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Pro Video Coalition

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FCP X, Photoshop, and RAW

On this week's MacBreak Studio

By Mark Spencer | May 21, 2013

This week on MacBreak Studio, Steve Martin from Ripple Training gives us some tips on working with RAW images in Final Cut Pro X.

We've talked about RED RAW workflow in an earlier episode of MacBreak Studio - how you can work with these RAW video files natively in FCP X,... Read More

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Whip (swish) pans in After Effects & Premiere

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Some tools and tutorials

By Rich Young | May 22, 2013

A whip or swish pan describes the motion of a fast camera move, as in following a passing train or spaceship. Because of motion blur, it's most often used to smooth transitions between abrupt cuts of shots or scenes. While this is often done in post, Adobe doesn't include dedicated tools for this effect, so here are some 3rd-party filters and tutorials you can use to construct whip pan transitions in After Effects and Premiere Pro.

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What’s In a Name?

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On the differences among grading controls and operational ordering

By Alexis Van Hurkman | May 20, 2013

In this week's somewhat detail-oriented "Answers Occasionally Given," I start out tackling the differences among color and contrast controls with similar names; in particular, the difference between Lift, Shadow, and Offset controls. Then, I move on to a reader's question about the best stage of a multi-operation color adjustment in which to adjust Luma. It's GRIPPING, I tell you…

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Canon XA20 and XA25 take key steps towards Beyond AVCHD

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I am ecstatic that Canon has taken the first steps towards Beyond AVCHD, and I hope the other cam manufacturers do the same soon

By Allan Tépper | May 24, 2013

Earlier this week I published the Beyond AVCHD Manifesto. Simultaneously, I mentioned that the Canon XA20 and XA25 are the first professional AVCHD video cameras to take serious steps to comply with Beyond AVCHD. In this article, I’ll cover exactly what these two models have... Read More

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Canon answers most of Tépper’s questions about XA20/XA25

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Canon answered most of my questions about their new cameras.

By Allan Tépper | May 24, 2013

Recently, I sent a list of questions to Canon’s public relations department about the new XA20 and XA25 cameras. A couple of weeks later, I got answers. Most were excellent news; some were unclear; while some were bad news for the short term, although could possibly improve via... Read More

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Roto Brush Parameter Changes

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After Effects CC brings some changes to previous Roto Brush parameters

By Chris and Trish Meyer | May 24, 2013

As we mentioned yesterday, the Refine Edge tool is one of the most significant new tools added to After Effects CC (due to be released June 17). Refine Edge is built on top of the Roto Brush took, which was originally introduced in AE CS5. A side effect of this is that some parameter names and ranges associated with Roto Brush are changing in AE CC. The following movie reviews some of those changes:

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Ice Cold Gold editor tweets a ton of Avid tips

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It's only 140 characters but you can make some good tips in a small space if you try

By Scott Simmons | May 23, 2013

Twitter is always a good place to chat about film and video post-production. It’s also a great place to pick up tips and tricks. Recently editor David Michael Maurer spent his Twitter day tweeting a slew of Avid Media Composer tips and tricks. It’s often tricky to distil a complex editing tip into 140 characters but Mr. Maurer did a good job. Since not everyone who would like to see some good Avid tips is on Twitter I’ve reposted those here, with permission.

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Using the new Refine Edge Tool in After Effects CC

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Keying hair (and more) without a greenscreen

By Chris and Trish Meyer | May 23, 2013

Every time After Effects or any other major tool you use is updated, you go through a decision process of whether or not to buy the upgrade. Adobe has upped the ante this cycle by announcing the end of permanent licenses for most of their software; from now on, their major apps are only available through their Creative Cloud subscription model. We’ve avoided publicly joining the Creative Cloud debate (we happen to actually be subscribers, and we’re very happy - while also realizing it may not work for everyone), but in the meantime, we wanted to share with you more about some of the significant new features in the Creative Cloud version of After Effects so you can be better informed about your upgrade decision when the June 17 release date rolls around.

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Videoguys Insider Update May 2013

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It's been a very busy spring for all of us at Videoguys.com

By videoguys.com | May 23, 2013

We had a great NAB show, and we picked up some really exciting new products.  We'll go into that in more detail in this newsletter.

Get Live Help! 800-323-2325

Videoguys offers FREE Pre-Sales Advice & Live Technical Support on 1,000s of Items Available at Videoguys.com... Read More

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I miss digitizing footage from video tape

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In today's way-too-much-footage file-based world that realtime capture feels like an old school luxury

By Scott Simmons | May 21, 2013

Ok, I’m going to just come right out an admit it … I miss digitizing. For those young ‘uns unfamiliar with the term that would be the process of actually having to take a video tape and capture that into the computer for editing. Some folks call it ingest, others do use the term capture but I’ve always referred to it as digitizing. I used to hate it but now I miss it. Sometimes I miss it a lot. Is that crazy?

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HDSLRShooter at NAB 2013: Carl Zeiss Compact Zoom 28-80

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Lightweight Zoom Lenses Feature Interchangeable Mount System

By Clint Milby | May 20, 2013

When you're considering what to invest your money into in regards to camera equipment what comes to mind?  Some may say the camera body, but with technology changing moment to moment the body is  one of the most disposable pieces of a camera rig.  At best you may be... Read More

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Sony NX30: currently best in its class, yet improvable

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The NX30 beats its bigger sister the NX70 in a few areas, but is yet to be upgraded to Beyond AVCHD.

By Allan Tépper | May 20, 2013

Thanks to Miami dealer and rental house Midtown Video and later to PRODU.com, I had a brief opportunity to test the Sony NX30, the NXCAM camcorder I’ve come to call the “little sister” of the NX70, which I covered in detail last year. Officially called the HXR-NX30... Read More

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Beyond AVCHD: a proposed new standard for AVCHD cam manufacturers

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Herein you’ll find the Beyond AVCHD Manifesto.

By Allan Tépper | May 20, 2013

Back in November 2011, I published an Open Letter to professional AVCHD camera manufacturers. In that Open Letter, I clarified what I liked about the then current offering of pro AVCHD cameras;pointed out details I found inappropriate especially for pro users; and made requests. Now I am going... Read More

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Premiere Pro News Notes #02

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Creative Cloud, the Timeline, aspect ratios, Encore DVD, color, and more

By Rich Young | May 20, 2013

A series of as-they-come notes on news of assorted Premiere Pro tutorials, tips, and related tools continues.

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After Effects ExtendScript Training: Ep. 7

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ExtendScript Script Writing Training

By David Torno | May 18, 2013

Welcome to episode 7 of the After Effects ExtendScript Training series. This week we will be creating new comps and folders as well as creating Nulls, Solids and Text layers.

 

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Review: CamRanger Wireless DSLR Remote Tether for iPad

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By Tony Donaldson (Via PPC - Pro Photo Coalition) | May 15, 2013

The CamRanger is a small, white, wireless controller for your camera. It attaches to your Canon or Nikon DSLR (Full list available at http://www.camranger.com/supported-cameras/) via USB cable. From there, download the CamRanger app to your iPhone, Tablet or Mac.

It allows you to... Read More

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NAB 2013: Manfrotto 500 Series Tripod Head & Fluid Monopod

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Light weight 500 Series Head With Tripod/Monopod Options Perfect HDSLR Production

By Clint Milby | May 14, 2013

 

The last of their 'Bridging Technology' series, Manfrotto's new lightweight fluid video tripod head was released during NAB 2013. The new 500 tripod heads will come with four different tripods, two carbon fiber and two aluminum, and is able to hold up to 11... Read More

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NAB 2013: Atomos Ninja-2 Price Drop & DSLR Support

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HDMI Field Recorder Now Compatible with 5D Mark III

By Clint Milby | May 14, 2013

After discovering Atomos back in January of 2013 at the San Francisco Supermeet, I was intrigued by the Ninja-2 especially when I realized a pending firmware update for the 5D Mark III would make it compatible with the Ninja-2.  

This portable field recorder and... Read More

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Archiving Final Cut Pro X Projects and Media

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This Week on MacBreak Studio

By Mark Spencer | May 14, 2013

This week on MacBreak Studio, Steve Martin from Ripple Training talks about archiving your projects in Final Cut Pro X.

Once you've delivered your edit to your client, they've approved it and you've been paid, how do you go about saving that project and storing it... Read More

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NAB 2013: Canon XA20 & XA25 Camcorder

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New Entry Level Pro Camcorders Boast AVCHD, XLR Audio Inputs, a SDI Option, and iphone Integration

By Clint Milby | May 13, 2013

Canon released to new entry level pro camcorders at NAB 2013, the XA20 and XA25. 

The XA20/XA25 both posses a "...new high-sensitivity 2.91-megapixel 1/2.84-inch HD CMOS image sensor and the new Canon DIGIC DV 4 image processor",... Read More

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