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122 Slides on the Sony PXW-FS7

122 Slides on the Sony PXW-FS7

Sony’s new Super35mm camcorder, introduced by Product Manager Juan Martinez

By Adam Wilt | September 11, 2014

The Sony PXW-FS7 “Vérité”, being announced at IBC as I post this, is a large-single-sensor camera aimed specifically at shoulder-mounted run’n’gun work: things like documentary shooting, news, direct cinema, and (shudder) “reality TV”.  It... Read More

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Movidiam Is A New Creative Network For Filmmakers And Photographers

By Dan Carr | September 11, 2014

 

Movidiam is a creative network that allows brands, agencies and creative professionals across the globe to connect and collaborate on projects in a new way. 

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Avid announces Resolution Independence for Avid Media Composer

That's 4K and beyond ... plus some background rendering and other stuff

By Scott Simmons | September 11, 2014

Over in Amsterdam Avid held their most recent Avid Connect event and we finally got the Avid Media Composer news that many have been waiting for - resolution independence is coming to Media Composer. This wasn’t totally unexpected as it has been hinted at for some time but this was the official announcement with this new version hitting in Q4 2014. And we’ll get Avid DNxHR - “4K beauty without the bandwidth.”

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Achieve an Efficient Production by Becoming Proficient at Pre-Production

How to better understand the importance of pre-production

By Bobby Marko | September 10, 2014

Problems always occur in video and film production. It’s the nature of the work we do. There are always outside forces beyond our control and no matter what we do to prepare for them, we are always faced with a problem to solve that we didn’t count on or didn’t foresee.... Read More

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Dissecting those upcoming Adobe Premiere Fall CC 2014 Preview Features

The CC train continues to steam along with a preview of even more new and needed features

By Scott Simmons | September 10, 2014

In advance of IBC 2014 Adobe has shown a whole slew of updates that we can expect to see in the next version of Adobe Premiere Pro CC 2014 as well as a lot of other Creative Cloud video apps. This release looks to be another important update for those hardcore PPro users as there are some very important things coming. Adobe is still listening as these are all things we’ve been asking for. Let’s dissect some of them.

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Media Composer 101 - Lesson 1

Let's get started learning Avid Media Composer Subscription

By Kevin P. McAuliffe | September 10, 2014

In this introductory Lesson, Kevin P McAuliffe introduces you to Avid Media Composer Subscription (also called MC8). 

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Batch Encoding in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | September 09, 2014

Batch exporting directly from Final Cut Pro X?

That's what Steve Martin from Ripple Training explores in today's episode of MacBreak Studio.

While there are many sharing options built into Final Cut Pro X, some folks turn to Compressor, Apple's... Read More

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Review: Tascam iXJ2 preamp/A>D enables dual-mic/2-channel opportunities for iOS mediography

Review: Tascam iXJ2 preamp/A>D enables dual-mic/2-channel opportunities for iOS mediography

A discontinued interface from Tascam is still ideal for certain recording and streaming events.

By Allan Tépper | September 05, 2014

Although the Tascam iXJ2 preamp/A>D is officially discontinued, fortunately it is still available (for now). Ahead you’ll discover why the iXJ2 is a unique enabler for high-quality dual-mic/2-channel, 48 kHz/24-bit iOS recordings, including several use-cases: interviews, sportscasting, and even voiceover auditions; when it’s appropriate, and when it isn’t.

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TurbulenceFD Depth Pass Using Cinema 4D

Free script to aid in creating a depth pass for smoke simulations

By David Torno | September 04, 2014

Creating a depth pass for a smoke simulation should be a simple task you might think. In most cases with professional softwares it can be, but not all softwares support this feature. In this particular case it is the Fire and Smoke simulation plugin TurbulenceFD (TFD). I am a... Read More

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Blackmagic didn’t quite remove the Band-Aid after all…

Blackmagic didn’t quite remove the Band-Aid after all…

As I sadly discovered in Guatemala, Blackmagic didn’t quite add RGB over HDMI after all…

By Allan Tépper | September 02, 2014

In June 2014, I published an article stating that Blackmagic had finally removed the Band-Aid for original DreamColor monitor users, based upon information published in their own ReadMe and a direct statement from Blackmagic’s US president, which I quoted. In mid August, I went to Guatemala to configure a system, and discovered that RGB over HDMI wasn’t really available. After a few weeks of email exchanges, Blackmagic has finally clarified their position via the public relations department.

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Moving Proxy Media in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | September 02, 2014

How can I take my proxies with me?

It's a question we've heard enough times that in this episode of MacBreak Studio, I show Steve Martin from Ripple Training some options for doing so.

The scenario is this: you have your original media on a RAID - a large... Read More

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Z-Depth compositing with Particular - Part 2

Create z-depth maps in Particular and composite multiple layers together

By ChrisZwar | September 01, 2014

Trapcode’s Particular is probably the most popular 3rd party plugin for After Effects, and amongst its many powerful features is the ability to read a z-depth map.  What it doesn’t have, however, is an obvious way to render out its own z-depth map - but by manually adjusting... Read More

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Z-Depth compositing with Particular - Part 1

Create z-depth maps in Particular and composite multiple layers together

By ChrisZwar | September 01, 2014

Trapcode’s Particular is probably the most popular 3rd party plugin for After Effects, and amongst its many powerful features is the ability to read a z-depth map.  What it doesn’t have, however, is an obvious way to render out its own z-depth map - but by manually adjusting... Read More

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Review: RØDE NT-USB studio-grade digital microphone

Review: RØDE NT-USB studio-grade digital microphone

The NT-USB includes a pop-shield + table stand, and works with Mac, Windows, and iPad.

By Allan Tépper | August 28, 2014

The new NT-USB from RØDE is a studio-grade digital microphone that officially works with Mac, Windows, and iPad. Unofficially, it also works with iPhone and iPod Touch. Ahead is my review, including exclusive comparative audio recordings with Chilean singer Bárbara Intriago.

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A Bunch of Random Hard Drive Speed Tests

As drives come into the edit suite I've been noting their read/write speeds for no other reason than because I can

By Scott Simmons | August 28, 2014

As a freelance editor I get a lot of hard drives sent to me with footage to edit. Usually all of that media is transferred off of those hard drives and onto a RAID for editing. Occasionally I might have a quick turnaround or just fixes on a project and I’ll cut right off the hard drive sent to me. The faster the drive the better for both of these tasks. I’ve been keeping a running log of hard drive speeds for the last few months and with the help of Blackmagic’s Disk Speed test I offer up this cornucopia of various drive speed tests and their connections. Little commentary is provided here but if you have a production asking why you’re questioning their use of a cheap little black Seagate drive from Target then send them to this blog post to see exactly what slow speeds that cheap drive will mean and how that will add time to editorial because of file transfers alone.

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SmartSound Plug-ins For Soundtrack Creation With Adobe Video Apps

Use SmartSound Plug-ins with Adobe Premiere Pro and After Effects CC For Round-Trip Music Soundtrack Creation and Editing

By Jeff Foster | August 27, 2014

SmartSound has made some great advancements in their software plug-ins for Adobe Premiere Pro and After Effects since I did my last how-to tutorial two years ago and posted here on ProVideo Coalition. I just recreated two new short video tutorials and wanted to share them with you here, to show you just how easy this NEW round-trip method is to create/edit music soundtracks for your video/animation projects starting inside your video production apps.

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Professional Platforms for Sales and Marketing Videos

Professional Platforms for Sales and Marketing Videos

Choosing the right video platform for video marketing, sales, and corporate communications.

By Chris Potter | August 27, 2014

Clients ask you to wear many hats. In addition to producing & editing video, you may be seen as the expert in online video distribution.

Using YouTube or Vimeo Pro to host and embed videos is a pretty safe choice. Both platforms provide great video playback and instant access to large communities that can expose your content to a broad audience.  However, they may not always be the best choice for you or your clients.

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GoPro Launches New Field Guide Video Series

Learn from GoPro's in-house media team

By Dan Carr | August 26, 2014

GoPro's in-house production crew are the guys responsible for creating things like the Hero 3+ launch video, currently sitting at over 16 million view on YouTube.  If there's ever anything you wanted to learn about shooting with a GoPro, these are the guys to teach it to you.

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Subroles in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | August 26, 2014

There are no tracks in Final Cut Pro X.

This fact really throws folks at first because it seems that tracks would be required for some very basic editing, compositing, organizing, and exporting functions. However, Final Cut's magnetic timeline, connected clips, and use of... Read More

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