Adobe on Adobe
Bandito Brothers director uses tools in Adobe Creative Cloud on film documenting the life of legendary skateboarder
By Kathy Charneco | December 06, 2012
Danny Way is among the world’s most visionary skateboarders. During his 20+ year career as a professional skateboarder, he has attempted to jump the Great Wall of China, broken the land speed record on a skateboard (an incredible 74.5 mph), and won numerous Big Air Gold Medals at the X Games. He’s now the focus of Waiting for Lightning, a feature-length documentary about how much abuse the body can sustain, how deep you have to dig to survive a troubled family life, and how high and far dreams can fly. The film’s director is filmmaker, author, and digital media expert Jacob Rosenberg of the studio Bandito Brothers, creators of films such as Act of Valor and Dust to Glory. We had a chance to catch up with Rosenberg about the remarkable new documentary Waiting for Lightning and some of the breakthrough cinematography used in its creation.
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Award-winning creative company produces epic work using a variety of footage and an Adobe centered workflow
By Kathy Charneco | November 08, 2012
Imagine some of the world's most progressive snowboarders risking their lives to shoot in beautiful remote locations-all cut to great music. This year, Burton Snowboards chased winter to produce an original film to kick off the season, inspiring both core riders and newcomers to the sport. The creative production company behind this year's project is Popular, a studio recognized for originating authentic athlete, personality, and lifestyle- driven creative for film, commercials, and branded entertainment. The award-winning partners of Popular-David Tindale and Jeremy Pettit-sat down with Adobe to share their experience switching from Final Cut Pro to Adobe Premiere Pro CS6 software to put together 13, Burton's action-packed film for 2013.
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By Kathy Charneco | October 12, 2012
On April 17, 2012, award-winning cinematographer and director Tom Lowe debuted his film TimeScapes at the Brenden Theatre in Las Vegas during NAB. The tickets sold out in a matter of hours. The film takes viewers on a journey across the American Southwest using stunning, slow-motion and timelapse cinematography. His moving photography is the product of some highly technical camera and editing setups, but Lowe isn't secretive about his techniques. Recently, he talked with Adobe about the project and his experiences using Adobe Creative Suite Production Premium for editing in 4K resolution.
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By Kathy Charneco | September 28, 2012
The Red Hot Chili Peppers' "Brendan's Death Song," and the accompanying music video directed by Marc Klasfield are a fitting tribute to a friend of the band and icon to the music scene, Brendan Mullen. The song is part of the Chili Peppers' latest album, I'm with You. Editor Bill Yukich of Sunset Edit in Los Angeles-known for his work on music videos for renowned talents such as Maroon 5 and Foo Fighters-sat down with Adobe to share his experience switching to Adobe Premiere Pro CS6 software to edit the Grammy Award winning band's new music video.{C}
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Made Visual Studio and Bill and Ben Productions switch to all Adobe workflow to bring the animated Graham Chapman memoir to life
By Kathy Charneco | September 08, 2012
Justin Weyers faced a challenge: help create an animated movie that integrates the work of 14 animation studios into a holistic 3D stereographic film, to celebrate the life and multifaceted career of deceased Monty Python member Graham Chapman. Weyers is co-founder and director for multi-disciplinary creative agency Made Visual Studio. Switching to an all Adobe workflow based on Adobe Creative Suite Production Premium provided the tools needed to weave the creative visions and talents of many contributors into a film that mirrors Chapman's genius. Recently, Weyers talked with Adobe about the project, the switch to Adobe Premiere Pro, and his experiences using the latest versions of Adobe Creative Suite Production Premium, including Adobe Premiere Pro, After Effects, Flash Professional, and Photoshop Extended.{C}
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Innovative Remix Artist Enjoying Success on the World Wide Web
By Eric Philpott | July 04, 2012
Known to fans around the world as Pogo, remix artist and music producer Nick Bertke creates highly original compositions of sounds and images sourced from popular films and the world around him. With over 40 million YouTube hits for his mash-ups, he is clearly striking a chord with audiences across the globe.
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A life-sized version of a Hot Wheels® orange track set defied gravity with a first-of-its-kind two-driver challenge.
By Michelle Gallina | July 01, 2012
On June 30th at the 2012 X Game Los Angeles, two drivers for Team Hot Wheels™ set a Guinness World Records® title for successfully racing through a 60-foot-tall double vertical loop at X Games Los Angeles 2012. The Team Hot Wheels™ Double Loop Dare, a life-sized version of a Hot Wheels® orange track set, defied gravity with a first-of-its-kind two-driver challenge.
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A long list of questions from the recent Premiere Pro CS6 for Final Cut Pro editors webinar
By Scott Simmons | June 25, 2012
Just a couple of weeks ago I was the host of another webinar presented by Moviola Filmmaking Webinars. This one was an info packed presentation called Adobe Premiere Pro CS6 for Final Cut Pro Editors. It was one of the most featured packed webinars that I've done as there was so much material to cover. As usual we received tons of questions before, during and after the webinar. I've tried to take most all of them and answer the questions in the blog post that follows. If there's any corrections or updates to any of the questions please let me know. If you missed the PPro for FCP Editors webinar then the on-demand version is now available for purchase. So here we go.{C}
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An interview with the HUD's Creative Director and Screen Designer
By Kathy Charneco | June 15, 2012
Stephen Lawes, creative director and co-owner of Cantina Creative, Venti Hristova, graphics and HUD supervisor, Wes Sewell, stereo supervisor, and Jayse Hansen, freelance screen designer/animator, had their work cut out for them on Marvel's The Avengers, which premiered May 4th and has already passed the $1 billion mark. The movie, directed by Joss Whedon, features Marvel's most popular superheroes: Iron Man, The Incredible Hulk, Thor, Captain America, Hawkeye, and Black Widow. For Lawes, Hristova, and Hansen, the most challenging on-screen graphics job was the creation of the heads-up displays (HUDs) in the film, used for two versions of Iron Man's suits. The team also created the on-screen graphics to fill in countless digital computer screens throughout the movie. Here, Lawes and Hansen talk about using Adobe Creative Suite Production Premium for the project.
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by J©rôme Sabourin, CSC
By Michelle Gallina | June 14, 2012
Jerome Sabourin is an award-winning cinematographer and colorist based in Montreal. He uses Adobe SpeedGrade on all his projects, including TV shows and a feature films. In this piece, Jerome writes about his path from cinematography into color, and shares with us what he loves about SpeedGrade.
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By Meagan Keane | May 29, 2012
Each year the Cannes Film Festival residency program, Cin©fondation, selects twelve filmmakers to participate in The R©sidence du Festival, one of two 4.5 month residencies held in the heart of Paris. During the course of the residency, participants will develop their first or second feature film script while being mentored by previous filmmakers whose films were selected by the Cannes Film Festival. Residents of the Foundation are selected based on short film submissions judged by a panel of highly esteemed filmmakers and celebrity judges. In 2012 participants were chosen from over 1,700 submissions representing 320 film schools worldwide.
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Studio Daily posted the review last week after pounding the thing on a number of edits
By Scott Simmons | May 26, 2012
Last week Studio Daily published my Adobe Premiere Pro CS6 review. It’s a longie but a goodie as I tried to go into detail about what I really like and what I kinda don’t like about this brand new Premiere Pro. I had been pounding it hard on several projects before writing the review. I have had a few questions about exactly what kind of jobs I’ve been working on with it.
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Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.
By Todd_Kopriva | May 22, 2012
In December 2011, the 12th quadrennial Arab Games took place in Doha, Qatar at Khalifa International Stadium. As part of the planning process for the Doha games, the world-renowned event production agency, David Atkins Enterprises (DAE), was commissioned to conceive and produce the opening and closing ceremonies. Following this commission, DAE contracted Australian digital design and video production specialists, Digital Pulse, to produce the animated visuals for the opening ceremony including the athletes' parade and cultural segments. Far from a conventional production canvas, the animated visuals that the Digital Pulse team were to produce for the event would have to play seamlessly across the stadium's two different playback systems: a contiguous LED system installed behind all stadium seats and an 86-projector projection system that covered a world record 12,600 cubic metres of on-field projection space.
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These are a few of the things that I found myself searching for as I've been moving over to Premiere Pro CS6 as a FCP 7 replacement
By Scott Simmons | May 11, 2012
Adobe is making a big play for Final Cut Pro users with their CS6 release of Premiere Pro. It’s vastly improved over the Premiere Pro of old and is a lot like Final Cut Pro. There’s even a keyboard shortcut layout for Final Cut Pro users. But it is a totally different application than our old Final Cut friend and some things you’re used to in Final Cut Pro either aren’t there or just work differently. Figure out the differences and work with the changes as Premiere Pro CS6 is a great application … and as we all know Final Cut Pro 7 isn’t going to get any better.
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CS6 Production Premium Road Show
By Michelle Gallina | May 10, 2012
Join Creative Suite video experts for a free, in-depth seminar featuring the new Creative Suite 6 Production Premium. Discover the killer new features, and meet partners with complementary offerings that-when combined with CS6 Production Premium-deliver new workflows that work and flow. Here's what you'll see:•How Adobe Creative Cloud helps you break down creative barriers and revolutionizes the art of video production. •The redesigned Adobe Premiere Pro CS6-the hub of your post-production workflow. With a streamlined user interface, powerful new trimming tools, and other creative advancements, you'll see why more and more professional editors are turning to Adobe Premiere Pro.•A faster, more productive After Effects CS6 featuring new features such as Global Performance Cache and the 3D Camera Tracker that add up to what is rumored to be the biggest After Effects release in a decade.•Creative magic in imaging with new Content Aware tools and the fastest performance ever in Photoshop CS6.•New features in Adobe Story and Adobe Audition, as well as brand new tools into the video lineup: Adobe Prelude, a tool created specifically for logging and ingest, and Adobe SpeedGrade, a forward-looking approach to color grading and finishing.Get Expert TrainingDive deeper into each component of CS6 Production Premium. Learn from industry experts how you can migrate to Adobe Premiere Pro from another editor, optimize your hardware for peak performance, gain color correction tips & tricks, and more. On-site training is available at New York, Washington DC, and LA venues. Lunch will be provided to all training attendees. Register now and receive the early bird pricing of $200!Giveways and SavingsGet 15% off all CS6 Production Premium products when you sign up for training. And all attendees will be eligible to win an HPZ1 Workstation.Reserve your spot now!
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By Michelle Gallina | May 09, 2012
Phililp Bloom has posted a new article on his website, "Why I have moved over to Adobe Premiere CS6 from Final Cut 7", following up on an interview published here, "Philip Bloom tests Adobe Premiere Pro CS6".
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By Meagan Keane | May 07, 2012
The reveal of Adobe Creative Suite 6 Production Premium was a huge success at NAB and won top awards from five of the leading industry organizations at the show.
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The new Premiere continues to impress.
By Scott Simmons | April 30, 2012
I was fortunate to get my hands on an early release of Adobe Premiere Pro CS6 and an edit that came up last week seemed like the perfect place to test it out. It wasn’t an overly complex edit, a 3 minute piece shot on RED with interviews and b-roll. I cut the offline and it will then go to an After Effects artist for some fancy graphics and Baselight for color grading. As I was taking notes on the new version of Premiere Pro for an upcoming review I thought it might be interesting to just publish those notes in a blog post about Premiere Pro CS6. Here they are.
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Trailblazing filmmakers turn heads with The Girl With the Dragon Tattoo, created using 4K post workflow using Adobe Creative Suite Production Premium software
By Michelle Gallina | April 29, 2012
For The Girl with the Dragon Tattoo, David Fincher reunited the post team from The Social Network: Academy Award-winning Editors Kirk Baxter and Angus Wall, Light Iron Colorist Ian Vertovec, Assistant Editor Alex Olivares, Post-Production Supervisor Peter Mavromates, and Assistant Editor Tyler Nelson. The team refined the workflow from The Social Network for The Girl with the Dragon Tattoo, upgrading from a 2K post workflow to a 4.5K and 5K pipeline resulting in a 4K digital master. Adobe Creative Suite Production Premium, including Adobe After Effects and Adobe Premiere Pro software, was instrumental in the post-production process.
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By Meagan Keane | April 21, 2012
In his celebrated career as a filmmaker, Philip Bloom has worn many hats, including director of photography, editor, director, and everything in between. Over the past five years, he's become an expert on budget filmmaking, as well as a trusted resource for information on the latest gear for shooting and editing film projects. Recently, he talked with Adobe about his experience testing the latest version of Adobe Premiere Pro.
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Find out what the movers and shakers in Adobe's Dynamic Media Organization are thinking about,
and get a glimpse into their vision on everything from product direction to hot trends in the worlds
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The Adobe Posters:
Bill Roberts: Director, Product Management
Colin Smith: Sr. Solutions Engineer – DMO
Dave Helmly: Sr. Business Development Manager
Dennis Radeke: Business Development Manager
Jason Levine: Sr. Evangelist
Kevin Monahan Online Technical Evangelist
Steve Forde Sr. Product Manager, After Effects
Al Mooney Product Manager, Premiere Pro
Ellen Wixted Sr. Product Manager, Adobe Story
Michael Coleman Sr. Product Manager, Video Editing Workflows
Michelle Gallina Sr. Product Marketing Manager, After Effects
Eric Philpott Product Marketing Manager, Audition & SpeedGrade
Meagan Keane Product Marketing Manager, Premiere Pro
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