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by Adam Wilt

Adam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC. Since 1997 his website,, has been a popular reference for information on the DV formats. He has reviewed cameras for DV Magazine and written its "Technical Difficulties" column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book,"Optimizing Your Fi...

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NAB 2011 Video - Panasonic’s second-generation 3D Camcorder

The AG-3DP1 has a 17x zoom and records to dual P2 cards

By Adam Wilt | April 21, 2011

Steve Cooperman of Panasonic describes the 1/3" 3MOS AG-3DP1 3D P2 camcorder. It should be available later this year, but pricing has not been announced.900x506 QuickTime movie, 1 Mbit/sec h.264, 12 Mbytes. Read More


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NAB 2011 Video - Panasonic AJ-HPX3100

A low-cost, 2/3" P2 / AVC-Intra camcorder with proxy recording and wireless metadata.

By Adam Wilt | April 20, 2011

Panasonic's Steve Cooperman talks about the AJ-HPX3100, a 2/3" 3CCD camcorder costing less than US$20,000. 900x506 QuickTime movie, 1 Mbit/sec h.264, 19 Mbytes.[Corrected 2011-06-06: CCD, not MOS] Read More


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NAB 2011 - Arri Announcements

Alexa advancements, LED lighting, and support for other cameras.

By Adam Wilt | April 13, 2011

Some quick notes from Arri's Monday press conference, plus some from-the-floor photos. Read More


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NAB 2011 Video - Two New Video Recorders, and More…

Two new camera-top video recorders, a cool test chart, and video nametags.

By Adam Wilt | April 12, 2011

Sound Devices introduced two new solid-state video recorders, and FFV showed off one, too. Also: a very cool camera testing chart from DSC Labs, and name tags that display video.900x506 QuickTime movie, 1 Mbit/sec h.264, 68 Mbytes. Read More


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NAB 2011 Video - Sunday Night at Sony

Sony's Juan Martinez shows off the NEX-FS100 AVCHD "NXCAM Super35"

By Adam Wilt | April 11, 2011

Sunday night, Sony lets a few journos in to see what's new before the doors open Monday morning. Sony's Juan Martinez shows off some of the features of the NEX-FS100 "NXCAM Super35" camcorder, as well as a new viewfinder attachment for the PMW-F3. I also grabbed a quick pic of the dustproof / splashproof HXR-NX70 camcorder enduring watery indignities.900x506 QuickTime movie, 1 Mbit/sec h.264, 44 Mbytes. Read More


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NAB 2011 - Sunday Seminars

I sampled several seminars in the Post|Production World and Digital Cinema Summit.

By Adam Wilt | April 11, 2011

DP Brian Pearson wields an EPIC as RED's Ted Schilowitz watches.

On Sunday I sat in on several classes and sessions, to get a feel for the non-show-floor goings-on at NAB. Herewith, my fragmented, barely-edited notes. Read More


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NAB 2011 Video - Saturday Setup

A quick look at the Las Vegas Convention Center on the Saturday before the show...

By Adam Wilt | April 10, 2011

The Las Vegas Convention Center, where NAB is normally held, and what goes on there on the Saturday before the show starts (clarification: DCS sessions are in the South Hall meeting rooms, not North Hall as my narration might imply).900x506 QuickTime movie, 1 Mbit/sec h.264, 17 Mbytes. Read More


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More on the Sony NEX-FS100U AVCHD LSS Camcorder

The large-single-sensor "NXCAM 35" unveiled. Plus: writeups, NAB seminars, press release.

By Adam Wilt | March 23, 2011

NEX-FS100 next to a PMW-F3, from a Sony NAB Seminar email.

This image of the "NXCAM 35" camcorder is lifted from a promotional email for Sony's Super 35mm Seminars at NAB (more below). Jon Fauer shows a different configuration from his Japan trip along with his un-embargoed writeup. Read More


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AG-AF100 and PMW-F3 on the Charts

...with RED ONE, Alexa, and EX1 resolution/aliasing comparisons.

By Adam Wilt | March 18, 2011

A PMW-EX3, PMW-F3, and AG-AF100 lined up on a cart.

This past Monday, Art Adams and I went up to Chater Camera to have a quick look at the tonal-scale renderings of the PMW-F3 and AG-AF100, two new large-single-sensor (LSS) interchangeable-lens camcorders, and to torture them with resolution, aliasing, and IR sensitivity tests. [updated 2001-03-19: RED M vs M-X aliasing comparison.] Read More


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New Sony Cameras

Sony flew a bunch of journos to Japan recently; here's what they saw.

By Adam Wilt | March 13, 2011

In the past couple of weeks, Sony took industry journalists on a junket to Japan, to get an advance peek at some new cameras (I was invited, but had to decline due to scheduling conflicts). Jon Fauer and David Williams have written up what they've seen. Read More


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How should I cover NAB this year?

Are videos useful? Should I shoot more?

By Adam Wilt | March 01, 2011

I'm starting to think about NAB 2011, and I'm curious what you thought of my 2010 coverage. Got a minute to let me know? Read More


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HPA Tech Retreat 2011 Day 4

3D ghosts, camera arrays, etc.; final thoughts.

By Adam Wilt | February 21, 2011

On this fourth and final day of the 2011 Tech Retreat, we learned about standards activities, 3D ghosts, camera arrays, automated audio "recognition", a new method for making film protection masters, how bending a cable affects its performance, and a whirlwind tour through TV Tech history. Also: the death of tape... for real this time? Read More


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HPA Tech Retreat 2011 Day 3

After the fear and trembling yesterday, suggestions of solutions; OLEDs; DSLRs; and more.

By Adam Wilt | February 18, 2011

Day 3 (by my counting; HPA calls this Day 2, because Tuesday's Super Session doesn't count) covered LTO-5, LTFS, IMF, HDSLR, OLED, FIMS, SOA, SLA, monitors vs. displays, file-based mastering, Hollywood in the cloud, and Disney restorations. Read More


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HPA Tech Retreat 2011 Day 2

Mayhem, confusion, and chaos continue!

By Adam Wilt | February 17, 2011

Day 2 of the Tech Retreat covered the year in review, CES, cloud storage, broadcasting, pool feed audio, content protection, transcoding, stereo subtitles, and more... Read More


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HPA Tech Retreat 2011 Day 1

HPA Super Session 2011 -- Snowflake Workflows

By Adam Wilt | February 16, 2011

HPA set the stage for the Super Session with these words:"With all the options in workflow today, it seems no two projects are exactly alike. Just like snowflakes, our projects begin beautiful, shiny, and a unique wonder to behold. But as they slowly drift to their final destination, they seem to just turn into slush, as we leave them behind searching for our next wonderful, pristine, new way." Read More


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HPA Tech Retreat 2011

The industry's most thought-provoking conference happens this week.

By Adam Wilt | February 14, 2011

There's a quiet gathering in Palm Springs every February. Many of the post-production industry's leading luminaries, along with a gaggle of production folks, hangers-on, and ne'er-do-wells (including your correspondent) assemble for the Hollywood Post Alliance's Tech Retreat, three and a half days of discussion about where the industry is and where it's going. Read More


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Zeiss Eye Candy

Zeiss lenses show what they're really made of.

By Adam Wilt | February 04, 2011

I attended a local tradeshow yesterday and today, and Zeiss had a display table showing off still and cine lenses. Herewith, some images for your viewing pleasure. Read More


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Pro Apps PDFs!

Oh, frabjous day: Apple offers PDF user manuals again!

By Adam Wilt | December 19, 2010

The PDF link downloads a copy of the docs to disk.

OK, so maybe I'm stupid (no comments, thanks very much) and these have always been available, or maybe they're new: Apple has PDF user manuals for Pro Apps available for download. Read More


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Overview: Several First-Generation Versacams

I take a not-entirely-reverent look at how the D90, 5D Mk II, 7D, and DMC-GH1 "versacams" really perform for video work.

By Adam Wilt | December 07, 2010

Art Adams wrestles a fully kitted-out Canon 5D Mk II with 85mm f/1.2 Canon prime.

Hybrids, HDSLRs, VDSLRs, EVILs, DSMCs, DILCs? There's as much confusion about what to call these highly-affordable, large-sensor, interchangeable-lens, video-capable still cameras as there is about their actual usefulness. Some proclaim them the revolutionary future, doing to RED what RED did to the industry before it: bring large-format, shallow depth-of-field motion imagery to the masses at a price point previously inconceivable. Others reject them out of hand for their technical shortcomings and unsuitable ergonomics. Read More


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Quick notes: First PMW-F3 Movie; NXCAM 35 Pro Camcorder

Some chaps in the UK have shot a short with an PMW-F3, and Sony announces a pro large-sensor NXCAM camcorder.

By Adam Wilt | November 17, 2010

Things are really heating up in the large single sensor camcorder world. Read More