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Pro Video Coalition

Canon Launches New 17-120 Cine-Servo Lens

Canon Launches New 17-120 Cine-Servo Lens

Cine lens lineup expansion for ENG shooting

By Dan Carr | April 01, 2014

With NAB starting in just a few days, Canon has today unveiled several new products including the very interesting looking CN 7x17 , or Cine-Servo 17-120.  The red ring around the lens tells the main story here, this is not a B4 mount 2/3" lens, but a PL (or EF) mount cine lens with a... Read More

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After Effects CC NAB Preview

Canon Launches New 17-120 Cine-Servo Lens

A sneak peek at some of the new features planned for the next version of After Effects (plus Premiere Pro).

By Chris and Trish Meyer | April 01, 2014

In preparation for the 2014 NAB Show, Adobe is previewing the features slated for the next versions of their video software. We’ve had a chance to work with the upcoming version of After Effects CC, and are in the process of creating a new set of training videos showing how to take advantage of these features that should be available in a few weeks. But rather than make you wait, here are some highlights of what’s in store.

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Creative Cloud NAB 2014 Reveal

Canon Launches New 17-120 Cine-Servo Lens

After Effects, Premiere, & the other video apps

By Rich Young | April 01, 2014

Adobe revealed new features in the video apps in Creative Cloud and will showcase these next versions at the NAB 2014 show in Las Vegas next week (schedule). In addition to blogs and product page info, there's a nice PDF summarizing updates to Adobe's video ecosystem. Plus, there are special promotional offers to join Creative Cloud before May 30, 2014.

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Adobe Premiere Pro CC NAB preview

Canon Launches New 17-120 Cine-Servo Lens

This next version of PPro adds some big flashy new features and lots of little things editors will love

By Scott Simmons | April 01, 2014

It comes as no surprise that Adobe has a big video tools reveal in store for NAB 2014. All the video apps in the Creative Cloud get updated as the slow and steady advance of their video tools continue. It’s no surprise that Adobe Premiere Pro CC gets my main focus as the NLE keeps getting better. Check out detail on After Effects and the other CC apps as well. While there are signature new features that will get most of the press there’s a lot of utilitarian things that hardcore storytellers will appreciate. No word on exactly when this will ship but keep an eye toward the Creative Cloud.

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Preview: The Mini XTC 9250-XL

Canon Launches New 17-120 Cine-Servo Lens

The Wait Is Finally Over

By Don Starnes | April 01, 2014

Just in time for NAB, the 9250-XL is everything that a producer could want in a camera. The revolution has begun...

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Red Giant BulletProof adds some significant, needed features

Canon Launches New 17-120 Cine-Servo Lens

MXF, the ability to ADD and not COPY are chief among them. Oh, and PluralEyes integration.

By Scott Simmons | April 01, 2014

Red Giant software has announced quite a few new things just in time for NAB 2014. There’s a new Magic Bullet Looks reborn, and PluralEyes 3.5 with the ability to correct for sync drift. But what I wanted to point out is a couple of significant new features in BulletProof 1.2.

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Expert filmmaker builds online community

Pioneering filmmaker Ryan Connolly shares his passion for Adobe video software

By Meagan Keane | April 01, 2014

After graduating from film school, Ryan Connolly started out in a fairly typical fashion: creating music videos and commercials for local clients. He then went on to run the video studio at PC game company Alienware. But rather than continue following the typical path of many aspiring... Read More

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Multicam Audio Editing in Final Cut Pro X

Canon Launches New 17-120 Cine-Servo Lens

This Week on MacBreak Studio

By Mark Spencer | April 01, 2014

Multicam in Final Cut Pro X has gotten even better.

The multicam implementation in Final Cut Pro X was exceptional from the time it was first introduced. The flexibility of the different options for syncing angles, including a very fast and accurate automatic sync feature... Read More

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Media Composer - You Ask, I Answer! - Lesson 3

Canon Launches New 17-120 Cine-Servo Lens

A viewer wants to do a simple split screen in Media Composer? Let's see how it's done!

By Kevin P. McAuliffe | March 31, 2014

In this tutorial, exclusive to PVC, I'm going to answer a question about creating simple split screens inside of Media Composer 7.  3D Warp tool, or Avid FX, which one will you choose?

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The Secret - or not so secret - world of Templates

Canon Launches New 17-120 Cine-Servo Lens

How to be an After Effects imposter for less than $20

By Steve Hullfish | March 31, 2014

Writing about anything on a forum with users as widely varied in their experience as provideocoalition is  a trick. Half the people will say “I never heard of that” and the other half will say – like the Geiko Insurance ads – “Duh! Everybody knows... Read More

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The Art and Science of “THE BIG BANG THEORY”

Canon Launches New 17-120 Cine-Servo Lens

Editor Peter Chakos and Assistant Todd Morris discuss their very funny workflow

By Steve Hullfish | March 31, 2014

One of the most popular shows on TV is “The Big Bang Theory.”

I spoke to the editor, Peter Chakos, and his assistant, Todd Morris about how they cut the show.

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Videoguys NLE Video Storage FAQ (April 2014 update)

Canon Launches New 17-120 Cine-Servo Lens

By videoguys.com | March 31, 2014

(April 2014 update) Now includes the latest information and recommendations for Thunderbolt, USB3 and SSDs!

Check Out Featured Storage Solutions from G-Technology, Promise & Proavio Available now at Videoguys.com!

One of the most confusing things... Read More

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Halftone techniques for After Effects

Canon Launches New 17-120 Cine-Servo Lens

By Rich Young | March 30, 2014

A halftone is an image or printing technique that "simulates continuous tone through the use of dots, varying either in size, in shape or in spacing." In the Illustrator and Photoshop worlds, there's a long list of halftone filters, swatches, and compositing techniques used for printing and newsprint, comic, retro, and other effects. But the fun of After Effects is animation, and some techniques may not be immediately apparent without the built-in filters found in the other apps.

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Ultra-Portable Devices Change Workflows and Capabilities for DPs and DITs

Canon Launches New 17-120 Cine-Servo Lens

An interview with Colorist and DIT Lorne Miess

By Jeremiah Karpowicz | March 30, 2014

DP Michael Balfry, csc, and Colorist/DIT Lorne Miess check out a shot on-set of "The Haunting Hour".

 

R.L. Stine's "The Haunting Hour" is a Canadian/American original anthology horror-fantasy series for The Hub Network. As you can imagine, the look and feel of the... Read More

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A Hands-on Experience with the ARRI AMIRA

Canon Launches New 17-120 Cine-Servo Lens

In cameras, as in life, you get what you pay for

By Justin Aguirre | March 30, 2014

The opportunity to head up to the ARRI headquarters in Burbank for a one-on-one experience with its prototype AMIRA camera made me feel like a kid who found out I was going to Disney World.

From its classic 16mm cameras to the current ALEXA, ARRI has always had a special place in my... Read More

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Adobe Premiere Pro and Multiple GPUs

Canon Launches New 17-120 Cine-Servo Lens

You can get a significant speed boost using a variety of hardware solutions

By Chris and Trish Meyer | March 28, 2014

Apple’s inclusion of dual GPUs in every model of their new Mac Pro has caused a bit of a stir (and confusion) among video editors wondering if their NLE of choice can take advantage of them. Applications don’t automatically detect and use multiple GPUs; the drivers must support them, and the software must be written to exploit them. It’s expected that Apple’s own Final Cut Pro can; many seem to assume that Adobe’s Premiere Pro can’t – but that’s not the case.

While working with Adobe to update their Hardware Performance White Paper (which contains tips for non-geeks to optimize their hardware based on the different needs of Adobe’s video software), we learned that not only can Premiere Pro take advantage of both GPUs in the new Mac Pro, you can also install multiple GPUs in an older generation Mac Pro as well as Windows workstations to get similar or even greater performance gains. We’d like to share that information with you here, hopefully boiling the raw numbers down to a few takeaways for you to consider when choosing or configuring a system.

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Product Review: Areca ARC-8050T2 8-drive RAID with Thunderbolt 2

Canon Launches New 17-120 Cine-Servo Lens

Add your own drives to this very fast, robust, affordable RAID

By Helmut Kobler | March 28, 2014

Areca’s new ARC-8050T2 is a industrial-strength 8 bay RAID that has a few unique things going for it. For starters, it uses a new Thunderbolt 2 connection, so it’s blazing fast when connected to a Thunderbolt 2-equipped Mac or PC. In fact, it’s the fastest 8 bay RAID I’ve ever tested, reaching about 1 GB/s read and writes in a RAID 5 configuration. Secondly, it’s the only big Thunderbolt RAID I’m aware of that you can buy without drives (street price is as low as $1,799 for the empty chassis), so you can buy your own drives without a markup, saving hundreds of dollars or more. I had a chance to set up and then run an 8050T2 on a number of projects for three weeks, and came away very impressed. If you’ve got even a mild do-it-yourself spirit, this is probably the RAID for you.

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Interactive video invention

Canon Launches New 17-120 Cine-Servo Lens

Powster creates striking user-interactive music video for Bombay Bicycle Club with Adobe Creative Cloud

By Meagan Keane | March 27, 2014

Powster is nothing if not innovative. The interactive and motion graphics company provides “over-the-top” content, concepts, and apps for the entertainment industry. Powster’s inspiring work has earned the firm multiple accolades, including Webby and FWA awards, and a... Read More

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Radio spot production: 30-second spots for CASTILIAN CONSPIRACY books

Canon Launches New 17-120 Cine-Servo Lens

Read about the production details, and listen to the two high-end, 30-second spots.

By Allan Tépper | March 26, 2014

I just produced two 30-second audio spots for playback on over-the-air radio, as well as podcasts. Although I wrote and produced them, my voice and studio were not used at all in this production. Instead, one female and three male local voice talent were used, as well as the highest grade audio production equipment I’ve ever seen. Listen to the spots, and learn the who, the how and the why, ahead…

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How Does NAB 2014 Fit Into Your Schedule?

Canon Launches New 17-120 Cine-Servo Lens

ProVideo Coalition writers talk through what it means for them to make the trek out to Vegas in early April

By The ProVideo Coalition | March 25, 2014

from NAB 2009...NAB 2009 Wrapup Discussion, by Matt Jeppsen

 

NAB Show bills itself as the world's largest B2B media & entertainment event, and it's hard to dispute that claim. In recent years they've made a conscious effort to focus on content creation... Read More

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