Pro Video Coalition

Remember your Ps and Qs: Performance and Quality Top Priority for Consumers Watching On-Demand

By John Riske | October, 22, 2014

With BBC iPlayer announcing that viewers will be able to watch their favourite shows on-demand for 30 days, rather than the

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Kirk Baxter, ACE, leads edit of “Gone Girl,” latest box office hit for David Fincher

By Meagan Keane | October, 21, 2014

Kirk Baxter was attracted to cinema from a young age by films such as E.T., Raiders of the Lost Ark, and Star Wars. These “popcorn accessible” movies drew him in and fueled his

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Introducing NUKE 9: The biggest evolution in NUKE’s history

By PVC News Staff | October, 21, 2014

Leading creative software developer, The Foundry, today unveiled NUKE 9, the biggest ever shake up of its NUKE technology, including the brand new addition of NUKE STUDIO. The offering brings powerful

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LOG and RAW workflows and the Adobe video tools

By Eric Philpott | October, 21, 2014

On October 16, colorist Robbie Carman presented LOG and RAW workflows on the Ask a Video Pro Adobe webinar series. The session was excellent and the participants had lots of great comments and

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Creating lasting video impressions

By Meagan Keane | October, 21, 2014

When fans turn their attention to the large screens at sports’ biggest events, there’s a good chance that they’re watching the work of Van Wagner Big Screen Network Productions

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Visual Effects Workflow with Final Cut Pro X

By Mark Spencer | October, 21, 2014

How does Final Cut Pro X fit into the visual effects workflow of a feature film?

Quite comfortably, as we discover on this week's episode of MacBreak Studio, where I get the

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Adobe ‘Gone Girl’ panel: Premiere & After Effects

By Rich Young | October, 21, 2014

You can join Adobe for a panel discussion with the editorial and post-production team behind the movie Gone Girl

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Kicking the Tires on the Adobe Premiere Pro CC 2014.1 Update

By Scott Simmons | October, 20, 2014

It was announced at IBC and shipped at Adobe MAX (I wonder if this will become the norm?) and it’s another big update to Adobe Premiere Pro. 0 Comments | Read More

Media Composer 101 - Lesson 2 - What’s New in Version 8.2

By Kevin P. McAuliffe | October, 19, 2014

Much like with most applications, you wait for the major updates (version 4, 5, etc) for new features to add to your editing toolkit.  Well, with the new Subscription Model of Media

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iPad Air 2 is semi-matte!/My MacBook Air is now matte too!

By Allan Tépper | October, 19, 2014

Frequent ProVideo Coalition readers know that I strongly prefer matte screens, whether its for media production or general use. In fact, I recently even sent my MacBook Air to have its display

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