Pro Video Coalition

Jeff Foster’s New Channel: The PixelPainter

By Jeff Foster | June, 19, 2013

I've been contributing to various production/post-production channels here on PVC for years but created my own channel with the re-launch of the new PVC website format, titled 0 Comments | Read More

Premiere Pro News Notes #11

By Rich Young | January, 31, 2015

Here's another collection of news on tutorials, tips, and related tools assorted with Adobe Premiere Pro. Things have continued apace, though perhaps with rehashing, even behind the paywalls.

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Media Composer Quick Bite 1

By Kevin P. McAuliffe | January, 31, 2015

Media Compser editors know that our Title safe and Picture safe guides are an essential part of our titling workflow.  Working in Photoshop is no different, but sometimes I see

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28 Days of Quicktips 2015 -  #28daysofquicktips

By Scott Simmons | January, 31, 2015

Way, way back in the year 2009 when I started this channel on PVC 0 Comments | Read More

Sports Solutions white paper for NewTek LatAm/EMEA

By Allan T├ępper | January, 30, 2015

After the great popularity of the NewTek New Scopes white paper I published for NewTek US, the Latin American department then contracted me to translate/localize it for its own region. Later,

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Jumping into the 10G Networking Market

By Jeremiah Karpowicz | January, 30, 2015

Late last year, Sonnet Technologies announced the Dual-Port 10GBase-T

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Renting Lenses from

By Adam Wilt | January, 30, 2015

For my December lens tests with Veydras and 0 Comments | Read More

Shooting in Raw

By Dorian Heller | January, 30, 2015

We've all heard it, but how many actual know the benefits of shooting in a raw format? Most modern camera systems have the ability to capture raw photos or even video.

An Easy Way To

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Product Review: ikan PD1 Remote Air One Remote Follow Focus

By Helmut Kobler | January, 29, 2015

Ikan’s Remote Air One (also known as the PD Movie) is a wireless remote follow focus that’s easily the most affordable

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AE + C4D: Some Minor Assembly Required

By Chris and Trish Meyer | January, 29, 2015

We’re fans of the Live 3D Pipeline workflow between After Effects CC and CINEMA 4D Lite. And Adobe has automated a large portion of the process to get the two to work

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