Pro Video Coalition

Jeff Foster’s New Channel: The PixelPainter

By Jeff Foster | June, 19, 2013

I've been contributing to various production/post-production channels here on PVC for years but created my own channel with the re-launch of the new PVC website format, titled 0 Comments | Read More

Remember your Ps and Qs: Performance and Quality Top Priority for Consumers Watching On-Demand

By John Riske | October, 20, 2014

With BBC iPlayer announcing that viewers will be able to watch their favourite shows on-demand for 30 days, rather than the

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Media Composer 101 - Lesson 2 - What’s New in Version 8.2

By Kevin P. McAuliffe | October, 19, 2014

Much like with most applications, you wait for the major updates (version 4, 5, etc) for new features to add to your editing toolkit.  Well, with the new Subscription Model of Media

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iPad Air 2 is semi-matte!/My MacBook Air is now matte too!

By Allan Tépper | October, 19, 2014

Frequent ProVideo Coalition readers know that I strongly prefer matte screens, whether its for media production or general use. In fact, I recently even sent my MacBook Air to have its display

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Review: ThunderBay IV 4-bay 12TB Thunderbolt system

By Allan Tépper | October, 19, 2014

Back in June, I published my first look article on the ThunderBay IV 4-bay 12TB Thunderbolt system with the palindromic price —in this configuration— of US$979, which has since

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PVC at AES 2014 - Exclusive Info About the DR-60D from Tascam

By Woody Woodhall | October, 18, 2014

Improving location audio is one of the simplest ways to greatly enhance the overall quality of your productions. Exceptional digital audio recorders have dropped drastically in price in recent

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Adobe Creative Cloud News and Specials

By videoguys.com | October, 16, 2014

Videoguys.com Announces Adobe Creative Cloud for Teams Upgrade, 2-Year Rate Lock, and Special Multi-Seat Prices for 5 or more

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Behind the Workflow and Post-Production Process of Gone Girl

By Jeremiah Karpowicz | October, 15, 2014

David Fincher’s latest feature film, Gone Girl, was shot in 6K and reviewed in a full 4K pipeline. It’s the first feature film to be cut on Adobe Premiere and needed to employ

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PVC at AES 2014 - The Amazing Nucleus Board from Solid State Logic

By Woody Woodhall | October, 15, 2014

In a world filled with computers replacing the desk and shelf space of mixing consoles and recorders, there have been a number of solutions over the years to address the tactile connection to

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