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by Adam Wilt

Adam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC. Since 1997 his website,, has been a popular reference for information on the DV formats. He has reviewed cameras for DV Magazine and written its "Technical Difficulties" column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book,"Optimizing Your Fi...

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Quick Review: Canon C300 Super35mm LSS Cine Camera

The C300 is a shooter's camera: a large sensor recording pretty pix with a broadcast-ready codec in a thoughtfully designed, highly flexible package.

By Adam Wilt | July 24, 2012

Canon C300 EF with Canon 24-105mm f/4 EF-L IS zoom.

The US$16,000 Canon EOS C300 looks like nothing else, and works like it, too: its ergonomics, controls, and menus are rules unto themselves. It's a fearless re-imagining of how a large-single-sensor camera should be designed, held, and operated, but it doesn't hurt that the C300 inherits the broadcaster-approved, edit-ready XF codec from Canon's 1/3" camcorders along with Canon's usual looks-good-right-out-of-the-box image rendering. The camera renders crisp, clean images with 12+ stops of dynamic range, and the package handholds very well; overall, I'd rate this experiment as a success. Read More


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Review: Sony NEX-FS700 “Super35” LSS AVCHD Camcorder

The FS100's new sibling adds Super Slo-Mo, Cine Gammas, NDs, and a new sensor.

By Adam Wilt | June 30, 2012

The NEX-FS700 (US$8000; $8600 with 18-200mm zoom lens) is an E-mount Large-Single-Sensor camcorder with the back end, user interface, and lens mount of the NEX-FS100, but with an entirely new camera section sandwiched between 'em. The FS700 still takes E-Mount lenses (and other lenses via adapters) and still records AVCHD clips to SDHC cards, Memory Sticks, and an optional 11-hour Flash Memory Unit, but those clips now come from a camera with ND filters, slow-motion options to 960fps, and up to 14 stops of dynamic range with highlight-friendly cine gamma rendering.

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Cine Gear Expo LA 2012 - Assorted Photos

Various interesting sights seen at Cine Gear Expo in Los Angeles.

By Adam Wilt | June 23, 2012

Cinoflex power-distro baseplate for the Canon C300, plus accessories. Yes, you can bulk up a C300 to the size of a CineAlta HDCAM!

I attended Cine Gear Expo on the Paramount lot in L.A. earlier this month. When I wasn't busy discussing the FS700, I had a chance to walk around and look at a few of the unusual things on offer... Read More


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Just for Fun: Shooting the Transit of Venus

Using a mirrorless camera, long lens, and a variable ND for solar event photography.

By Adam Wilt | June 07, 2012

Using a mirrorless still camera (or DSLR with Live View capability) or a video camera in combination with a long lens and heavy neutral density filtration, it's easy to view and photograph solar phenomena like the recent transit of Venus. Read More


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High Speed and Low Light with the NEX-FS700

Showing off what the FS700 can do, at Cine Gear Expo 2012 in LA.

By Adam Wilt | June 05, 2012

Sony asked Art Adams and me to talk about our experiences with and impressions of the NEX-FS700 camera at Cine Gear Expo in LA this past weekend. Here's my half of our combined presentation. Read More


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NAB 2012: Assorted Snapshots

A few cool things I saw at the show that didn't fit into any other articles.

By Adam Wilt | May 08, 2012

I got this fisheye lens, y'see, and by gosh and by golly I'm a-gonna use it.

NAB is too big a show in too short a time to see more than a fraction of it. I've covered a few things in some depth (as have other PVC folks), but there's plenty more that slips by without proper coverage. Here, I have a few photos of interesting things that I saw in passing, with pointers for more info should anything catch your fancy. Read More


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NAB 2012: RED

RED's Ted Schilowitz discusses 2012's products, and a photo gallery.

By Adam Wilt | May 07, 2012

RED's "Leader of the Rebellion" Ted Schilowitz held a press conference at NAB on Monday, describing the projects and products RED is working on. Rather than paraphrase him, I've got him on card (well, it's not "on tape" and it's not "on film"; what are we supposed to say these days?) so he can tell you himself. I also have a collection of images shot around the RED booth, for your viewing pleasure. Read More


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NAB 2012: Camera Support

A few of the interesting bits 'n' bobs that make cameras usable.

By Adam Wilt | May 05, 2012

At NAB I found support vendors at the affordable end of the spectrum I hadn't seen before, comfy Aaton-style handgrips, F65 tweaks by Carlos Acosta, and a "drive-by demo" of a handy zoom/focusing lever. Read More


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NAB 2012: Unmanned Aerial Vehicles

Quadcopters, hexacopters, and octocopters, oh my!

By Adam Wilt | May 04, 2012

It's true: the black helicopters are coming after you.

In the first two days of NAB, I saw five different folks walking through the halls carrying multi-rotor camera copters. In previous years? None. UAVs of all sort were all over the show; here are pix of a few of them. Read More


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NAB 2012: Recorders

2012 marks the return to the rack, only without the tape decks...

By Adam Wilt | May 04, 2012

AJA Ki Pro Quad 4K-capable recorder hooked to a Canon C500.

In the past few years the industry has been moving away from rack-mounted tape decks in favor of small, on-camera or near-camera, portable recorders using CF cards, SSDs, and hard disks. At NAB 2012, we saw a partial reversal of that trend: the recorders are moving back into the racks. Read More


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NAB 2012: New EVFs

Two new viewfinders to compete with Zacuto and Cineroid, plus a bizarre prototype from Band Pro.

By Adam Wilt | May 04, 2012

Kinotehnik's LCDVFe showing a semitransparent mask.

Just when you thought you need only decide between Zacuto and Cineroid for add-on EVFs, NAB gave us two new choices. Also, Band Pro showed their own high-end EVF, and it's a weird one. Read More


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NAB 2012: Cameras & Lenses

A brief sampling of interesting photographic tools at NAB.

By Adam Wilt | May 02, 2012

JVC's 4K tinycam is actively cooled via grilles in front and back.

I've already covered the basics of what Sony and Panasonic announced, as well as looking at Canon's C500 and the BMD Cine Camera, but JVC also had interesting camera announcements worth looking at. And of course that's not all there was to see... Read More


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NAB 2012: Canon C300 Image Processing

Canon's Larry Thorpe on the C300's quad-HD sensor and "super green" sampling

By Adam Wilt | May 01, 2012

Canon held a press dinner Monday night at NAB, where Larry Thorpe held forth on the Canon C300's use of a quad-HD sensor (2x HD resolution in both H and V dimensions) and how Canon's "super green" sampling boosts MTF and suppresses aliasing in the camera's 1080p images. Read More


NAB 2012: Is BMD the new RED, Part 2?

NAB 2012: Is BMD the new RED, Part 2?

BMD Cinema Camera specs; video preso from Dan May; unwarranted speculation and wild conjecture.

By Adam Wilt | April 27, 2012

The Blackmagic Design Cinema Camera was the surprise of the show. In this second report on the BMDCC, I gather together facts (such as they are at this early stage of the game), informed commentary, crazed guesswork, and pointers to more info. [updated 2012-04-29: CinemaDNG data rate corrected; 2012-05-07: better video embedding.] Read More


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Is BMD the new RED?

And is EF the new PL? More on the BMD Cine Camera.

By Adam Wilt | April 17, 2012

A few pictures of the $3000 BMD Cine Cam and some infonuggets. [update: added EOSHD's sensor size comparison.] Read More


$3000 BMD Cine Camera?

Blackmagic Design announces a cine camera for $3000!

By Adam Wilt | April 16, 2012

I'm just passing on a rather astonishing announcement from Blackmagic Design. I'll try to get a look at this puppy later today, but now, I simply bring you the words of BMD's Grant Petty, received in an email... Read More


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NAB Sunday: Canon’s Presentation

More details on the Canon 1D C and C500 digital cine cameras.

By Adam Wilt | April 16, 2012

Canon held a meeting in the Brenden Theater at the Palms, showing off two 4K short films (one shot by Shane Hurlbut with the 1D C, the other by Jeff Cronenweth, using the C500) and turning Larry Thorpe loose with a wealth of technical details. Read More


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NAB Sunday: Panasonic and Sony Press Conferences

What the two big camera companies taked about officially.

By Adam Wilt | April 16, 2012

One of many GH2s being used to record the Panasonic press conference.

When big companies hold press conferences, they're a mix of marketing / sales encomiums from happy customers, and some actual useful information about technologies and products. I'll mostly focus on the tech stuff that Panasonic and Sony announced today (and adding my own snarky commentary in [square brackets]). Read More


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FS700: Fire & Ice

More Super Slow Motion studio tests with Sony's new LSS camcorder.

By Adam Wilt | April 13, 2012

Setting up for ice drops and water pours.

The day after my fun with matches, Art Adams came by. We played with fire a bit more, then turned to water and ice. Read More


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Testing the NEX-FS700 at Meets The Eye

More slo-mo under controlled conditions.

By Adam Wilt | April 11, 2012

NEX-FS700 with Arri 85mm Ultra Prime, matte box, and follow-focus; Hot Rod Cameras Tuner Kit; Zacuto Z-finder-EVF

I took the FS700 into work and shot under various lighting conditions to see what would happen. I also swapped out my cheap Nikon lens adapter and support kit for an updated Hot Rod Cameras Tuner Kit (sliding baseplate, PL mount, and 15mm rod adapters). Read More