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Pro Video Coalition

Product Review: Areca ARC-8050T2 8-drive RAID with Thunderbolt 2

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Add your own drives to this very fast, robust, affordable RAID

By Helmut Kobler | March 28, 2014

Areca’s new ARC-8050T2 is a industrial-strength 8 bay RAID that has a few unique things going for it. For starters, it uses a new Thunderbolt 2 connection, so it’s blazing fast when connected to a Thunderbolt 2-equipped Mac or PC. In fact, it’s the fastest 8 bay RAID I’ve ever tested, reaching about 1 GB/s read and writes in a RAID 5 configuration. Secondly, it’s the only big Thunderbolt RAID I’m aware of that you can buy without drives (street price is as low as $1,799 for the empty chassis), so you can buy your own drives without a markup, saving hundreds of dollars or more. I had a chance to set up and then run an 8050T2 on a number of projects for three weeks, and came away very impressed. If you’ve got even a mild do-it-yourself spirit, this is probably the RAID for you.

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Interactive video invention

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Powster creates striking user-interactive music video for Bombay Bicycle Club with Adobe Creative Cloud

By Meagan Keane | March 27, 2014

Powster is nothing if not innovative. The interactive and motion graphics company provides “over-the-top” content, concepts, and apps for the entertainment industry. Powster’s inspiring work has earned the firm multiple accolades, including Webby and FWA awards, and a... Read More

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Radio spot production: 30-second spots for CASTILIAN CONSPIRACY books

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Read about the production details, and listen to the two high-end, 30-second spots.

By Allan Tépper | March 26, 2014

I just produced two 30-second audio spots for playback on over-the-air radio, as well as podcasts. Although I wrote and produced them, my voice and studio were not used at all in this production. Instead, one female and three male local voice talent were used, as well as the highest grade audio production equipment I’ve ever seen. Listen to the spots, and learn the who, the how and the why, ahead…

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How Does NAB 2014 Fit Into Your Schedule?

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ProVideo Coalition writers talk through what it means for them to make the trek out to Vegas in early April

By The ProVideo Coalition | March 25, 2014

from NAB 2009...NAB 2009 Wrapup Discussion, by Matt Jeppsen

 

NAB Show bills itself as the world's largest B2B media & entertainment event, and it's hard to dispute that claim. In recent years they've made a conscious effort to focus on content creation... Read More

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VoiceOverMart upgrades to Pro Tools 11 HD & more

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Miami-based voiceover studio has just upgraded to Pro Tools 11 HD, with video upgrades from Blackmagic and Sony.

By Allan Tépper | March 25, 2014

VoiceOverMart is a Miami (Coral Gables), Florida based professional voiceover studio, equipped with ISDN & standard phone patch, and is owned and directed by Víctor Martorella, a renowned voice talent for the Hispanic market. VoiceOverMart recently upgraded to Pro Tools 11 HD, together with video upgrades. These upgrades facilitate their audio spot production and ADR (audio dialogue replacement). Ahead are details of the upgrade via an interview.

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Devin Super Tramp achieves extreme YouTube success

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Brilliant emerging filmmaker uses Adobe Creative Cloud to edit weekly videos for popular online channel

By Meagan Keane | March 25, 2014

Extreme sports videos are a hit on YouTube, but few think about the behind the scenes work that it takes to capture these daring events on film and share them with the world. Devin Graham, aka Devin Super Tramp on YouTube, knows firsthand. To stay one step ahead of extreme sports enthusiasts,... Read More

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Advertisement

Getting Started with Motion

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This Week on MacBreak Studio

By Mark Spencer | March 25, 2014

Is it time to learn Motion?

Motion is one of the companion applications to Final Cut Pro X (the other is Compressor). You use it to create motion graphics and visual effects, like animated title sequences, green screen composites, tracking shots, particle effects, and much... Read More

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My NAB 2014 Post|Production World sessions

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If you're attending, these are the classes I'll be teach. Please come!

By Scott Simmons | March 24, 2014

NAB 2014 is just around the corner and I’m happy to once again be leading several sessions at the Post|Production World Conference. Avid Media Composer, Adobe Premiere Pro CC and panel discussions are on the agenda amongst all the other things at NAB. I’m always humbled and honored that a random editor from Nashville, Tennessee gets to interact with editors and production folks from all over the world during these sessions. As I’ve said before, I learn as much as they do.

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Flying The 4K Blackmagic Production Camera

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Test Flight

By Brian Hallett | March 23, 2014

4K in the air... does the greater resolution make that much of a difference? Is it necessary to shoot aerials at 4K so one can stabilize in post?  Can the Octocopter we had on hand lift the 4K Blackmagic Production Camera long enough to get all the shots needed? 

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PVC Video Production Podcast Roundup - March 2014

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Gearing up for NAB 2014

By Jeremiah Karpowicz | March 23, 2014

Brian Mulligan's 10 Best Podcasts for Video Production is a great resource and excellent introduction to a number of podcasts that focus on different areas of production and post-production. While some of the podcasts in his article are no longer being produced, it gives you a... Read More

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Thinking About Crew Prep

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By Arthur Vincie | March 23, 2014

One of the biggest mistakes I see first-time filmmakers commit is to think solely in terms of production time when it comes to crewing up.  The crew shows up on the first day, leaves on the last day, and anything that happens in between, before, or after is just donated or doesn’t... Read More

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GoPro Replacement Lenses for Hero3/3+ Black from Peau Productions

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Affordable Quality Glass Lenses Give You More HFOV Options with Your GoPro

By Jeff Foster | March 22, 2014

The more that I've gotten into aerial videography & photography with the GoPro Hero3/3+ Black, the more I've had issue with the GoPro's OEM "fisheye" wide angle HFOV (Horizontal Field Of View), which distorts the horizon and creates a curved "bubble" effect. The biggest issue with that is when the quadcopter is in motion or the camera is tilted up, the bowing effect of the horizon or long straight lines such as fences, buildings and light poles look like rubber. There are a couple different third-party producers of replacement lenses for the GoPro and after some research, I decided to contact Peau Productions to test a couple of their lenses. Here are my results of this test...

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How Do You Showcase a Live Event? Ustream

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Alden Fertig, Ustream's Director of Customer Success, talks to us about what it takes to stream an event

By Jeremiah Karpowicz | March 21, 2014

The PVC general mailbox is a collection of messages from users across the Internet and all over the world. It can be a great resource for us, as we get a fair share of industry announcements as well as emails from folks looking to showcase their talent or work. But of course, we also get emails... Read More

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Chromatic aberration: creation and fixes with After Effects

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By Rich Young | March 21, 2014

A few years ago there was a spate of interest in chromatic aberration -- fixing footage containing the color fringing, but mostly creating it for motion graphics and VFX realism. At some point, questions on creating this effect must have reached a critical mass, and tools and tutorials popped up to help.

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The Creation of “The Invisible Peak”

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By Gary Yost | March 20, 2014

Gary Yost is a filmmaker and photographer living in the San Francisco Bay Area who focuses on telling stories about the interesting people and places where he lives. In a former life he was the leader of the team that created and then sold 3ds Max to Autodesk. See more from him on his... Read More

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Zacuto Introduces New Lens Supports For Canon And Zeiss Lenses On DSLRs

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By Dan Carr (Via PPC - Pro Photo Coalition) | March 20, 2014

An interesting product from Zacuto for those using Canon Cine Primes and Zeiss Compact Primes.  Clever design!

 

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Do I Have to Open the Library?

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This Week on MacBreak Studio

By Mark Spencer | March 19, 2014

Archiving your completed Final Cut Pro X project and the associated media has become much easier in version 10.1. If you are working with managed media - meaning all your media is contained within the library - you can simply drag the library in the Finder to your archive volume. If... Read More

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Get Started Fast with Avid for Final Cut Pro 7 Editors : Lesson 5

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Let's Get Started Fast with Avid for Final Cut Pro 7 Editors - In Lesson 5 - Sound Mixing

By Kevin P. McAuliffe | March 18, 2014

If you've just made the switch from FCP7 to Media Composer 7, than the last lesson in this five part tutorial series will help you make the transition as smooth as possible!

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How To Get Trained

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Hint: it isn’t by reading this.

By Don Starnes | March 18, 2014

Almost everyone now seems interested in video or cameras or movie making. Filmmaking has become a popular hobby and even a sport. This is perfectly fine. However, I find that very few people are serious about becoming a professional filmmaker.

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ScreenLight Review and Approval For Video Pros Comes to PVC

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By Chris Potter | March 18, 2014

Think back to the last project where you shared media for a production with your team, clients, or other stakeholders. If you are like most people, it was probably a pretty fragmented process.

Project media tends to get distributed among a wide variety of different tools. Scripts,... Read More

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