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Pro Video Coalition

Hyper-local daily programming from London Live

Hyper-local daily programming from London Live

First new UK television station in 13 years produces local daily programming using Adobe Creative Cloud for teams

By Meagan Keane | August 29, 2014

Citing a lack of genuinely localized programming, the independent regulator of communications in the United Kingdom, Ofcom, asked media businesses what they would do with a Local Digital Television Programme Service (L-DTPS) license. The London Evening Standard and The Independent newspapers... Read More

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Sony F5 Internal 4K “Hack” Video Tutorial

Hyper-local daily programming from London Live

A step-by-step video on how to enable internal 4K on the Sony F5

By Brian Hallett | August 29, 2014

In a few easy steps, Sony F5 camera owners can implement a "Hack," that Sony has not sanctioned, to enable internal 4K recording; a feature originally reserved for the much costlier Sony F55. In this article, Nathan Thompson, of Contrast Visuals & Consulting, and I have produced a video tutorial showing you the steps needed to enable internal 4K recording.

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A Bunch of Random Hard Drive Speed Tests

Hyper-local daily programming from London Live

As drives come into the edit suite I've been noting their read/write speeds for no other reason than because I can

By Scott Simmons | August 28, 2014

As a freelance editor I get a lot of hard drives sent to me with footage to edit. Usually all of that media is transferred off of those hard drives and onto a RAID for editing. Occasionally I might have a quick turnaround or just fixes on a project and I’ll cut right off the hard drive sent to me. The faster the drive the better for both of these tasks. I’ve been keeping a running log of hard drive speeds for the last few months and with the help of Blackmagic’s Disk Speed test I offer up this cornucopia of various drive speed tests and their connections. Little commentary is provided here but if you have a production asking why you’re questioning their use of a cheap little black Seagate drive from Target then send them to this blog post to see exactly what slow speeds that cheap drive will mean and how that will add time to editorial because of file transfers alone.

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Optical Kerning preference in After Effects

Hyper-local daily programming from London Live

Edit the preference file for always on auto-kerning

By Rich Young | August 27, 2014

Optical kerning is a newer feature in Adobe apps. If you have a tendency to forget about kerning, be sure to enable Optical kerning, even it means occasionally overriding a font's built-in kern tables.

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Nearly 50% of Video Professionals in UK Never Saw 4K

Hyper-local daily programming from London Live

A recent survey in UK shows that nearly 50% of video professionals have never seen 4K.

By Jose Antunes | August 27, 2014

Surveys never give us the complete truth, no matter how unbiased they are, but they somehow help us to understand things better. So, when a recent survey in the United Kingdom that targeted the opinions of 100 senior production staff in the area of video, revealed that nearly 50% of them have never seen 4K played out on any kind of screen, one has to ask if 4K is really the next big thing.

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Set Scouter Aims To Help You Find The Perfect Location

Hyper-local daily programming from London Live

By Dan Carr | August 27, 2014

Currently in beta, Set Scouter is a new service that aims to make the location hunting process much easier by connecting filmmakers directly with property owners who are actively looking to rent places for production use.

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Metabones Announces Canon EF to Micro Four Thirds Adapter

Hyper-local daily programming from London Live

This speed booster will sell out fast

By Brian Hallett | August 26, 2014

Metabones, the fine manufacturer of lens adapters, announces a speed booster and smart adapter to use Canon EF lenses on Panasonic's GH4.  Do these adapters make the GH4 a more popular camera?

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ARRI To Enable 4k Recording On The AMIRA

Hyper-local daily programming from London Live

Look outside, you might see some flying pigs!

By Dan Carr | August 26, 2014

In a surprise (maybe even a shock) announcement today, ARRI released a statement outlining their intention to enable 4K recording in the recently released AMIRA.

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GoPro Launches New Field Guide Video Series

Hyper-local daily programming from London Live

Learn from GoPro's in-house media team

By Dan Carr | August 26, 2014

GoPro's in-house production crew are the guys responsible for creating things like the Hero 3+ launch video, currently sitting at over 16 million view on YouTube.  If there's ever anything you wanted to learn about shooting with a GoPro, these are the guys to teach it to you.

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Red Bull Media House gives wings to video innovation

Hyper-local daily programming from London Live

Multi-platform media company produces premium sports, culture, and lifestyle content with help from Creative Cloud

By Meagan Keane | August 26, 2014

From its start selling energy drinks, Red Bull has expanded into an international brand with streaming video through Red Bull TV, the Red Bull Records independent music label, and sponsorship of dozens of athletes, teams, and events. For the past seven years, Red Bull Media House, a subsidiary... Read More

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Samyang Has a New 50mm for Cinema

Hyper-local daily programming from London Live

Samyang will show a new cine lens at Photokina, the V-DSLR 50mm T1.5 AS UMC, to use with the 35 and 85mm models.

By Jose Antunes | August 26, 2014

Samyang continues to grow their line of lenses for professional film and video with the new addition, a standard manual focus lens designed for full frame image sensors, the V-DSLR 50mm T1.5 AS UMC. They also presented a normal 50mm lens with similar characterístics, the 50mm F1.4 AS UMC.

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Subroles in Final Cut Pro X

Hyper-local daily programming from London Live

This Week on MacBreak Studio

By Mark Spencer | August 26, 2014

There are no tracks in Final Cut Pro X.

This fact really throws folks at first because it seems that tracks would be required for some very basic editing, compositing, organizing, and exporting functions. However, Final Cut's magnetic timeline, connected clips, and use of... Read More

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Sony’s Latest Budget A5100 Mirrorless Camera Delivers Surprising Video Features

Hyper-local daily programming from London Live

XAVC S, Clean HDMI & more....

By Dan Carr | August 25, 2014

The A5100 is the latest edition to Sony’s increasingly popular mirrorless system and for the price point they’re hitting, this camera comes with a few surprising video features.

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Does Canon Have Two New “EOS 7Ds” to Show?

Hyper-local daily programming from London Live

The successor to the EOS 7D will have a 24MP sensor... or a 20MP sensor, and will be built like the EOS 1D...

By Jose Antunes | August 25, 2014

With Photokina at the door, Canon, as other names in the industry, has some new products to show: one of them is the DSLR that will occupy the position of the EOS 7D. Rumors from those keeping a watchful eye over the subject have suggested the most diverse things about the new camera: nothing is sure, though.

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Internal 4K Recording Coming To The Sony F5…For Free??

Hyper-local daily programming from London Live

By Dan Carr | August 25, 2014

One of the main differentiators between Sony's F5 and F55 cameras is the ability for the latter to record 4k XAVC footage internally to its SxS cards, but this might all be about to change.....

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Follow Alexis Van Hurkman Down the Rabbit Hole to Find “The Place Where You Live”

Hyper-local daily programming from London Live

The director talks to us about the short film he wrote, produced and edited

By Jeremiah Karpowicz | August 24, 2014

Alexis Van Hurkman is a man of many talents. He might be best known for his expertise in post-production, and as the writer of books such as the “Color Correction Handbook,” and “Adobe SpeedGrade: Getting Started,” that should come as no surprise. ProVideo Coalition... Read More

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DJI Ronin Field Test

Hyper-local daily programming from London Live

Putting the 3-axis gimbal through the paces

By Brian Hallett | August 24, 2014

It is the 3-axis brushless gimbal that has placed itself in direct competition with Freefly's Movi. It is less expensive and claims to handle heavier cameras, but what is the real story. In this review I turn a blind eye to all the marketing spin and focus on whether or not this is the 3-axis gimbal to buy. 

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