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Pro Video Coalition

First Look: DJI S1000 Octocopter with EOS 5D MKIII

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Video Review of the Latest Multirotor UAV for Serious Aerial Cinematic and Photographic Imagery

By Jeff Foster | May 28, 2014

I recently had the opportunity to interview photographer Stephen Wheatcraft with his new DJI S1000 UAV and get a full run-down on the setup and operation of the craft and camera.

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Discover the Present and Future of Premiere Pro

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Richard Harrington tells us what to expect at the upcoming Premiere Pro World Conference

By Jeremiah Karpowicz | May 28, 2014

Conferences of different shapes and sizes take place at various times throughout the year, but the Premiere Pro World Conference is set to be very different. Taking place this July, the three-day training conference brings together world-renowned industry experts, the Adobe Premiere Pro team... Read More

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Which Sony Camera is Going to Work Better for Your Production, the PXW-Z100 or PMW-300?

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A review of both cameras to help you make the right choice

By Alister Chapman | May 28, 2014

I decided to review both of these cameras together. Why? Well because many of the people I have met recently have been looking at both of these cameras as possible options. The price of both of these cameras is very similar, yet both cameras are actually quite different. On the one... Read More

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Wriggle it - just a little bit

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Creating a hand drawn stop motion look in After Effects

By ChrisZwar | May 27, 2014

Hand drawn and stop motion animations have a very distinct look.  Every frame is slightly different, and when played back at full speed those small differences can add visible character and warmth to the end result - think of the Red Bull ads that have run for many years, or the opening... Read More

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Filmmaking dreams realized

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Talented Swedish director edits first feature film using Adobe Creative Cloud and Adobe Premiere Pro CC

By Meagan Keane | May 27, 2014

Pablo Fernandez began his career at 15, working as a full-time graphic designer. His father owned a successful Swedish advertising agency and growing up surrounded by creativity greatly influenced his style and passion for design. By the age of 18 he owned his own production company and was... Read More

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Animated Tilt-Shift in Final Cut Pro X

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This Week on MacBreak Studio

By Mark Spencer | May 27, 2014

This week on MacBreak Studio, Steve Martin from Ripple Training shows us an unusual application for the SliceX plugin for Final Cut Pro X.

SliceX and TrackX are plugins from CoreMelt that work inside Final Cut Pro X and are powered by Imagineer's Mocha planar tracking... Read More

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Free Video: Quick & Easy White Balance Adjustment

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Use blending modes in After Effects or Premiere Pro

By Chris and Trish Meyer | May 27, 2014

A couple of months ago, we released a video training course titled Adobe Premiere Pro and After Effects: Enhancing Production Value on spinning the straw clients often give us into visual gold. One of the movies in that course demonstrated a dead-easy white balancing trick that removed color tints from footage using Blend Modes:

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HitFilm plug-ins for NLEs and After Effects

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By Rich Young | May 27, 2014

In April, FxHome spun off most of the plug-ins from HitFilm, their affordable After Effect "clone" app, into a new product, HitFilm Plugins. With over 130 plug-ins for visual effects, compositing, and color grading, the package supports After Effects, Final Cut Pro X, Premiere Pro, Sony Vegas, and Apple Motion on two computers for all hosts on Mac and Windows.

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Free Video: After Effects CC Text Templates for Adobe Premiere Pro

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Get up to speed on this important new feature in the next release of After Effects and Premiere Pro CC

By Chris and Trish Meyer | May 24, 2014

Several weeks ago, we wrote about some of our favorite new features promised for the next update to After Effects CC (Creative Cloud). Since then we’ve produced a series of videos about these features; below is one about using After Effects to create animated text templates for Premiere Pro CC.

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Animating the Hand of God

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When your hand-drawn animation is literally hand drawn

By ChrisZwar | May 23, 2014

In the film & TV industry, voice-over narration is sometimes referred to as "the voice of god".  So when I was stuck thinking of a way to describe images that are drawn on by an invisible animator, it seemed fitting to refer to the style as "the hand of god".

Having motion... Read More

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Review and Approval Options for Video Pros

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Vimeo's new Copyright Match on private videos means many editors might be looking UPDATED 5/23/14

By Scott Simmons | May 22, 2014

Vimeo has dropped a bomb on their community with the May 21 announcement of Copyright Match on Vimeo. Of course this sent the internet into a tailspin as any big change in a useful, popular service always does. It has also sent a lot of content creators, filmmakers and editors into orbit as they have used Vimeo and its private link option as a review and approval service for their clients. It is easy to use and share private links but Vimeo was never meant to be a review and approval service. Thankfully there are a lot of R&A services out there. READ ON FOR A 5/23/14 UPDATE FROM VIMEO.

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Learning About the How AND Why When It Comes to Cinematography

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Art Adams tells us about his career, the industry and what you can expect from his upcoming lighting class

By Jeremiah Karpowicz | May 21, 2014

Art Adams is a man who needs no introduction to ProVideo Coalition readers. His channel on PVC, Stunning Good Looks, is a collection of invaluable information for cinematographers, but folks on every side of a production can find something of interest in them. As great as it is to read about... Read More

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BCC 9’s FX Browser

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Find your looks quick and simple with this much needed addition to Boris Continuum Complete!

By Kevin P. McAuliffe | May 20, 2014

The addition of the FX Browser to almost every effect across Boris Continuum Complete makes picking the right look quick and easy!

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BCC 9 AVX New Features Round-Up

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Media Composer Editors take note! There are some great new additions to BCC9 AVX

By Kevin P. McAuliffe | May 20, 2014

With BCC now not being included in any Media Composer purchase or monthly license, the decision to upgrade becomes an important one.  Boris FX needs to put the right tools into BCC9 that will make it worth while for editors to upgrade.  Well....let me tell you....they did!

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Dissecting the recent Adobe Creative Cloud outage

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Personally I was fine but curious as to who was hit and why

By Scott Simmons | May 20, 2014

Unless you were living under a rock last week you most likely heard that Adobe’s Creative Cloud service suffered a major outage. You may have even been affected by it. Or quite possibly you worked right through it using your Adobe apps and never knew it was happening. Maybe you knew it was going on but your Adobe apps hummed right along. I worked right through the whole thing in Premiere Pro CC . I was curious as to exactly who was affected and what those situations were so I took to Twitter to try and find out.

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Final Cut Library Manager

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This Week on MacBreak Studio

By Mark Spencer | May 20, 2014

It's 10 o'clock; do you know where your libraries are?

And even if you do, do you know what's in them? This week on MacBreak Studio, I talk with Steve Martin from Ripple Training about an indispensable application if you use Final Cut Pro X.

I love the... Read More

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The pCam Film + Digital App

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The one app for cameramen.

By Brian Hallett | May 19, 2014

If there was one app... and only one app you could carry on your iPhone/iPad/ and iPod Touch then the pCam app is it.  It is my go-to shooting app.  It, quite literally, has more than a little bit of everything and will help with those on-set calculations to be done quickly and smoothly.   

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Inside the After Effects camera

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A technical overview for scripters and expressioneers

By ChrisZwar | May 18, 2014

One of the most powerful features of After Effects is the ability to work with 3D layers and a virtual camera.  While it is simple to add a camera to a composition and animate it, greater creative control over the end result can be achieved with a basic technical understanding of how... Read More

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Avid ships their new Media Composer with new licensing options

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While a few things are missing this is a new era for Media Composer

By Scott Simmons | May 18, 2014

It was announced at NAB and now it’s shipping: the next version of Avid Media Composer which looks to be version 8. I had heard that Avid was going to move away from version numbers with the new subscription program but you might see the v8 designation which is this new version. The official name is now Media Composer | Software for that downloadable version most of us will use.

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Nebula construction in After Effects

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By Rich Young | May 17, 2014

Nebulas can be created several ways in After Effects: with "cards in space" of real images, or generated by Fractal Noise or 3D particle systems, commonly fractal-displaced particle arrays like Trapcode Mir, Form, Hitfilm Atomic Particle, and other particle systems.

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