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Assure ALL Your Audio is Legal

While audio in video is not only music, music is an important part for new videographers. Be sure to use only legal music!

By Jose Antunes | July 23, 2014

The note "Disputed third party matched content" will be the first sign that YouTube considers you audio to be used without permission

When starting in videography with a DSLR, the main problem a newcomer has is with sound. DSLR's excel at image but are absolute crap when it comes to sound, either monaural or stereo. So, the first option for someone starting on this path is to skip the sound recording at the source and think of some background music or sounds to add to the video afterwards. Choose your music widely.

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Review: iRig Pro preamp/A>D from IK Multimedia

Review: iRig Pro preamp/A>D from IK Multimedia

Use the iRig Pro confidently as a mic preamp, an A>D converter, or both simultaneously.

By Allan Tépper | July 16, 2014

Although I have reviewed many audio preamps and A>D (analog-to-digital) converters, the iRig Pro I am covering here is truly unique for several reasons, two of which are why I purposefully excluded it from my recent roundup of five other preamp + A>D devices for iOS. Ahead you’ll learn everything I love about the iRig Pro for both audio and video, yet why I still can’t recommended the iRig Recorder app for video producers.

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Pinnacle Studio for iPad to add missing framerates & 48 kHz!

Pinnacle Studio for iPad to add missing framerates & 48 kHz!

The developer has committed to adding non-integer framerates and standard audio sampling.

By Allan Tépper | July 16, 2014

Last month, I published an article covering improvements in Pinnacle Studio for iPad, which is a video editing app which was originally an Avid product. At the same time, I made some constructive criticisms to the lack of non-integer framerates and proper 48 kHz. I am now delighted to let you know that the developer has committed to adding all of those. Ahead are the details.

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Inexpensive balanced XLR lavalier microphone test

Inexpensive balanced XLR lavalier microphone test

Can you really get a pair of balanced XLR lavalier mics for under US$100?

By Allan Tépper | July 15, 2014

If you have ever priced lavalier microphones with balanced XLR connections, you know that they typically cost upwards of US$150 each, and sometimes can cost more than double that price. However, my friend María found a package deal where she was able to receive not one, but two balanced XLR lavalier microphones for well under US$100, which means that each mic cost less than US$50. Ahead you’ll get to hear four recorded tests and make your own conclusion about the quality.

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CapicúaFM: First podcast I recorded with Bossjock Studio

CapicúaFM: First podcast I recorded with Bossjock Studio

CapicúaFM was the first podcast I recorded “live-to-drive” with Bossjock Studio, the automatic mixer, and iRig Pro

By Allan Tépper | June 25, 2014

ProVideo Coalition readers who are interested in audio production will recall my recent article about Bossjock Studio, and my review of the AT-MX351a automatic audio mixer which kills crosstalk (links ahead). Well now I recorded and published my first “live-to-drive” podcast, as opposed to post-producing everything later, as I did in the past. I also used the iRig Pro A-to-D converter. Ahead is the setup, and the experience.

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Video Editing in Photoshop

Photographers using Photoshop and interested in video already have an excellent video editor available: Photoshop!

By Jose Antunes | June 25, 2014

Photoshop CS6 has video editing features that will be enough for a lot of people to edit their videos, and that should be an incentive for photographers (like me) to explore this side of their DSLR cameras, something many have not done/tried yet.

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Autodesk Smoke 2015

Autodesk gets serious with Smoke 2015 to go against the big three - Apple, Adobe and Avid - to win over some editors!

By Kevin P. McAuliffe | June 24, 2014

In the past, the battle of the Non-Linear Editor’s pretty much comprised of three main apps.  Final Cut Pro (7 or X), Premiere Pro (CS6 or CC) and Media Composer.   With the move ahead to 2K and 4K post, FCPX and Premiere Pro have moved ahead slightly with 2K/4K finishing capabilities, but as we all know, there’s more to finishing than just editing.  You still need color correction/grading, compositing, titling and effects.  Now, I know that each application has built in and third party effects that you can use, but for right now, let’s look at each of them as stand-alones.  No third-party plug-ins included.

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Creative Cloud 2014 June Release

Much more added to NAB video apps reveal

By Rich Young | June 18, 2014

This April, Adobe revealed many of the new features of Creative Cloud at NAB 2014, but that was for After Effects, Premiere, & the other video apps. It appears there's much more -- over 1000 feature updates for 14 desktop apps, plus numerous mobile and cloud updates. 

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New Adobe Creative Cloud video applications now available

2014 release of Adobe Premiere Pro and other production tools launched today

By Eric Philpott | June 18, 2014

At a special event in New York City, Adobe today announced the launch of the new 2014 versions of the Creative Cloud desktop apps, new mobile apps and tools, and expanded integration. Included in these are new versions of Premiere Pro CC, After Effects CC, SpeedGrade CC, Adobe Audition CC,... Read More

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Adobe to hold special online event on June 18

Everything new is new again in Creative Cloud

By Eric Philpott | June 12, 2014

On June 18, Adobe will host a worldwide event from New York City on what's coming next in Creative Cloud. The presentation will start at 1:00 pm ET (10 am PT) and anyone can register to watch live.

At NAB this year, Adobe revealed new versions of all of the Creative Cloud... Read More

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The Desktop Video Revolution - Part 3

The Desktop Video Revolution - Part 3

How desktop technology revolutionised video production - 2013

By ChrisZwar | June 10, 2014

The video production industry has radically changed over the past 20 years, a period of time that can be called "the desktop video revolution".  As desktop computers evolved to become faster and cheaper, they gradually displaced the traditionally expensive "black boxes" that had governed... Read More

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The Desktop Video Revolution - Part 2

The Desktop Video Revolution - Part 2

How desktop technology revolutionised video production - 1997

By ChrisZwar | June 10, 2014

The video production industry has radically changed over the past 20 years, a period of time that can be called "the desktop video revolution".  As desktop computers evolved to become faster and cheaper, they gradually displaced the traditionally expensive "black boxes" that had governed... Read More

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The Desktop Video Revolution - Part 1

How desktop technology revolutionised video production

By ChrisZwar | June 10, 2014

The video production industry has radically changed over the past 20 years, a period of time that can be called "the desktop video revolution".  As desktop computers evolved to become faster and cheaper, they gradually displaced the traditionally expensive "black boxes" that had governed... Read More

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Pinnacle Studio for iPad adds 25p + more improvements

Pinnacle Studio for iPad adds 25p + more improvements

Fortunately, Pinnacle Studio for iPad added several improvements, but several simple ones remain desperately missing.

By Allan Tépper | June 10, 2014

Pinnacle Studio for iPad (previously known as Avid Studio for iPad) has thankfully added missing framerates including 24 + 25, plus other improvements. In my articles in ProVideo Coalition magazine, I have covered the application since its birth from Avid, when it changed its name and owner, and when it became the first iOS video editing app to support translucent alpha channels. Ahead I’ll cover the improvements in detail, what’s critically missing, and what is simply wrong and must be fixed.

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Strategic Through-Edits

This Week on MacBreak Studio

By Mark Spencer | June 10, 2014

When is an edit not an edit - and why should you care?

Steve Martin from Ripple Training tackles this deep philosophical question on this week's MacBreak Studio.

We are of course referring to a "through-edit": something Steve defines as "an edit with continuous... Read More

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3 workarounds for iOS mediographers (iPad/iPhone/iPod Touch)

3 workarounds for iOS mediographers (iPad/iPhone/iPod Touch)

If you produce audio or video with an iPad/iPhone/iPod Touch, you’ll likely have found some of these limitations.

By Allan Tépper | May 31, 2014

Whether you have been using one of the audio/video production apps I have been covering (including Bossjock Studio, FiLMiC Pro, and RØDE Rec) or some others I have yet to cover, you’ll likely have encountered software limitations. This article covers three workarounds to use in the meantime, while app developers add direct support for essential features like SFTP, Gmail app, and until Apple fixes AirDrop between iOS and Mac OS.

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Taking your BCC AE looks to BCC AVX

What might seem like a tedious process is actually very simple

By Kevin P. McAuliffe | May 31, 2014

Last week I had an interesting situation come up.  I was working on a commerical for Tom Cruise's "Edge of Tomorrow", and I needed to make a small revision to some text.  I didn't want to go into After Effects to do it, but my problem was, is there a simple way to take my BCC AE look, and quickly get it into Media Composer?  Well guess what, there is!  In this exclusive PVC tutorial, I'll show you how simple it is!

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Getting Started with BCC Lite for Media Composer Part 1

Your new Media Composer Software subscription comes with some hidden gems. Let's see how to get up and running quick and easy!

By Kevin P. McAuliffe | May 29, 2014

As most Media Composer editors are now aware, BCC is no longer included in your Media Composer Symphony upgrade.  That's because with your monthly subscription, you are now getting Symphony included.  But, that doesn't mean that you're without some awesome BCC effects to get you moving in the right direction.

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Blackmagic Cameras and Clean Audio

How to "sweeten" the audio in your NLE

By Brian Hallett | May 29, 2014

No doubt, good sound is as important as good pictures. The problem?  How can you record good sound on the Blackmagic Cinema Camera and Pocket Cinema Camera when the in-camera preamps are a little less than desired?  I'll show how you can use your NLE's audio equalizer and on-camera accessories to help everything sound a little bit better.  

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BCC 9’s FX Browser

BCC 9’s FX Browser

Find your looks quick and simple with this much needed addition to Boris Continuum Complete!

By Kevin P. McAuliffe | May 20, 2014

The addition of the FX Browser to almost every effect across Boris Continuum Complete makes picking the right look quick and easy!

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