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Adobe to hold special online event on June 18

Everything new is new again in Creative Cloud

By Eric Philpott | June 12, 2014

On June 18, Adobe will host a worldwide event from New York City on what's coming next in Creative Cloud. The presentation will start at 1:00 pm ET (10 am PT) and anyone can register to watch live.

At NAB this year, Adobe revealed new versions of all of the Creative Cloud... Read More

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The Desktop Video Revolution - Part 3

The Desktop Video Revolution - Part 3

How desktop technology revolutionised video production - 2013

By ChrisZwar | June 10, 2014

The video production industry has radically changed over the past 20 years, a period of time that can be called "the desktop video revolution".  As desktop computers evolved to become faster and cheaper, they gradually displaced the traditionally expensive "black boxes" that had governed... Read More

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The Desktop Video Revolution - Part 2

The Desktop Video Revolution - Part 2

How desktop technology revolutionised video production - 1997

By ChrisZwar | June 10, 2014

The video production industry has radically changed over the past 20 years, a period of time that can be called "the desktop video revolution".  As desktop computers evolved to become faster and cheaper, they gradually displaced the traditionally expensive "black boxes" that had governed... Read More

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The Desktop Video Revolution - Part 1

How desktop technology revolutionised video production

By ChrisZwar | June 10, 2014

The video production industry has radically changed over the past 20 years, a period of time that can be called "the desktop video revolution".  As desktop computers evolved to become faster and cheaper, they gradually displaced the traditionally expensive "black boxes" that had governed... Read More

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Pinnacle Studio for iPad adds 25p + more improvements

Pinnacle Studio for iPad adds 25p + more improvements

Fortunately, Pinnacle Studio for iPad added several improvements, but several simple ones remain desperately missing.

By Allan Tépper | June 10, 2014

Pinnacle Studio for iPad (previously known as Avid Studio for iPad) has thankfully added missing framerates including 24 + 25, plus other improvements. In my articles in ProVideo Coalition magazine, I have covered the application since its birth from Avid, when it changed its name and owner, and when it became the first iOS video editing app to support translucent alpha channels. Ahead I’ll cover the improvements in detail, what’s critically missing, and what is simply wrong and must be fixed.

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Strategic Through-Edits

This Week on MacBreak Studio

By Mark Spencer | June 10, 2014

When is an edit not an edit - and why should you care?

Steve Martin from Ripple Training tackles this deep philosophical question on this week's MacBreak Studio.

We are of course referring to a "through-edit": something Steve defines as "an edit with continuous... Read More

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3 workarounds for iOS mediographers (iPad/iPhone/iPod Touch)

3 workarounds for iOS mediographers (iPad/iPhone/iPod Touch)

If you produce audio or video with an iPad/iPhone/iPod Touch, you’ll likely have found some of these limitations.

By Allan Tépper | May 31, 2014

Whether you have been using one of the audio/video production apps I have been covering (including Bossjock Studio, FiLMiC Pro, and RØDE Rec) or some others I have yet to cover, you’ll likely have encountered software limitations. This article covers three workarounds to use in the meantime, while app developers add direct support for essential features like SFTP, Gmail app, and until Apple fixes AirDrop between iOS and Mac OS.

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Taking your BCC AE looks to BCC AVX

What might seem like a tedious process is actually very simple

By Kevin P. McAuliffe | May 31, 2014

Last week I had an interesting situation come up.  I was working on a commerical for Tom Cruise's "Edge of Tomorrow", and I needed to make a small revision to some text.  I didn't want to go into After Effects to do it, but my problem was, is there a simple way to take my BCC AE look, and quickly get it into Media Composer?  Well guess what, there is!  In this exclusive PVC tutorial, I'll show you how simple it is!

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Getting Started with BCC Lite for Media Composer Part 1

Your new Media Composer Software subscription comes with some hidden gems. Let's see how to get up and running quick and easy!

By Kevin P. McAuliffe | May 29, 2014

As most Media Composer editors are now aware, BCC is no longer included in your Media Composer Symphony upgrade.  That's because with your monthly subscription, you are now getting Symphony included.  But, that doesn't mean that you're without some awesome BCC effects to get you moving in the right direction.

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Blackmagic Cameras and Clean Audio

How to "sweeten" the audio in your NLE

By Brian Hallett | May 29, 2014

No doubt, good sound is as important as good pictures. The problem?  How can you record good sound on the Blackmagic Cinema Camera and Pocket Cinema Camera when the in-camera preamps are a little less than desired?  I'll show how you can use your NLE's audio equalizer and on-camera accessories to help everything sound a little bit better.  

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BCC 9’s FX Browser

BCC 9’s FX Browser

Find your looks quick and simple with this much needed addition to Boris Continuum Complete!

By Kevin P. McAuliffe | May 20, 2014

The addition of the FX Browser to almost every effect across Boris Continuum Complete makes picking the right look quick and easy!

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BCC 9 AVX New Features Round-Up

Media Composer Editors take note! There are some great new additions to BCC9 AVX

By Kevin P. McAuliffe | May 20, 2014

With BCC now not being included in any Media Composer purchase or monthly license, the decision to upgrade becomes an important one.  Boris FX needs to put the right tools into BCC9 that will make it worth while for editors to upgrade.  Well....let me tell you....they did!

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Pro Tools 11 Hardware and Software Upgrade

Life is a Beta Test

By Woody Woodhall | May 13, 2014

There are many of us in Hollywood and beyond who depend on the dependability of Avid’s Pro Tools digital audio workstation.  Many of us have been using it for many years and in many different hardware and software iterations.  Studio owners like myself, wade in slowly as we take... Read More

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Cure audio spill in multi-mic situations with an AT-MX351a automatic mixer

Cure audio spill in multi-mic situations with an AT-MX351a automatic mixer

With the AT-MX351a from Audio Technica, you can sound as good with multi-mics as with a single one.

By Allan Tépper | May 10, 2014

If you have ever been disappointed when your audio quality drops exponentially as you add more microphones with a talk show, interview or reality, due to a phenomenon called spill, bleed or “crosstalk”, and you can’t afford the time to mulitrack and fix it in post, you’ll be happy to know that there is a hardware device to solve it in real time, either live, “live on tape” or —more commonly nowadays— "live to flash memory”. Enter the AT-MX351a automatic mixer from Audio Technica. Here are my introduction and initial tests.

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RØDE’s PinMic takes lavalier microphones to a new esthetic level

RØDE’s PinMic takes lavalier microphones to a new esthetic level

The RØDE PinMic is the least obtrusive body mic short of hiding a conventional lav inside clothing.

By Allan Tépper | May 07, 2014

In addition to offering the wonderful RØDE REC application for iOS which I recently reviewed (link ahead), RØDE is primarily known as a renowned microphone manufacturer from Australia. One of its unique designs is the PinMic, the least obtrusive body mic I’ve ever seen, short of hiding a conventional lav inside clothing. With the PinMic, absolutely all components and cabling stay inside the clothes, except the microphone element itself, which connects to the rest via three tiny pins, which perforate the shirt or dress non-destructively.

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Replacing Temp Music in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | May 06, 2014

 

    How can you reconnect media in a managed library?

This week on MacBreak Studio, I show Steve Martin from Ripple Training the answer to that question by using a common scenario: replacing temp music.

As editors, we often spend countless hours combing... Read More

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NAB 2014: My Experience

What's it like for someone to work AND play at NAB 2014? Here's my experience!

By Kevin P. McAuliffe | April 28, 2014

I have to admit.  This year’s NAB was like my Oscars.  Normal people (like you and me) would go to the Academy Awards to do some “Stargazing”, as the expression goes.  That’s what I feel that I spent almost a week doing.  Star gazing.  Yes, I was there for work, and work I did, but as we all know, NAB is much more than that. 

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PVC at NAB 2014 - Check Out K-Tek’s New Take on Audio Bags

PVC at NAB 2014 - Check Out K-Tek’s New Take on Audio Bags

Learn more about the Stingray and their new audio harness

By Jeremiah Karpowicz | April 24, 2014

Woody Woodhall talks with K-Tek's Dave Fisk about their new product line of audio bags. They talk through the features of the Stingray bags that were on display at the show. The Stingray audio bag features a rigid internal frame that allows the bag to stand up on its own. The rigid... Read More

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Bossjock Studio creates a “live” radio studio in your iPad/iPhone/iPod Touch

Bossjock Studio creates a “live” radio studio in your iPad/iPhone/iPod Touch

Bossjock Studio replaces a recorder, carts, and in many cases, an audio mixer for podcasting and more.

By Allan Tépper | April 20, 2014

With its inboard virtual carts (to play intros, bumpers, commercial spots, PSAs, sound effects, and stingers), ducking and easy sharing, the under US$10 Bossjock Studio app in your iPad/iPhone/iPod Touch lets you produce your podcast or radio show in real time “live to flash memory”, encode it, and publish it online. This is my “first look” article.

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Átomos announces Shogun 4K 4:2:2 recorder/monitor  w/ balanced audio

Átomos announces Shogun 4K 4:2:2 recorder/monitor w/ balanced audio

For the first time, Átomos has embraced balanced audio inputs and 4K 4:2:2 recording.

By Allan Tépper | April 19, 2014

At NAB 2014, Átomos announced its under-US$2k Shogun 4K 4:2:2 recorder/calibratable 7" 1920x1080 monitor with scopes, HDMI and 12G-SDI, and XLR<>Lemo balanced audio breakout cable. (More about that cable ahead in this article.) Átomos also made a joint announcement with Sony regarding the A7s 4K camera, which is aimed to compete with the Panasonic’s GH4, both of which work with the Shogun. Details ahead…

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