conversion from H.264 DSLR raw footage to an editing codec (ProRes is a common choice, in one of several flavors and bitrates). Two blogs have done some comparison testing between this new tool and MPEG Streamclip (another popular free option), and I wanted to point them out here for your pixel-peeping enjoyment…

more »

(7) Comments: • Most recent comments by: scottieb, Richard Reay, trevormcpherson, scottieb, Matt Jeppsen, trevormcpherson, cowpunk52,

Canon 5D: How much dynamic range does it have, really?

Art Adams | 08/30

The DSC 102db chart doesn’t lie: This is what it tells us about how the 5D sees the world.

The Canon 5D does a remarkable job of making HD images, considering that it was originally never intended to do so. So how much dynamic range can it really capture? Thanks to the DSC 102db (17-stop) latitude chart, we now have an objective answer.

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(14) Comments: • Most recent comments by: Art Adams, Burn-E, Art Adams, Adam Wilt, Art Adams, Nick WB, Adam Wilt, Art Adams, Jay Farrington, Art Adams,

Low Light: Do HDSLRs Really Rule?

Adam Wilt | 08/01

Comparing Canon HDSLRs to video and cine cameras at high ISOs.

The blogosphere is all a-twitter (and the twitterers are all blogging) about how good HDSLRs are in low light. I thought it would be interesting to compare the Canon 5D Mk II and Canon 7D with a couple of video cameras as well the RED ONE M and M-X, and see just how well they all perform at high ISO settings.

more »

(6) Comments: • Most recent comments by: Adam Wilt, IEBA, Adam Wilt, Burn-E, Adam Wilt, Charles Angus,

Review: Get - Phonetic searching for Final Cut Pro

Scott Simmons | 08/31

If you need to search your FCP media via words and spoken content then Get is for you.

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One of the big hits at NAB 2010 was a little program set up in a tiny booth at the plug-in pavilion called ‘Get’, from a company called AV3 Software. Get isn’t really a plug-in at all but rather a stand alone application that works in conjunction with Final Cut Pro to phonetically index media and allow the editor to search for words within that indexed media. In its simplest terms, if you have an interview with a subject that’s talking about resumes, you can search for the word “resume” and Get will return results… more »

The Best of Stunning Good Looks

Art Adams | 08/30

A directory of my best articles, sorted by topic.

This entry is a guide to my best articles, sorted by topic. Enjoy!

more »

Add eSATA to a 27” iMac and untap RAID speeds of 3.3 times faster than FireWire 800

Allan Tépper | 08/18

OWC’s new eSATA modification for 27” iMac (mid 2010 models) makes it much more attractive for serious video editing systems

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Although it has been in existence for many years and is known to be among the best and fastest ways to connect local external hard drives or disk arrays to a computer, Apple strangely has been the only computer manufacturer to my knowledge which has not yet offered a direct eSATA port on any of its computers. Even way back in the Apple G5 tower era, I used to add eSATA ports to high-end video editing systems I integrated, and this of course has continued with the MacPro (Intel) era of Apple towers. The lack of direct eSATA port on all other Macs Mac, MacBook(Pro), and Mac Mini] has sadly meant that video editors have had to settle for slower FireWire 800 speeds… until now. The highly… more »

(9) Comments: • Most recent comments by: Allan Tépper, harryllama, Allan Tépper, June, Allan Tépper, evandroc, Jim Hines, Allan Tépper, victor264,


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XDCAM® HD decks and Closed Captions

The Sony Tech Guy | 07/15

Streamlining the Closed Caption process

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Concern for the hearing impaired initially led Congress to mandate closed captions.  But captions have also become valuable to English language learners, barkeepers and restaurateurs.  Now Sony XDCAM® HD studio decks make closed captioning infrastructure a little bit easier.

more »

Modern R&B Music Construction Kits

Chris Meyer | 06/13

A set of three sound libraries to help you create your own hip-hop and R&B-oriented soundtracks.

One side effect of the maturation of desktop tools has been that our clients and employers expect us to do more - for example, an editor is often expected to also do some motion graphics and sound editing; a motion graphics artist may be expected to come up with the soundtrack as well. Fortunately, several desktop-based sound tools - such as Apple’s GarageBand and Soundtrack Pro, Adobe’s Audition and Soundbooth, Propellerhead’s Recycle and Reason, Ableton’s Live (my weapon of choice), and Sony’s ACID Pro (the pioneer of them all) - make it easier for a doodler with a good ear to create a soundtrack out of a box full of sound snippets. These snippets usually consist of musical phrases that may be repeated… more »

Sony NEX-VG10 interchangeable lens camcorder announced

Matt Jeppsen | 07/14

Sony’s first answer to video DSLRs

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Some time back, we mentioned a Sony teaser about an upcoming HD camcorder model that would feature interchangeable lenses and be compatible with Sony’s line of Alpha lenses. Since then, Sony has showed off a soon-to-ship point and shoot DSLR with similar capabilities, the NEX-5 (and it’s little brother, the NEX-3). I’ve had the opportunity to shoot extensively with pre-production and production versions of the NEX-5, and it’s a sweet little camera, though clearly… more »

(28) Comments: • Most recent comments by: deepfreezevideo, Matt Jeppsen, deepfreezevideo, speciallens, babayhakim, شات ماشى, IEBA, Videoacademy, Burn-E, Zen Violence Films,

Canon EOS 7D—Studio Version

Clint Milby | 08/04

What current 7D owners will be missing, and what studio photographers will be getting…

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News of a new Canon 7D hit the net last Friday sending everyone into an absolute tizzy. If you listened closely you could hear the sound of a collective gasp from all the current 7D owners (self included) who thought their camera was now obsolete. 

more »

(2) Comments: • Most recent comments by: pop121, larryfine451,



Review: Get - Phonetic searching for Final Cut Pro
Scott Simmons

If you need to search your FCP media via words and spoken content then Get is for you.

Rarevision 5DtoRGB vs MPEG Streamclip for transcoding
Matt Jeppsen

Another handy tool for DSLR footage transcoding

The Best of Stunning Good Looks
Art Adams

A directory of my best articles, sorted by topic.

Canon 5D: How much dynamic range does it have, really?
Art Adams

The DSC 102db chart doesn’t lie: This is what it tells us about how the 5D sees the world.

Shane Hurlbut’s HDSLR Revolution
Clint Milby

Legendary ASC discusses how the HDSLR changed his life, and how it will change yours…

Canon Strikes Back!
Clint Milby

New 60D Boasts Improved Audio and Adjustable LCD at $1099.00

Sony’s Full Frontal Assault On the HDSLR Market Continues…
Clint Milby

Two new cameras with truly innovative features

Wes’ Home Depot How-To
Scott Simmons

As in how they made a Home Depot spot with a bit of post behind the scenes

AdobeCS5 and nVidia:  First Impressions Part 3
Bruce A Johnson

It Ain’t All Skittles And Beer…

My Love Affair with Alexa
Art Adams

When the camera sees more than my light meter does, it’s time to acknowledge that the game has truly changed.

Burn-in timecode will make your client happy
Scott Simmons

You can add BITC in both Media Composer and FCP (Premiere Pro too) but one is better than the other

Redrock Launches New “nano” Line of DSLR Rigs and Accessories
Clint Milby

Compact, Economical Rigs Deliver Professional Quality on a Budget

Add eSATA to a 27” iMac and untap RAID speeds of 3.3 times faster than FireWire 800
Allan Tépper

OWC’s new eSATA modification for 27” iMac (mid 2010 models) makes it much more attractive for serious video editing systems

Twice as Nice?
The Sony Tech Guy

Half truths about MPEG-2 vs. AVC-I compression

A Big Bargain On A Great Tool!
Bruce A Johnson

Pogoplug For Cheap!


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