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Editing

VoiceOverMart upgrades to Pro Tools 11 HD & more

VoiceOverMart upgrades to Pro Tools 11 HD & more

Miami-based voiceover studio has just upgraded to Pro Tools 11 HD, with video upgrades from Blackmagic and Sony.

By Allan Tépper | March 25, 2014

VoiceOverMart is a Miami (Coral Gables), Florida based professional voiceover studio, equipped with ISDN & standard phone patch, and is owned and directed by Víctor Martorella, a renowned voice talent for the Hispanic market. VoiceOverMart recently upgraded to Pro Tools 11 HD, together with video upgrades. These upgrades facilitate their audio spot production and ADR (audio dialogue replacement). Ahead are details of the upgrade via an interview.

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Getting Started with Motion

This Week on MacBreak Studio

By Mark Spencer | March 25, 2014

Is it time to learn Motion?

Motion is one of the companion applications to Final Cut Pro X (the other is Compressor). You use it to create motion graphics and visual effects, like animated title sequences, green screen composites, tracking shots, particle effects, and much... Read More

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My NAB 2014 Post|Production World sessions

If you're attending, these are the classes I'll be teach. Please come!

By Scott Simmons | March 24, 2014

NAB 2014 is just around the corner and I’m happy to once again be leading several sessions at the Post|Production World Conference. Avid Media Composer, Adobe Premiere Pro CC and panel discussions are on the agenda amongst all the other things at NAB. I’m always humbled and honored that a random editor from Nashville, Tennessee gets to interact with editors and production folks from all over the world during these sessions. As I’ve said before, I learn as much as they do.

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Flying The 4K Blackmagic Production Camera

Test Flight

By Brian Hallett | March 23, 2014

4K in the air... does the greater resolution make that much of a difference? Is it necessary to shoot aerials at 4K so one can stabilize in post?  Can the Octocopter we had on hand lift the 4K Blackmagic Production Camera long enough to get all the shots needed? 

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Do I Have to Open the Library?

This Week on MacBreak Studio

By Mark Spencer | March 19, 2014

Archiving your completed Final Cut Pro X project and the associated media has become much easier in version 10.1. If you are working with managed media - meaning all your media is contained within the library - you can simply drag the library in the Finder to your archive volume. If... Read More

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Get Started Fast with Avid for Final Cut Pro 7 Editors : Lesson 5

Let's Get Started Fast with Avid for Final Cut Pro 7 Editors - In Lesson 5 - Sound Mixing

By Kevin P. McAuliffe | March 18, 2014

If you've just made the switch from FCP7 to Media Composer 7, than the last lesson in this five part tutorial series will help you make the transition as smooth as possible!

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The Art of the Cut: “12 Years a Slave” Editor, Joe Walker

The Art of the Cut: “12 Years a Slave” Editor, Joe Walker

An interview that turned into a must-read master class in editing

By Steve Hullfish | March 17, 2014

It’s not often that Hollywood’s stars publicly recognize the great stewardship that an editor of a film has of their performance. But it’s a long journey between what an actor emotes in front of a camera and the reception of that performance by an audience. The director certainly has a strong influence on that performance, but the editor (with the director’s guidance) is the final gatekeeper of the performance the audience sees and the context in which it’s seen.

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Useful Tools for Editors - Editors Retreat Edition

The Gearheads session provided a nice list of useful tools for editors and filmmakers alike

By Scott Simmons | March 13, 2014

If you read my Notes From the 2014 Editors Retreat post then you might have seen the mention of a session called Gearheads. This was a fun session where attendees were asked to submit some piece of gear they like or find useful. This could be hardware, software, an app, anything really. I though the Gearheads submissions would make for a great Useful Tools for Editors entry. Here’s some that I made note of.

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Why Use Camera Archives in Final Cut Pro X?

This Week on MacBreak Studio

By Mark Spencer | March 11, 2014

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Why would you want to use a Camera Archive to import your video clips?

This week on MacBreak Studio, Mark Spencer talks with Steve Martin from Ripple Training about Camera Archives. When transferring footage from a camera's card, you can of course simply drag the... Read More

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Notes from the 2014 Editors Retreat

It was my first time attending and I really want to go back

By Scott Simmons | March 06, 2014

This past week I was able to attend my first ever Editors Retreat in Savannah, Georgia. It was an unbelievably fun week of learning, networking, eating and drinking. This was an event I have wanted to attend for years but 2014 was the first time it has worked out. While not inexpensive, I made the decision to attend in January after a number of Editors Retreat alumni all said the same thing: the Retreat is a great creative reboot. I whole heartedly agree.

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PVC meet EditStock, EditStock meet PVC

PVC meet EditStock, EditStock meet PVC

By Misha Tenenbaum | March 05, 2014

Hello ProVideo Coalition! I’m looking forward to regularly contributing to this community. My name is Misha, I’m an assistant editor, and editor, who lives in LA.  I’ve worked 4,700 hours of Editor’s Guild work over the last three years on films and television shows... Read More

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Bring on the Backups in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | March 04, 2014

How does Final Cut Pro X back up your work?

On this week's episode of MacBreak Studio, Steve Martin from Ripple Training takes us through the what, why, when, where, and how of backups in Final Cut Pro X.

Final Cut backups are enabled by default and they back up... Read More

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Blackmagic: Over 200 people have asked you to remove the Band-Aid!

Blackmagic: Over 200 people have asked you to remove the Band-Aid!

Over 200 DreamColor users have signed the online petition for Blackmagic to remove the Band-Aid!

By Allan Tépper | February 26, 2014

Back in May 2012, I created an online petition directed at Blackmagic. Why did I do that? Because despite years of diplomatic prodding on my part, both via articles in ProVideo Coalition magazine and private emails, Blackmagic had (and has still) avoided and postponed offering RGB on its HDMI outputs. [If you’ve read my articles regarding HP DreamColor connectivity, you already know that the DreamColor engine demands digital RGB (not YUV/component) and true progressive (not interlaced or even PsF).]

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Audition Tips in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | February 25, 2014

How do you use Auditions in Final Cut Pro X?

This week on MacBreak Studio, Steve Martin from Ripple Training shows us some novel and practical ways to use auditions that you may not have considered.

Auditions are kind of like single "multiclips" that obviate the need... Read More

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Optimizing performance in Premiere & After Effects

Some resources

By Rich Young | February 25, 2014

Adobe offered a free webinar, Optimizing your system for peak performance with After Effects & Adobe Premiere Pro, on February 27, 2014. Presented by Todd Kopriva (After Effects QA) and Steve Hoeg (Premiere Pro engineering manager), the session covers how CPU, graphics cards, and RAM affect performance, as well as platform-specific considerations, including the new Mac Pro.

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4k

To 4K or Not to 4K - A PVC Roundtable Discussion

ProVideo Coalition writers weigh in on 4K questions, concerns and logistics

By The ProVideo Coalition | February 23, 2014

John Bourbonais says it all in the title of his recent article, Why 4K is Wrong. In it, Bourbonais looks at the issues 4K presents around quality, post, delivery and future-proofing while laying out why 4K doesn't add anything to the process or the product. He doesn't delve to... Read More

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Hey Adobe, how about that video focused Production Premium CC bundle?

Even if it only saved us $60 a year, that's something

By Scott Simmons | February 22, 2014

When Adobe ditched the “boxed software” model of pay one price get the product forever and moved to a monthly subscription model the outcry was loud. Some loved it. Many hated it. There were more level headed critiques. Most of use were more like: whatever … how much and is this software good? From the video production perspective it is good, even great, software tools that Adobe is creating these days. But while installing CC on a new laptop the other day I couldn’t help but wish we still had some type of video focused Production Premium CC option. Like our cable subscriptions, many of us are paying for things we’ll never, ever use.

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The Post Podcast Episode 11 - Imagineer Systems

We talk to Ross Shain, Chief Marketing Office at Imagineer Systems about all things tracking!

By Kevin P. McAuliffe | February 21, 2014

In this weeks show, we look at news & views from the week ending February 21st, 2014.  We're talking motion tracking with Ross Shain, Chief Marketing Officer at Imagineer Systems, and we're giving away a copy of Mocha Pro!

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Useful Tools for Editors - Winter’s End Edition

Lots of FCPX stuff in this list. And a $150 iPad app

By Scott Simmons | February 18, 2014

It’s been awhile since we’ve looked at some Useful Tools for Editors so with this new batch of utilities that have popped up recently let’s have a look. We’ve got quite a few for Final Cut Pro X, a color correction app for those with deep pockets and one that might help with tricky file format conversions.

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Final Cut Pro X and Mac Pro Performance

This Week on MacBreak Studio

By Mark Spencer | February 18, 2014

How many streams of 4K can you play on a new Mac Pro?

This week on MacBreak Studio, Steve Martin and Mark Spencer from Ripple Training answer that question and more.

To be fair, a more accurate way to phrase the question would be: how many streams of UHD RAW,... Read More

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