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iMovie 10.0.6 gets official ProRes, audio only export, and more

iMovie 10.0.6 gets official ProRes, audio only export, and more

Now Apple’s free editing tool gets more flexibility, and there’s a way to set framerate to 23.976p, 25p, or 29.97p.

By Allan Tépper | November 29, 2014

With iMovie version 10.0.6, Apple’s free editing program now gets official support for ProRes, new custom H.264 export, and audio only export. Although previously there have been unofficial ways to use ProRes with iMovie, it is finally official. Also, learn how to set an iMovie 10.x project framerate to 23.976p, 25p, or 29.97p despite no official settings to do so in this version.

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Creating a Storyboard in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | November 28, 2014

How do you tell a visual story without any visuals?

This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to do exactly that.

Final Cut Pro X contains a collection of generators: "generated" content that you can use in your projects. These... Read More

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The making of a music video in Spain, including crowdsourcing of B-roll

The making of a music video in Spain, including crowdsourcing of B-roll

For her latest music video, Sole Giménez crowdsourced the B-roll…

By Allan Tépper | November 28, 2014

For her latest music video, where the main shots were shot on a beach in Valencia, Spain, singer/songwriter Sole Giménez crowdsourced the B-roll shots via social media. Ahead are production details, including cameras, directors, editors, and graders.

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Media Composer 101 - Lesson 5 - Bins part 1

Media Composer 101 - Lesson 5 - Bins part 1

Let's get back to basics with the start of a multi-part look at Bins in Media Composer

By Kevin P. McAuliffe | November 27, 2014

Let's get back to basics and take a look at bins inside of Media Composer.  This first of a multi-part lesson will give you a good running start, so you can start organizing yourself lightning quick!

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The case of the white t-shirt

The case of the white t-shirt

An assortment of analogies to help understand the video production business

By ChrisZwar | November 24, 2014

In an earlier article I said that when I began my career, I found business issues more difficult to understand than any software or hardware matters.  This article elaborates on some of those issues, and presents several different analogies to help you think about you and your business... Read More

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Installing and editing with Final Cut Pro 7 on a new Macbook Pro with Yosemite

The lack of a DVD drive and a new OS hasn't stopped FCP Classic

By Scott Simmons | November 23, 2014

It had been well over a year since I saw my good friend and longtime business partner Final Cut Pro 7 but this week saw the opportunity request to open it back up and work on a music video. Rather than try to convince the production to move to something else (believe me, I’ve tried) I jumped in! Then I noticed I needed to install it on my laptop … that doesn’t have a DVD drive. Nor do I have an external one. It’s still possible and you can even update to 7.0.3. 

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Media Composer 101 - Advanced - Reformatting your Footage

Media Composer 101 - Advanced - Reformatting your Footage

This lesson will help you format your 4x3 footage correctly, inside your 16x9 timeline!

By Kevin P. McAuliffe | November 20, 2014

We're heading back to the mailbag to answer another viewer question, and it's one that throws people for a loop a lot of the time, and that is getting your SD footage to look correct in your HD 16x timeline.

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Amadeus Pro, Audio Hijack, Sole Giménez and CapicúaFM

Amadeus Pro, Audio Hijack, Sole Giménez and CapicúaFM

How I used several Mac audio apps to produce the latest episode of CapicúaFM

By Allan Tépper | November 19, 2014

Previously, I described how to produce a podcast live-to-drive using BossJock Studio with an automatic mixer (article links ahead). However, that isn’t practical when you’re interviewing a Spaniard singer/songwriter like Sole Giménez (ex-Presuntos Implicados) about her latest album via an international phone call, and also want to intertwine pieces of her own music based upon her sometimes unexpected responses. Ahead is the workflow and the final recording I used with CapicúaFM’s latest episode, including many of the audio apps used.

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Moving “Tracks” in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | November 19, 2014

How do you select all "tracks" in Final Cut Pro X, and do you even need to?

This week on MacBreak Studio, Steve Martin from Ripple Training helps us understand how approaching Final Cut Pro X from the perspective of legacy editing applications can hinder our ability to get... Read More

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Want to see 4K editing in Media Composer before its release?

Avid is very excited about the impending release of the next version of Media Composer, and wants everyone to see it!

By Kevin P. McAuliffe | November 14, 2014

And no, I’m not breaking any embargoes, NDA’s or anything like that.  Avid is very excited about the impending release of the next version of Media Composer, and officially wants everyone to see it, and get excited about it as well.

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Media Composer 101 - Advanced - Roundtripping to After Effects

Getting your MC timeline to AE is easy. Getting it back requires a little more thought!

By Kevin P. McAuliffe | November 13, 2014

In the next lesson of Kevin P McAuliffe's "Media Composer 101" tutorial series, he sidesteps from the basic training to cover an advanced lesson, based on an e-mail from a viewer, and some online confusion.

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Back-timing and Retiming in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | November 11, 2014

This week on MacBreak Studio, Steve Martin from Ripple Training shows us a very useful trick when retiming clips in Final Cut Pro X.

The retiming features in Final Cut are extensive and rather intuitive. To get started, you can press Command-R while the playhead is over a... Read More

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Growing pains - the desktop video identity crisis

The agony and the angst of beginning a new career with new technology

By ChrisZwar | November 11, 2014

Some of the most confusing aspects of a job have nothing to do with hardware problems or software upgrades.  Everyone using After Effects knows that Video Copilot produce great tutorials, but none of them tell you how to deal with a co-worker who has bad body odor, or what to do if a... Read More

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Media Composer 101 - Lesson 4 - Composer Overview & Intro to Bins

This lesson will teach you that organization is the key to a smooth edit!

By Kevin P. McAuliffe | November 05, 2014

In the next lesson of Kevin P McAuliffe's "Media Composer 101" tutorial series, he gives you a general overview of Media Composers interface, and starts his talk about bins, and why organization is the key to getting your edits done to time, and on time!

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Does that Preferred Video Editing Software survey really mean anything?

It's probably just more noise in an otherwise useful article

By Scott Simmons | November 05, 2014

I let myself get sucked into a click-bait blog article the other day and it got me thinking about what I had done. It was click bait for a number of reasons but the actual content of the majority of the article was a decent summary of the non-linear editing tools we have available. With a title like What’s the Best NLE Software for Professional Movie Editing? you know it might likely do downhill from the first click.

The article came from a learning resource called Lights Online Film School and since it was a resource I had never heard of I guess the article achieved its purpose of getting their name and their website out there. I used the term click bait above and that’s, for the most part, a derogatory term and I think that might be a little harsh for the Lights Film School Filmmakers Blog overall as they have quite a few good articles there that aren’t click baity at all and don’t have sensationalist headlines.

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ProDAD Respeedr

Software to speed you up or slow you down...

By Bruce A Johnson | November 04, 2014

ProDAD is a company that really, really aims to please.  Over the last few years they have come out with software that addressed the realms of transitions (Vitascene), video stabilization (Mercalli) and action-video optimization (ProDRENALIN) in clever, albeit unique, ways.  Respeedr... Read More

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Mastering the Keyboard in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | November 04, 2014

Can you edit without a mouse or trackpad?

That's the challenge our guest Sam Mestman tackles this week with Ripple Training host Steve Martin.

Executing commands with the keyboard is almost always faster than using a mouse or trackpad input device, so the more... Read More

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PVC at AES 2014 - Details About the New Upgrades to Ozone from iZotope

Mixing and Mastering Audio with Ozone 6

By Woody Woodhall | October 31, 2014

iZotope was previewing their updated version of Ozone at AES 2014 in Los Angeles and I had a chance to catch up with Evan Allen, Product Specalist at iZotope, who took us through a tour of the redesigned interface and all of the enhancements that have been added to this latest iteration of the... Read More

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Wringing the Life Out of an Old Mac Pro Tower

Like a good automobile it just keeps chugging along. And it is paid for.

By Scott Simmons | October 30, 2014

There’s a whole lot of us who still have a big, old aluminum Mac Pro tower sitting around doing a lot of work. We haven’t moved to 5K iMacs, Macbook Pros (or PCs) just yet. We also haven’t spent the money on a new Mac Pro. A conversation early at NAB 2014 got me thinking about all the stuff one could add to an old Mac Pro to help extend its life. NAB was the perfect place to talk to vendors who make those products you can stuff inside, or attach to, an old Mac Pro. A bunch of emails, phone calls and boxes later I’ve tried most all the gear mentioned below with my machine. I think of this current tower like a good, reliable, paid for car: I'm going to drive this thing until the wheels fall off.

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Media Composer 101 - Lesson 3 - Project Selection/Creation

The Project Selection window in-depth!

By Kevin P. McAuliffe | October 30, 2014

In the next lesson of Kevin P McAuliffe's "Media Composer 101" tutorial series, he takes a look at the Project Selection window, and why you really need to think about what you're doing, before choosing that project preset.

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