|
Scott Simmons | 05/28
A bunch of questions we didn’t have time to answer after the recent FCPX Multicam webinar
A couple of weeks ago I hosted a webinar with Moviola Filmmaking Webinars centered on multicam editing in Final Cut Pro X. These webinars are free to attend and available after for purchase on-demand. There’s always a ton of questions we don’t have time to answer so I thought I’d try and answer 30 of them here in a blog post.
more »
(1) Comments: •
Most recent comments by:
Mark Spencer,
Scott Simmons | 05/26
Studio Daily posted the review last week after pounding the thing on a number of edits
Last week Studio Daily published my Adobe Premiere Pro CS6 review. It’s a longie but a goodie as I tried to go into detail about what I really like and what I kinda don’t like about this brand new Premiere Pro. I had been pounding it hard on several projects before writing the review. I have had a few questions about exactly what kind of jobs I’ve been working on with it.
more »
Art Adams | 05/24
Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…
I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…
more »
Sponsored Article by ARRI
Jeremiah Karpowicz | 05/25
See why this light is in such high demand
We asked John Gresch, ARRI Vice President of Lighting Products, to tell us more about the products ARRI had to show at NAB 2012 and he gave us some details about the ARRI M40. It offers more light than what you’d get from a traditional power lamp and features the ARRIMAX reflector.
more »
Jeremiah Karpowicz | 05/22
Check out two on-camera lights that were featured at the show
We have more from Litepanels as Toby Sali showed us their newest on-camera lights from the floor of NAB 2012. He gives us some details about the Luma, which is a daylight only light, and the new Chroma which is a bi-color light.
more »
Sponsored Article by Adobe
Jeremiah Karpowicz | 05/24
See how the lens fits onto and works with the camera
Niki Mustain from Schneider Optics took the time to tell us about the Tilt/Shift Lenses they were showing off at NAB. The high-resolution optics are combined with a precise zero-play mechanism in a lens housing ensuring long-term stability required for professional photography.
more »
Jeremiah Karpowicz | 05/24
The SWIFT JIB50 was on display at NAB 2012
We talked with Jose Larios, Sales and Marketing for Libec of America, to learn more about their SWIFT JIB50. The product is equipped with a telescopic arm that can be easily adjusted by simply turning the arm’s lock levers. In addition, the jib can be retracted at both ends.
more »
Sponsored Article by Createasphere
Jeremiah Karpowicz | 05/18
Learn about what we discovered when we stopped by the Orad booth
Shaun Dail from Orad took the time to tell us about what they had to show and talk about at NAB 2012. He tells us about TD Control, a sports specific MAM system as well as their virtual studio that was on display at the show
more »
Jeremiah Karpowicz | 05/16
Take a look at the ExpressSAS 6Gb/s Host Bus Adapters
Jeff Okonczak from ATTO Technologies took some time to tell us about what they were showing off at NAB 2012. He lets us take a look at the ExpressSAS 6Gb/s Host Bus Adapters (HBAs) which deliver the fastest available connection to SAS or SATA tape or disk storage.
more »
Todd_Kopriva | 05/22
Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.
In December 2011, the 12th quadrennial Arab Games took place in Doha, Qatar at Khalifa International Stadium. As part of the planning process for the Doha games, the world-renowned event production agency, David Atkins Enterprises (DAE), was commissioned to conceive and produce the opening and closing ceremonies. Following this commission, DAE contracted Australian digital design and video production specialists, Digital Pulse, to produce the animated visuals for the opening ceremony including the athletes’ parade and cultural segments. Far from a conventional production canvas, the animated visuals that the Digital Pulse team were to produce for the event would…
more »
Michelle Gallina | 05/10
CS6 Production Premium Road Show
Join Creative Suite video experts for a free, in-depth seminar featuring the new Creative Suite 6 Production Premium. Discover the killer new features, and meet partners with complementary offerings that—when combined with CS6 Production Premium—deliver new workflows that work and flow. Here’s what you’ll see:
•How Adobe Creative Cloud helps you break down creative barriers and revolutionizes the art of video production.
•The redesigned Adobe Premiere Pro CS6—the hub of your post-production workflow. With a streamlined user interface, powerful new trimming tools, and other creative advancements, you’ll see why more and more professional editors are turning to Adobe Premiere Pro.
•A faster, more productive After Effects CS6 featuring new features such as Global Performance Cache and the 3D Camera Tracker that add up to what is rumored to be the biggest After Effects release…
more »
Sara Frances | 05/26
Super Heroic efforts rule the digital universe,
where we’re all acquiring and creating media at an alarming rate—media that requires vast amounts of storage space. If your clients are like mine, they are remarkably unsophisticated, sometimes even careless, about how and why to protect the valuable images we make for them. Drobo® changes all that. When they come crying to you, wouldn’t it be great to be the hero and say, “yes, I’ve got you covered!”
more »
Mark Spencer | 05/23
On this week’s MacBreak Studio
On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.
more »
Chris and Trish Meyer | 05/21
...plus an update on what’s next for the Apprentice series.
As we mentioned what now seems like ages ago, we spent a year and a half creating an extensive, multi-course video training series based on our popular beginner’s book After Effects Apprentice. The introduction plus one or more additional videos from each course are available for free preview; we re-posted here on PVC the videos that contain tips and instruction you might find useful. Well, the series is done, and we’re off writing the next edition of the book. But before we go, we had one last video to share with you, which may be…
more »
|
