Pro Video Coalition

AE + C4D: Some Minor Assembly Required

By Chris and Trish Meyer | January, 29, 2015

We’re fans of the Live 3D Pipeline workflow between After Effects CC and CINEMA 4D Lite. And Adobe has automated a large portion of the process to get the two to work

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You can still purchase Avid Media Composer & Symphony Support / upgrades for $285 from Videoguys!

By videoguys.com | January, 28, 2015

Videoguys is an authorized Avid partner and we have been given permission by Avid to continue to

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In Guatemala, Shogun reverses 29.97PsF pulldown for 8-camera live-switched show via Datavideo HS2800

By Allan Tépper | January, 27, 2015

Staff/HDTV in Guatemala really wanted to record pure progressive 1080/29.97p for its multi-camera TV shoots. They strongly considered NewTek’s TriCaster lineup, but TriCaster

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Dynamic Trimming in Final Cut Pro X

By Mark Spencer | January, 27, 2015

What is dynamic trimming, anyway?

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Have I Finally Perfected My Backup Strategy?

By Dan Carr | January, 26, 2015

Like many people, I’ve struggled over the years to find the perfect backup solution for all of my digital content.  As file sizes creep ever upwards, it’s been a permanent upgrade process

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I am a Bird

By Mark Spencer | January, 26, 2015

This weekend my friend Gary Yost took out his new DJI Inspire 1 for some test flights. The

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Story of daredevil legend Evel Knievel premieres at the 2015 Sundance Film Festival

By Meagan Keane | January, 25, 2015

Screening at the 2015 Sundance Film Festival, Being Evel recounts the true story behind American icon Robert “Evel” Knievel. The feature documentary, co-produced by A&E IndieFilms,

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4K Studios Uses Blackmagic UHD to deliver old Kung Fu Movies in 4K

By Brian Hallett | January, 25, 2015

San Francisco based 4K Studios are using Blackmagic Design gear to scan old 35mm Film prints to bring old Kung-Fu movies to the world's first all 4K Ultra HD streaming network. Roundhouse

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Media Composer 101 - Advanced - Creating SD DVD’s from HD, 2K & 4K Projects part 3

By Kevin P. McAuliffe | January, 24, 2015

In this week's Media Composer 101 tutorial, I'm going to show you four different DVD burning applications, and how simple they are to use, when creating your screening

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Why Digital Sprockets edits video with DaVinci Resolve instead of FCP X

By Allan Tépper | January, 24, 2015

Benjamín Fernández is the director of Digital Sprockets in México City, where since 1994 he has offered post-production, telecine (film-to-tape) and film restoration

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