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Pro Video Coalition

Getting Started with BCC Lite for Media Composer Part 2

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In Part 1 we looked at BCC Colorize and Lens Flare 3D, now let's check out BCC Scanlines & Swish Pan

By Kevin P. McAuliffe | August 07, 2014

As most Media Composer editors are now aware, BCC is no longer included in your Media Composer Symphony upgrade.  That's because with your monthly subscription, you are now getting Symphony included.  But, that doesn't mean that you're without some awesome BCC effects to get you moving in the right direction.

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Helpful Ways for Cinematographers to Get a Grip on Lighting Part 2

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Part 2: The Checker Board Pattern Method

By Bobby Marko | August 07, 2014

The last post we talked about how to get a proper initial setting when lighting your subject/foreground and background. If you missed it, check out Part I: Foreground and Background Exposure. For this post I wanted to take that initial step and move a little more in depth and talk about lighting scenes with the checkerboard pattern.

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From under the sea to outer space

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Award-winning host of underwater documentary series tackles the world’s first live-action planetarium film using Creative Cloud

By Meagan Keane | August 07, 2014

Cinematographer Jonathan Bird is one of the lucky ones. He’s successfully combined his love for scuba diving and photography into an award-winning career. After more than a decade of delivering underwater photography and video to National Geographic and Discovery Channel, Bird started his... Read More

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A Guide to Picture Profiles in DSLR Video

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There are multiple picture profiles for DSLRs, to satisfy different tastes. Because the "correct profile" does not exist!

By Jose Antunes | August 07, 2014

Too much choice can be confusing, and that is what happens with picture profiles for video. Everybody seems to have one that is "the best". Sometimes, in fact, the best is to not follow the trend and do things in a simple way. Starting by understanding what profiles are and what they do.

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Key Code Media Presents: Professional Editing With The Apple Mac Pro

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Key Code Media invites you to an exclusive look at Non-Linear Editing on the Mac Pro on August 14th

By PVC News Staff | August 07, 2014

Come see industry experts from Avid and Adobe demonstrate the power of editing on the Mac Pro. Whether cutting on Avid Media Composer | Software or Adobe Premiere Pro, the dual workstation-class GPUs in Mac Pro accelerate effects, optical flow analysis, video export — and virtually... Read More

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Blackmagic Design Announces DaVinci Resolve 11 is Now Shipping

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Major update adds professional nonlinear online editing features, new ColorMatch, on set media management and plenty more

By PVC News Staff | August 06, 2014

Blackmagic Design today announced the release of DaVinci Resolve 11, available now for download free of charge for all existing DaVinci Resolve customers. DaVinci Resolve 11 is a major upgrade with over 100 new editing and color grading features. This new update includes professional nonlinear... Read More

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Advertisement

UPDATE - PVC Experts & Answers Webinar: UAV’s, Green Screens and Post

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Watch the archived presentation and read through some answers to the questions we weren't able to take

By PVC News Staff | August 05, 2014

The ability for folks of all different production experiences and skill levels to be creative has never been more powerful. UAV's (unmanned aerial vehicles) allow anyone from a major motion picture director to a realtor grab footage that showcases their content in an amazing new light.... Read More

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A Tale of Two Thunderbolt Drives

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The AKiTio Neutrino Thunder Duo and the Other World Computing ThunderBay IV

By Scott Simmons | August 05, 2014

If you’re lucky enough to have Thunderbolt in your workflow then you know the joys of its ease of use and insanely fast transfer speeds. Whether that’s moving multiple gigabytes of data in a few seconds or getting well over 700 megaBYTES a second transfer speeds while editing, Thunderbolt is a massive step up from Firewire and eSATA. This is a story of two very nice, very fast Thunderbolt RAIDs: the AKiTio Neutrino Thunder Duo and the Other World Computing ThunderBay IV . Have both of these in your arsenal and you’re all set for a variety of editing tasks.

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Initial review: iRig Mic HD from IK Multimedia

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iRig Mic HD is a handheld digital mic from IK Multimedia

By Allan Tépper | August 05, 2014

I am honored to be one of a few tech journalists who have received the iRig Mic HD from IK Multimedia for initial review. The iRig Mic HD is a handheld digital-exclusive mic, made for use with iOS (iPad/iPhone/iPod Touch), Mac and Windows and produces rich and full bodied sound recordings (and this is not a shampoo commercial). I have a lot to say about the iRig Mic HD, so let’s get started.

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The Improved Voiceover Tool in FCP X

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This Week on MacBreak Studio

By Mark Spencer | August 05, 2014

Can you record a voiceover track directly into Final Cut Pro X?

Yes, and you've been able to do it since the very first version of Final Cut Pro X was released. However, in the recent 10.1.2 update, Apple added several new features which make this tool more useful than... Read More

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RT and DirecTV Sports go beyond conventional mic flags

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Using a technique virtually unused in the US, networks like RT and DirecTV Sports are getting better branding on their mics.

By Allan Tépper | August 04, 2014

Most people who produce sports or news for TV know that branding is important, both on location (with signs and mic branding) and on screen (via electronic graphics). That is nothing new. However, I have recently seen how two TV networks from outside of the US are taking advantage of a device —and a technique— that grants them better branding by going beyond conventional mic flags.

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Handheld vocal microphones: a trend towards condenser electret?

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Have an open mind to condenser electret when considering new handheld interview microphones, together with traditional dynamics.

By Allan Tépper | August 04, 2014

With new handheld vocal microphones I am currently testing for reviews, there is a new trend toward condenser electret, which challenges the long established thinking. In traditional ENG (Electronic News Gathering), for decades there has been a preference for dynamic handheld interview mics. One of the reasons for that is because dynamics are generally much more durable. However, several factors are changing, so we must have an open mind when evaluating.

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Theatrical Television

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Large screen projection was a gleam in television’s eye long before today’s digital systems

By Richard Wirth | August 04, 2014

Television has been trying to grow up and be a projection medium since its inception.  With the advent of digital, the little box of light and shadows has finally gotten its big boy pants and even whipped its big brother, film, to take over supremacy in the theatrical world.

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Essential Kit for DSLR Videography

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Buying your first equipment to create video with your DSLR camera? Then you should read this guide!

By Jose Antunes | August 01, 2014

You've got your DSLR with video capabilities and just decided you want to try them out. Imagine you had $500 to spend on accessories. What should you buy?

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Helpful Ways for Cinematographers to Get a Grip on Lighting

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Part I: Foreground and Background Exposure

By Bobby Marko | July 31, 2014

I spent the 1st half of this year releasing two films, a feature length documentary and a short film narrative (Becoming Fools and Fruitcake respectively). Through this process I've attended screenings and festivals of our own films and for others. I've also sat through several Q&A's with independent filmmakers and although I love hearing how other creatives move through the process of producing their work I sometimes get increasingly frustrated with the fact that camera gear takes such a center stage while lighting, composition, sound design and production design take a distant back seat.

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Premiere Pro News Notes #08

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Catching up on the latest news

By Rich Young | July 31, 2014

A series of as-they-come notes on news of assorted Adobe Premiere Pro tutorials, tips, and related tools continues. And there's more to come. Read More

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The dawn of CFast video recording

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A tiny CFast chip now rivals HDCAM SR tape, and a US$50 CFast reader now rivals an HDCAM SR deck which typically costs US$50k +

By Allan Tépper | July 31, 2014

The first CFast devices were shown at CES in 2009, but NAB 2014 was the first time I saw professional video products using it. CFast is a derivative format of CompactFlash which offers the very high bit rates required by virtually lossless intraframe 10-bit 4:2:2 códecs like ProRes 422 and DNxHD for HD, and even for 4K. The pioneers I saw using it were Átomos and Blackmagic. A tiny CFast chip now rivals an HDCAM SR tape, and a US$50 CFast reader now rivals an HDCAM SR deck which typically costs well over US$50k. Ahead are the details.

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Relatively Speaking, Absolutely!

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This Week on MacBreak Studio

By Mark Spencer | July 31, 2014

 

Absolute or Relative?

It's up to you, as you'll discover in this week's episode of MacBreak Studio, in which Steve and Mark from Ripple Training continue their exploration of the feature enhancements in the 10.1.2 update to Final Cut Pro X.

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Your 4K Questions Answered

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Participants of the live webinar answer all of the questions that came in during the event

By Jeremiah Karpowicz | July 30, 2014

During the live "The Benefits of Using 4K Now" webinar, presenters James Fox, Geoff Peck and Scott Hamilton presented info that content creators need to consider in the present and future when it comes to 4K. As the CEO and VP of Technology at Dawnrunner, respectively, James and Geoff discussed... Read More

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Sharknado 2 and Vashi’s Premiere Pro Editorial Workflow

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You can use Adobe Premiere Pro CC to edit feature films. Sharknado 2's editor tells us how.

By Scott Simmons | July 29, 2014

Sharks and tornados go together so well that Syfy is on their second round of Sharknado movies with Sharknado 2: The Second One. This second coming of sharks and tornados was edited on Adobe Premiere Pro CC by Vashi Nedomansky (IMDB) as he shoehorned PPro into what has traditionally been a Final Cut Pro Classic workflow. I was curious as to how the process went (and feature film editing in general on tools other than the standards) so I sent over a list of questions that Vashi was kind enough to answer. Watch the mayhem on July 30 at 9/8c on Syfy.

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