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Media Composer 101 - Lesson 6 - Bins part 2

Let's continue our look at bins with some great "hidden" features you'll definitely want to know about.

By Kevin P. McAuliffe | December 04, 2014

In the second of our two part look at bins, we'll take a look at some tucked away features of Media Composer that will really help you get organized, and stay organized right from import to delivery.

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Get to know…...Boris FX

Get a brief look at what Boris FX has to offer with its flagship product

By Kevin P. McAuliffe | November 30, 2014

My recent review of Red Giant Universe got me thinking, after taking a look at some Facebook comments, that there are a lot of users out there who might not know some of the 3rd-party plug-in companies out there, so I thought as a recurring article series, we would take a brief look at all the plug-in companies out there, and what they bring to the table for you, the end user.  I thought I’d start with a company I’m very familiar with, and that is Boris FX.

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Decent cheap earphones: backups and stocking stuffers

By Rich Young | November 30, 2014

For event recording, it's good to have emergency sealed headphones, and being extremely portable and cheap, earphones fit the bill. Amazon is touting a selection of Stocking Stuffer Headphones Under $10, and when you land there, you're greeted by "Major Sound with a Minor Price." If you shop for $10 headphones, what can you expect? Probably better than that list. Happily, manufacturers sometimes ship inexpensive products that don't sound half bad.

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REVIEW - Red Giant Universe

Is this a Universe you want to visit?

By Kevin P. McAuliffe | November 29, 2014

NAB 2014 has been over for about seven months now, and most people might be wondering why I am writing a review of Red Giant Universe now, as opposed to when it was first announced/released around the time of NAB.  To be honest with you, the review I'm writing today is very different from the one I would have written then.

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iMovie 10.0.6 gets official ProRes, audio only export, and more

iMovie 10.0.6 gets official ProRes, audio only export, and more

Now Apple’s free editing tool gets more flexibility, and there’s a way to set framerate to 23.976p, 25p, or 29.97p.

By Allan Tépper | November 29, 2014

With iMovie version 10.0.6, Apple’s free editing program now gets official support for ProRes, new custom H.264 export, and audio only export. Although previously there have been unofficial ways to use ProRes with iMovie, it is finally official. Also, learn how to set an iMovie 10.x project framerate to 23.976p, 25p, or 29.97p despite no official settings to do so in this version.

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Media Composer 101 - Lesson 5 - Bins part 1

Media Composer 101 - Lesson 5 - Bins part 1

Let's get back to basics with the start of a multi-part look at Bins in Media Composer

By Kevin P. McAuliffe | November 27, 2014

Let's get back to basics and take a look at bins inside of Media Composer.  This first of a multi-part lesson will give you a good running start, so you can start organizing yourself lightning quick!

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Media Composer 101 - Advanced - Reformatting your Footage

Media Composer 101 - Advanced - Reformatting your Footage

This lesson will help you format your 4x3 footage correctly, inside your 16x9 timeline!

By Kevin P. McAuliffe | November 20, 2014

We're heading back to the mailbag to answer another viewer question, and it's one that throws people for a loop a lot of the time, and that is getting your SD footage to look correct in your HD 16x timeline.

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Amadeus Pro, Audio Hijack, Sole Giménez and CapicúaFM

Amadeus Pro, Audio Hijack, Sole Giménez and CapicúaFM

How I used several Mac audio apps to produce the latest episode of CapicúaFM

By Allan Tépper | November 19, 2014

Previously, I described how to produce a podcast live-to-drive using BossJock Studio with an automatic mixer (article links ahead). However, that isn’t practical when you’re interviewing a Spaniard singer/songwriter like Sole Giménez (ex-Presuntos Implicados) about her latest album via an international phone call, and also want to intertwine pieces of her own music based upon her sometimes unexpected responses. Ahead is the workflow and the final recording I used with CapicúaFM’s latest episode, including many of the audio apps used.

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Want to see 4K editing in Media Composer before its release?

Avid is very excited about the impending release of the next version of Media Composer, and wants everyone to see it!

By Kevin P. McAuliffe | November 14, 2014

And no, I’m not breaking any embargoes, NDA’s or anything like that.  Avid is very excited about the impending release of the next version of Media Composer, and officially wants everyone to see it, and get excited about it as well.

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Media Composer 101 - Advanced - Roundtripping to After Effects

Getting your MC timeline to AE is easy. Getting it back requires a little more thought!

By Kevin P. McAuliffe | November 13, 2014

In the next lesson of Kevin P McAuliffe's "Media Composer 101" tutorial series, he sidesteps from the basic training to cover an advanced lesson, based on an e-mail from a viewer, and some online confusion.

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Media Composer 101 - Lesson 4 - Composer Overview & Intro to Bins

This lesson will teach you that organization is the key to a smooth edit!

By Kevin P. McAuliffe | November 05, 2014

In the next lesson of Kevin P McAuliffe's "Media Composer 101" tutorial series, he gives you a general overview of Media Composers interface, and starts his talk about bins, and why organization is the key to getting your edits done to time, and on time!

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PVC at AES 2014 - Details About the New Upgrades to Ozone from iZotope

Mixing and Mastering Audio with Ozone 6

By Woody Woodhall | October 31, 2014

iZotope was previewing their updated version of Ozone at AES 2014 in Los Angeles and I had a chance to catch up with Evan Allen, Product Specalist at iZotope, who took us through a tour of the redesigned interface and all of the enhancements that have been added to this latest iteration of the... Read More

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Media Composer 101 - Lesson 3 - Project Selection/Creation

The Project Selection window in-depth!

By Kevin P. McAuliffe | October 30, 2014

In the next lesson of Kevin P McAuliffe's "Media Composer 101" tutorial series, he takes a look at the Project Selection window, and why you really need to think about what you're doing, before choosing that project preset.

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Media Composer 101 - Lesson 2 - What’s New in Version 8.2

What's New in version 8.2 of Media Composer Subscription

By Kevin P. McAuliffe | October 19, 2014

Much like with most applications, you wait for the major updates (version 4, 5, etc) for new features to add to your editing toolkit.  Well, with the new Subscription Model of Media Composer, the world best editing application now gets new features every few months.  Here's what's new in version 8.2.

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iPad Air 2 is semi-matte!/My MacBook Air is now matte too!

iPad Air 2 is semi-matte!/My MacBook Air is now matte too!

The new iPad Air 2 is non-reflective and reduces glare by 56%! The "least reflective tablet on the market"...

By Allan Tépper | October 19, 2014

Frequent ProVideo Coalition readers know that I strongly prefer matte screens, whether its for media production or general use. In fact, I recently even sent my MacBook Air to have its display transplanted for a matte display. Now, I am ecstatic to see that Apple is finally offering a non-reflective screen on its latest iPad Air 2. I am only disappointed not to see it offered on the iPad Mini 3 or an any current iPhone. Details ahead.

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PVC at AES 2014 - Exclusive Info About the DR-60D from Tascam

Four channel audio recorder designed specifically for DSLR filmmakers

By Woody Woodhall | October 18, 2014

Improving location audio is one of the simplest ways to greatly enhance the overall quality of your productions. Exceptional digital audio recorders have dropped drastically in price in recent years, offering vastly improved field sound recordings. Tascam has been in the audio recording... Read More

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PVC at AES 2014 - The Amazing Nucleus Board from Solid State Logic

An all-in-one solution for anyone who wants to record, track and mix

By Woody Woodhall | October 15, 2014

In a world filled with computers replacing the desk and shelf space of mixing consoles and recorders, there have been a number of solutions over the years to address the tactile connection to the audio that mixers and sound engineers require. Avid has rolled out a number of controllers over the... Read More

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PVC at AES 2014 - Exciting New Products from Lectrosonics

Check out the details of the new L-series products

By Woody Woodhall | October 13, 2014

The Audio Engineering Society (AES) had their 137th International Convention this past week in Los Angeles and I had the opportunity to speak on-camera with a number of companies, discussing new products.

First up is a conversation with Karl Winkler, the Director of New Business for... Read More

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Sneak peeks at Adobe Max 2014: Editing, animation, audio, and design

Co-hosted by Joseph Gordon-Levitt

By Rich Young | October 08, 2014

In addition to a new family of iOS mobile apps and enhanced Creative Cloud 2014.1 desktop tools, Adobe previewed in-development technologies in sneak peeks at Adobe MAX 2014. 

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Know the Pro: Stu Maschwitz

We talk Star Wars, the Visual Effects Industry, Video Copilot and all things Red Giant with Stu Maschwitz

By Kevin P. McAuliffe | October 07, 2014

This article series, to be posted once a month, will focus on one person in the Film or Television industry who’s name might not jump out at you right away, but you’ve definitely been influenced by their work.  This month, we’re talking to Visual Effects Guru, and Creative Director of Red Giant Software's Magic Bullet product line, Stu Maschwitz.

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