Pro Video Coalition

Review: ThunderBay IV 4-bay 12TB Thunderbolt system

By Allan T├ępper | October, 19, 2014

Back in June, I published my first look article on the ThunderBay IV 4-bay 12TB Thunderbolt system with the palindromic price —in this configuration— of US$979, which has since

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PVC at AES 2014 - Exclusive Info About the DR-60D from Tascam

By Woody Woodhall | October, 18, 2014

Improving location audio is one of the simplest ways to greatly enhance the overall quality of your productions. Exceptional digital audio recorders have dropped drastically in price in recent

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Adobe Creative Cloud News and Specials

By | October, 16, 2014 Announces Adobe Creative Cloud for Teams Upgrade, 2-Year Rate Lock, and Special Multi-Seat Prices for 5 or more

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Behind the Workflow and Post-Production Process of Gone Girl

By Jeremiah Karpowicz | October, 15, 2014

David Fincher’s latest feature film, Gone Girl, was shot in 6K and reviewed in a full 4K pipeline. It’s the first feature film to be cut on Adobe Premiere and needed to employ

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PVC at AES 2014 - The Amazing Nucleus Board from Solid State Logic

By Woody Woodhall | October, 15, 2014

In a world filled with computers replacing the desk and shelf space of mixing consoles and recorders, there have been a number of solutions over the years to address the tactile connection to

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Biscardi Creative Media combines experience, storytelling, and heart

By Meagan Keane | October, 15, 2014

Walter Biscardi Jr. has worked with nearly every NLE during his long and successful career. He started editing in 1990 at CNN and was one of the network’s first Avid editors. In 1995, he

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Ask an Expert: How to Market Yourself, Applying a LUT and Using the Angle Editor in FCPX

By The ProVideo Coalition | October, 14, 2014

In our October 2014 Mailbag, readers asked questions about editing clips from different angles, the best approach to LUTs,

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First Look: Hands-on with the GoPro HERO4 Black

By Jeff Foster | October, 14, 2014

Since the announcement of the flagship camera in GoPro's new HERO4 lineup, I get to give the HERO4 Black a test with several devices and gimbals to see how it compares to the HERO3+ and share my

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Interactive Title Design in Final Cut Pro X

By Mark Spencer | October, 14, 2014

Did you know you can do interactive, realtime title design directly inside Final Cut Pro X?

This is the subject we tackle in this week's edition of MacBreak Studio. While

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I Need You but Can’t Pay You: 4 Things to Remember When Asking for Free Work

By Bobby Marko | October, 14, 2014

We've all been there! The all too familiar passion projects - ie: short films, documentaries, even feature films. When we create these projects we know in order to pull them off, we have to

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