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Accelerate your RED workflow with Adobe Premiere Pro CS5.5

Thursday, February 23, 2012, 10AM Pacific Time

By Michelle Gallina | February 13, 2012

Adobe and RED have collaborated to bring a truly native, color-rich, 4K tapeless workflow to Adobe Premiere Pro CS5.5. Join this webinar to learn how you can enable a robust workflow for editing, grading, and delivering native R3D footage in real time using Premiere Pro. See Wes Howell and Ted Schilowitz step through the RED editing workflow in Premiere Pro, including selecting RED sequence presets, quickly importing clips without transcoding or rewrapping, switching playback resolutions to meet the performance and image quality needs of every post-production task, adjusting the look of your sequence through extensive controls for RED RAW footage, and outputting it to virtually any format.

Click here to register for the event.




Ted Schilowitz, RED Digital Cinema
Ted has contributed to many groundbreaking companies who are creating some truly revolutionary products. He is one of the founding members and part of the development team at RED Digital Cinema, taking the Digital motion picture camera to the next level of resolution, functionality and design. Super high 4k and 5k resolution, all in a revolutionary form factor, the RED ONE and EPIC cameras are all about innovation, from the concept, to the radical design, to the remarkable engineering, to the breakthrough price point... everything about RED Digital Cinema is about breaking the rules. The RED ONE, EPIC and Scarlet represent a new breed of cinema camera which provides up to 5k resolution, a non-destructive RAW workflow, interchangeable lens mounts, and the Mysterium-X sensor which RED has created exclusively for their super high resolution cameras. All of these features and more contribute to the remarkable advancements of this next generation of professional level Digital Cinematography.

Wes Howell, Adobe Systems
Wes Howell recently joined the Adobe Premiere Pro team as a quality engineer after spending 6 years as a workflow specialist on the Adobe Creative Suite Production Premium team. Before coming to Adobe, Wes owned a successful production company and maintains a deep passion for filmmaking and technology. Wes owns and operates a RED Epic camera and enjoys sharing his knowledge, enthusiasm, and workflow expertise.

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Disclosure, to comply with the FTC’s rules 16 CFR Part 255 This article was either written by Adobe employees or for Adobe by an outside contractor. It is intended for the Adobe Channel on ProVideo Coalition, which Adobe sponsors.

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