So, it's been a while since I've started writing this series, so I should probably point out that the point here is to simply locate those cool tips and techniques that are easily found in the user manual - if you actually chose to read it. But this is much easier - at least for you - because I've sifted out most of the "duh" stuff and just delivered the tips that you might have not heard before.
The theme of this specific column was inspired by a reader who commented on Avid Gems #10. They wanted to know all of the different ways the alt key on Windows or the option key on Mac altered the behavior of various keystrokes and mouse movements, so that's what I'm serving up today.
The thing with new techniques like the ones I am about to deliver is that if you try to swallow all this in one sitting, it just passes through your brain like … poop through a goose, so here's what you should do: pick five of the following tips that you think seem like they would help you speed up your editing and just try to use ONE tip each day for a week. If you ever studied a musical instrument, you know that you need to develop muscle memory. So keep trying to use that one tip throughout the day, and then keep using it for the rest of the week as you add each new tip in subsequent days.
You should know these first three Timeline tips already:
To snap to the head of transitions press the Ctrl key (Wintel) or Command key (Mac) as you drag segments selected in Segment mode.
To snap to the tail of transitions press Ctrl+Alt (Wintel) or Command+Option (Mac) as you drag segments selected in Segment mode.
Control + dragging a segment in the Timeline restricts the move to vertical-only. This helps keep things in sync, when moving segments between tracks.
But this one was new to me:
To snap the selected segments to an edit point in the track above or below the current track: Click a Segment Mode button, and then press Ctrl+Shift (Wintel) or Ctrl (Mac) while dragging the segments.
Here are some Editing Commands with modifier keys:
Alt + Z (Wintel) or Option + Z (Mac) lifts and places selected material in Source monitor
Alt+ double-click (Wintel) or Option + double-click a clip, sequence, or Title icon in a bin opens that item in a pop-up monitor instead of into the source or record monitor.
While shift-dragging a clip from the bin into the Record monitor overwrites the clip into the sequence, Alt + dragging (Wintel) or Option + dragging (Mac) a clip into the Record monitor splices a clip into sequence
Alt + T (Wintel) or Option + T (Mac) marks the clip duration at position, ignoring track selection and filler. Without the modifier key, it selects the clip duration of the selected track. The modifier behavior is handy so that you don't have to unselect tracks and select new ones, just to find a duration. This is a handy thing to do if - for example - you are trying to cut a Title on v2 over the exact length of a clip on v1. If track 2 is selected, because that's where you're trying to edit the Title, then you can use this clip to correctly select in and outpoints on v1.
I've mentioned this one several times in my books.
Alt+ I (Wintel) and Option+ I (Mac) goes to IN point.
Alt + O (Wintel) and Option + O (Mac) goes to OUT point.
I use this - along with mapping the shift-I and shift-O shortcuts with "Clear In" and "Clear Out" respectively - to put six important keystrokes all in the space of the two easy-to-remember I and O keys.
Control + 6 plays continuous loop from IN point to OUT point