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Pro Video Coalition

Learning About the How AND Why When It Comes to Cinematography

Learning About the How AND Why When It Comes to Cinematography

Art Adams tells us about his career, the industry and what you can expect from his upcoming lighting class

By Jeremiah Karpowicz | May 21, 2014

Art Adams is a man who needs no introduction to ProVideo Coalition readers. His channel on PVC, Stunning Good Looks, is a collection of invaluable information for cinematographers, but folks on every side of a production can find something of interest in them. As great as it is to read about... Read More

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BCC 9’s FX Browser

Learning About the How AND Why When It Comes to Cinematography

Find your looks quick and simple with this much needed addition to Boris Continuum Complete!

By Kevin P. McAuliffe | May 20, 2014

The addition of the FX Browser to almost every effect across Boris Continuum Complete makes picking the right look quick and easy!

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BCC 9 AVX New Features Round-Up

Learning About the How AND Why When It Comes to Cinematography

Media Composer Editors take note! There are some great new additions to BCC9 AVX

By Kevin P. McAuliffe | May 20, 2014

With BCC now not being included in any Media Composer purchase or monthly license, the decision to upgrade becomes an important one.  Boris FX needs to put the right tools into BCC9 that will make it worth while for editors to upgrade.  Well....let me tell you....they did!

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Dissecting the recent Adobe Creative Cloud outage

Learning About the How AND Why When It Comes to Cinematography

Personally I was fine but curious as to who was hit and why

By Scott Simmons | May 20, 2014

Unless you were living under a rock last week you most likely heard that Adobe’s Creative Cloud service suffered a major outage. You may have even been affected by it. Or quite possibly you worked right through it using your Adobe apps and never knew it was happening. Maybe you knew it was going on but your Adobe apps hummed right along. I worked right through the whole thing in Premiere Pro CC . I was curious as to exactly who was affected and what those situations were so I took to Twitter to try and find out.

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Final Cut Library Manager

Learning About the How AND Why When It Comes to Cinematography

This Week on MacBreak Studio

By Mark Spencer | May 20, 2014

It's 10 o'clock; do you know where your libraries are?

And even if you do, do you know what's in them? This week on MacBreak Studio, I talk with Steve Martin from Ripple Training about an indispensable application if you use Final Cut Pro X.

I love the... Read More

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The pCam Film + Digital App

Learning About the How AND Why When It Comes to Cinematography

The one app for cameramen.

By Brian Hallett | May 19, 2014

If there was one app... and only one app you could carry on your iPhone/iPad/ and iPod Touch then the pCam app is it.  It is my go-to shooting app.  It, quite literally, has more than a little bit of everything and will help with those on-set calculations to be done quickly and smoothly.   

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Inside the After Effects camera

Learning About the How AND Why When It Comes to Cinematography

A technical overview for scripters and expressioneers

By ChrisZwar | May 18, 2014

One of the most powerful features of After Effects is the ability to work with 3D layers and a virtual camera.  While it is simple to add a camera to a composition and animate it, greater creative control over the end result can be achieved with a basic technical understanding of how... Read More

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Avid ships their new Media Composer with new licensing options

Learning About the How AND Why When It Comes to Cinematography

While a few things are missing this is a new era for Media Composer

By Scott Simmons | May 18, 2014

It was announced at NAB and now it’s shipping: the next version of Avid Media Composer which looks to be version 8. I had heard that Avid was going to move away from version numbers with the new subscription program but you might see the v8 designation which is this new version. The official name is now Media Composer | Software for that downloadable version most of us will use.

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Nebula construction in After Effects

Learning About the How AND Why When It Comes to Cinematography

By Rich Young | May 17, 2014

Nebulas can be created several ways in After Effects: with "cards in space" of real images, or generated by Fractal Noise or 3D particle systems, commonly fractal-displaced particle arrays like Trapcode Mir, Form, Hitfilm Atomic Particle, and other particle systems.

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Bentley Motors does high-end short, shot on iPhone 5s

Learning About the How AND Why When It Comes to Cinematography

It lasts 4:25 including the making-of.

By Allan Tépper | May 16, 2014

Thanks to Jeff Taylor of TeleverseStudios.com, I just became aware of Bentley Motors' high-end short, which they shot completely with an iPhone 5s and FiLMiC Pro. The duration is 4 minutes, 25 seconds, including the making-of. Ahead is the video and my comments.

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Who Wants to Take ANOTHER Lighting Class?

Learning About the How AND Why When It Comes to Cinematography

I'm hosting my second "Lighting for Faces" workshop at Mole Richardson in Hollywood on May 28th.

By Art Adams | May 15, 2014

 

Due to the success of last year’s lighting class Abel Cine has asked me to come back and do it again. So I am:

“How to Light Faces: Hard Light, Soft Light and Damage Control”

It will be held on May 28th, 2014 at the Mole Richardson Stage in... Read More

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Discover How Lars von Trier’s Films Ravish and Revolt Audiences Across the World

Learning About the How AND Why When It Comes to Cinematography

Watch the webinar archive with VFX designer and colorist Peter Hjorth

By Jeremiah Karpowicz | May 14, 2014

Peter Hjorth is a long time collaborator of the most interesting Scandinavian directors and Lars von Trier in particular. Peter serves as 2nd unit director, visual effects supervisor and/or post production wizard on all kinds of special projects. Other collaborators include Thomas Vinterberg,... Read More

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Do video hardware product drivers really have to live behind a registration wall?

Learning About the How AND Why When It Comes to Cinematography

You can't use hardware without drivers so why not make the download easy?

By Scott Simmons | May 13, 2014

Not to jump onto a soapbox here but I’ve had two instances in the last week or so of product drivers hidden behind registration walls that has prompted this post. On the surface this seems like not such a big deal as one would think that a registered hardware product would be a simple sign-in and download. But what if you haven’t registered that product? Or have forgotten your log-in details? Or what if that hardware isn’t yours?

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Pro Tools 11 Hardware and Software Upgrade

Learning About the How AND Why When It Comes to Cinematography

Life is a Beta Test

By Woody Woodhall | May 13, 2014

There are many of us in Hollywood and beyond who depend on the dependability of Avid’s Pro Tools digital audio workstation.  Many of us have been using it for many years and in many different hardware and software iterations.  Studio owners like myself, wade in slowly as we take... Read More

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Don’t Copy Those Proxies!

Learning About the How AND Why When It Comes to Cinematography

This Week on MacBreak Studio

By Mark Spencer | May 13, 2014

Do you have to keep editing when you travel?

This week on MacBreak Studio, I talk with Steve Martin from Ripple Training about taking your edit on the road.

The scenario is this: you are editing in your office on a Mac Pro with your media on a large RAID like a... Read More

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Blackmagic Production Camera Noise Test

Learning About the How AND Why When It Comes to Cinematography

How much can you clean up a noisy image

By Brian Hallett | May 12, 2014

How much noise is too much noise?  Or, is the better question:  How much noise can DaVinci Resolve's noise reduction clean up pushed Blackmagic Production Camera footage?  I take the Production Camera and test all three ISOs to see exactly where each setting lands when it comes to noise, and how likely noise reduction can save your shot.

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A Recipe for Analog to Digital Video Transfer:  Baking

Learning About the How AND Why When It Comes to Cinematography

Problems encountered in the process of preserving our video past

By Richard Wirth | May 12, 2014

We had a project come to us recently that required the transfer of ¾ inch videotape to digital files. To those for whom analog videotapes have become a mysterious relic akin to Egyptian hieroglyphs, let it be known that much of our cultural heritage still exists only on this medium.

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Cure audio spill in multi-mic situations with an AT-MX351a automatic mixer

Learning About the How AND Why When It Comes to Cinematography

With the AT-MX351a from Audio Technica, you can sound as good with multi-mics as with a single one.

By Allan Tépper | May 10, 2014

If you have ever been disappointed when your audio quality drops exponentially as you add more microphones with a talk show, interview or reality, due to a phenomenon called spill, bleed or “crosstalk”, and you can’t afford the time to mulitrack and fix it in post, you’ll be happy to know that there is a hardware device to solve it in real time, either live, “live on tape” or —more commonly nowadays— "live to flash memory”. Enter the AT-MX351a automatic mixer from Audio Technica. Here are my introduction and initial tests.

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A Little Inspiration

Websites for mood boards, shorts, and creative inspiration.

By Kendal Miller | May 09, 2014

Let's face it, we don't always feel creative. I'm always on the look out for great sources of inspiration. Sometimes l need a little fuel in my creativity tank, and other times I'm looking for ways to visually represent my ideas to team members and clients. Here are a couple of... Read More

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After Effects for print: Making GAEA

Learning About the How AND Why When It Comes to Cinematography

+ ETLAT (edit this, look at that)

By Rich Young | May 09, 2014

A couple of years ago, Jesse Michael Newman released a layer-by-layer video deconstruction of an After Effects project, DECONSTRUCTING GAEA I - Flowing Meditation though the end result was a printed piece as part of a Kickstarter campaign. He has a new piece, DECONSTRUCTING GAEA II, to support a short sale on art prints.

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