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Media Composer 101 - Advanced - Reformatting your Footage

Media Composer 101 - Advanced - Reformatting your Footage

This lesson will help you format your 4x3 footage correctly, inside your 16x9 timeline!

By Kevin P. McAuliffe | November 20, 2014

We're heading back to the mailbag to answer another viewer question, and it's one that throws people for a loop a lot of the time, and that is getting your SD footage to look correct in your HD 16x timeline.

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Moving “Tracks” in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | November 19, 2014

How do you select all "tracks" in Final Cut Pro X, and do you even need to?

This week on MacBreak Studio, Steve Martin from Ripple Training helps us understand how approaching Final Cut Pro X from the perspective of legacy editing applications can hinder our ability to get... Read More

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Want to see 4K editing in Media Composer before its release?

Avid is very excited about the impending release of the next version of Media Composer, and wants everyone to see it!

By Kevin P. McAuliffe | November 14, 2014

And no, I’m not breaking any embargoes, NDA’s or anything like that.  Avid is very excited about the impending release of the next version of Media Composer, and officially wants everyone to see it, and get excited about it as well.

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Media Composer 101 - Advanced - Roundtripping to After Effects

Getting your MC timeline to AE is easy. Getting it back requires a little more thought!

By Kevin P. McAuliffe | November 13, 2014

In the next lesson of Kevin P McAuliffe's "Media Composer 101" tutorial series, he sidesteps from the basic training to cover an advanced lesson, based on an e-mail from a viewer, and some online confusion.

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Back-timing and Retiming in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | November 11, 2014

This week on MacBreak Studio, Steve Martin from Ripple Training shows us a very useful trick when retiming clips in Final Cut Pro X.

The retiming features in Final Cut are extensive and rather intuitive. To get started, you can press Command-R while the playhead is over a... Read More

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Media Composer 101 - Lesson 4 - Composer Overview & Intro to Bins

This lesson will teach you that organization is the key to a smooth edit!

By Kevin P. McAuliffe | November 05, 2014

In the next lesson of Kevin P McAuliffe's "Media Composer 101" tutorial series, he gives you a general overview of Media Composers interface, and starts his talk about bins, and why organization is the key to getting your edits done to time, and on time!

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Mastering the Keyboard in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | November 04, 2014

Can you edit without a mouse or trackpad?

That's the challenge our guest Sam Mestman tackles this week with Ripple Training host Steve Martin.

Executing commands with the keyboard is almost always faster than using a mouse or trackpad input device, so the more... Read More

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Media Composer 101 - Lesson 3 - Project Selection/Creation

The Project Selection window in-depth!

By Kevin P. McAuliffe | October 30, 2014

In the next lesson of Kevin P McAuliffe's "Media Composer 101" tutorial series, he takes a look at the Project Selection window, and why you really need to think about what you're doing, before choosing that project preset.

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Rating and Filtering in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | October 28, 2014

Guest Bill Davis takes us back to the basics this week.

One of the foundational building blocks for working in Final Cut Pro X is a firm grasp of  rating and filtering clips. This process utilizes Final Cut's underlying database model and its ability to leverage... Read More

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Cineform in Creative Cloud: render quality settings + more

By Rich Young | October 28, 2014

GoPro Cineform, aka the SMPTE ST 2073 VC-5 video compression standard, is a cross platform codec that in Creative Cloud piggybacks onto QuickTime (warts and all). The codec is available in Adobe video apps in CC 2014.1, and plays system-wide if you download the free player or free GoPro Studio app. GoPro Cineform is a wavelet-based codec that holds up well even after multiple encodes, and features full support for alpha and large frame sizes of 4K and beyond. One important takeaway is that the higher quality options seem to produce smaller files than the lower quality option.

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MOX and Open-Source Video

Noted developer launches Indiegogo campaign to create a universal video playback format

By Mark Christiansen | October 24, 2014

Earlier this week Brendan Bolles launched an Indiegogo campaign to support a six month development effort that would result in a new open-source video format called MOX. I had the opportunity to interview Brendan about the project, and the full transcript of the interview follows.

MOX... Read More

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Visual Effects Workflow with Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | October 21, 2014

How does Final Cut Pro X fit into the visual effects workflow of a feature film?

Quite comfortably, as we discover on this week's episode of MacBreak Studio, where I get the opportunity to speak with Mike Matzdorff who was the first assistant editor on a big-budget studio... Read More

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Media Composer 101 - Lesson 2 - What’s New in Version 8.2

What's New in version 8.2 of Media Composer Subscription

By Kevin P. McAuliffe | October 19, 2014

Much like with most applications, you wait for the major updates (version 4, 5, etc) for new features to add to your editing toolkit.  Well, with the new Subscription Model of Media Composer, the world best editing application now gets new features every few months.  Here's what's new in version 8.2.

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Interactive Title Design in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | October 14, 2014

Did you know you can do interactive, realtime title design directly inside Final Cut Pro X?

This is the subject we tackle in this week's edition of MacBreak Studio. While Motion is the primary companion application for creating motion graphics for editors using Final Cut... Read More

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Locking Fonts in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | October 08, 2014

Why would you want to "lock" a font?

That's a question we tackle in this week's MacBreak Studio, where I show Steve Martin from Ripple Training how you can do exactly that.

With the integration between Final Cut Pro X and Motion, it is a common scenario for a... Read More

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Know the Pro: Stu Maschwitz

We talk Star Wars, the Visual Effects Industry, Video Copilot and all things Red Giant with Stu Maschwitz

By Kevin P. McAuliffe | October 07, 2014

This article series, to be posted once a month, will focus on one person in the Film or Television industry who’s name might not jump out at you right away, but you’ve definitely been influenced by their work.  This month, we’re talking to Visual Effects Guru, and Creative Director of Red Giant Software's Magic Bullet product line, Stu Maschwitz.

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New Creative Cloud and mobile apps at MAX 2014

Updated with video and additional detail

By Rich Young | October 06, 2014

Today at Adobe MAX 2014, Adobe released a new family of iOS mobile apps and enhanced Creative Cloud 2014.1 desktop tools that enable creatives to access, use and create from anywhere. Details on what's available today are available from the Creative Cloud Team at Creative Cloud: A New Era of Mobile Creativity.

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Premiere Pro News Notes #10

By Rich Young | September 30, 2014

Here's another collection of news on tutorials, tips, and related tools assorted with Adobe Premiere Pro. Things have been a little slower, perhaps in anticipation of a Creative Cloud update, though paywall training courses saw several new releases.

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Creating Final Cut Pro Transitions in Motion

This Week on MacBreak Studio

By Mark Spencer | September 23, 2014

How do you customize effects in Final Cut Pro X?

That's a question I hear frequently from legacy Final Cut Pro editors. They are used to changing the settings of a built-in effect, then saving the modified version so they can use it again in other projects with all their... Read More

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Shame on you, PBS

When even PBS uses its flagship programs as advertising backdrops, is it any wonder viewers are dumping OTA TV for OTT VOD?

By Adam Wilt | September 21, 2014

I went back to Ohio  But my pretty countryside  Had been paved down the middle  By a government that had no pride

"My City Was Gone" - Chrissie Hynde, The Pretenders

This past week, PBS aired Ken Burns' latest 7-part... Read More

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