Pro Video Coalition
By Scott Gentry | April, 30, 2008
Good evening Mr. Phelps:As I mentioned in the Forum FAQ earlier this morning, launching forums on a new website is a tricky animal. The more categories you have early on, the more likely there will be
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By Art Adams | April, 29, 2008
I'm a bit late in writing this, but there are some NAB wonders that I want to blog about. I had all of one day to see the show, but I did see some pretty cool things. How can you not at NAB?I spent Sunday
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By Bruce A Johnson | April, 29, 2008
Archiving - now that's cocktail-party conversation! But something may be on the horizon that could make it sexy.
In one of those little conversations you have on the floor at NAB, a
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By Terence Curren | April, 29, 2008
While I found myself defending Avid's new pricing scheme , I got to wondering about how people actually decide if something is worth its cost. From conversations I've had publicly and privately it is
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By Terence Curren | April, 29, 2008
After returning from NAB last year (2007) I gave Avid 3 years as a significant player in the NLE market. The combination of the major inroads FCP had made, including the announcement of Final Cut Server
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By Bruce A Johnson | April, 29, 2008
I've spent the last week digesting everything I saw at this year's NAB show, from products great, like full-tilt video production trailers, to small, like AVCHD camcorders that record to SD flash
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By Adam Wilt | April, 28, 2008
I spent NAB 2008 walking around, looking for gear for our production company and getting a feel for where things are headed in general. I took away several strong impressions about where the industry is
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By Hart Shafer | April, 24, 2008
Another NAB has come and gone and it appears everyone at Adobe survived the crazy/great week. Well, I'm at home nursing the traditional post-NAB cold, and my feet took days to get their feeling back, but
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Alexis Van Hurkman divides his time working as a writer, director, and colorist. Currently based in Saint Paul, Minnesota, he’s graded programs that have aired on The History...
Allan Tépper has been working with professional video since the early eighties, since he first learned to edit video using the open-reel 1/2” EIAJ-1 format with a Sony AV-3650...
Rich Young is a long-time After Effects user from the San Francisco Bay Area. His After Effects weekly round-ups provide viewers with an easy-to-digest summary of what developments...
Eric Escobar is a filmmaker and a filmmaking technology geek. On the filmmaker side, when he was 16, Eric worked as a video store clerk at Bob's Video in Hollister, California,...
Mike Curtis writes and runs HD for Indies, a consultancy and website dedicated to using affordable digital technology for independent filmmaking. Mike started HD for Indies after a...
A 1981 graduate of the Boston University College of Communication, Bruce A. Johnson got his first job in broadcast television at WFTV, an ABC affiliate in Orlando, FL. While there,...