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Video Editing in Photoshop

Photographers using Photoshop and interested in video already have an excellent video editor available: Photoshop!

By Jose Antunes | June 25, 2014

Photoshop CS6 has video editing features that will be enough for a lot of people to edit their videos, and that should be an incentive for photographers (like me) to explore this side of their DSLR cameras, something many have not done/tried yet.

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Autodesk Smoke 2015

Autodesk gets serious with Smoke 2015 to go against the big three - Apple, Adobe and Avid - to win over some editors!

By Kevin P. McAuliffe | June 24, 2014

In the past, the battle of the Non-Linear Editor’s pretty much comprised of three main apps.  Final Cut Pro (7 or X), Premiere Pro (CS6 or CC) and Media Composer.   With the move ahead to 2K and 4K post, FCPX and Premiere Pro have moved ahead slightly with 2K/4K finishing capabilities, but as we all know, there’s more to finishing than just editing.  You still need color correction/grading, compositing, titling and effects.  Now, I know that each application has built in and third party effects that you can use, but for right now, let’s look at each of them as stand-alones.  No third-party plug-ins included.

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Q and A about the new post-production health resource Fitness In Post

We all know that editors and post-pros probably aren't the most active and fit bunch

By Scott Simmons | June 24, 2014

If you’re an editor, motion graphics artist, colorist or most any other post-production professional you’ll probably be interested in Fitness In Post. It’s a new online community with the lofty goal of getting post-pros off their rears and moving around; be it with a standing desk, exercise or some sort of subjecting yourself to unspeakable horrors that is a Spartan Race. That’s probably a bit extreme for some. You’ll hear a lot of talk about standing desks.

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Creative Cloud 2014 June Release

Much more added to NAB video apps reveal

By Rich Young | June 18, 2014

This April, Adobe revealed many of the new features of Creative Cloud at NAB 2014, but that was for After Effects, Premiere, & the other video apps. It appears there's much more -- over 1000 feature updates for 14 desktop apps, plus numerous mobile and cloud updates. 

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Dynamic Range & Blackmagic’s 4K Production Camera

How much over/under can one shoot?

By Brian Hallett | June 17, 2014

Blackmagic Design lists the dynamic range of the 4K Blackmagic Production Camera at 12 stops.  What does this mean in real-world situation?  How much range is in the 4K ProRes file?  For me, I wanted to see what I can over/under expose and still get a great image out of the footage

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mObject for Motion and Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | June 17, 2014

3D objects in Motion and Final Cut Pro?

Well yes, it is possible, thanks to a new plugin from MotionVFX.com called mObject.

With mObject, you can create or import 3D objects, add lighting and textures, and then manipulate them directly inside either Final Cut Pro X... Read More

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Blackmagic finally removes (part of) the Band-Aid!

Blackmagic finally removes (part of) the Band-Aid!

After several years + 241 electronic signatures, some DreamColor Monitor users can rejoice and sell their Band-Aid, but not all

By Allan Tépper | June 15, 2014

A few days ago, I received a cryptic message from an Australian reader (a countryman of Blackmagic, but apparently not a Blackmagic Design employee). It said: “Looks like Blackmagic have removed the Band-Aid. Latest software supports RGB 10bit on HDMI!”. I immediately downloaded the ReadMe for the latest update to Blackmagic’s Desktop Video Software, which also automatically updates firmware when appropriate. I had a couple of questions and contacted Blackmagic PR. Ahead are the critical details you need to know.

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Adobe to hold special online event on June 18

Everything new is new again in Creative Cloud

By Eric Philpott | June 12, 2014

On June 18, Adobe will host a worldwide event from New York City on what's coming next in Creative Cloud. The presentation will start at 1:00 pm ET (10 am PT) and anyone can register to watch live.

At NAB this year, Adobe revealed new versions of all of the Creative Cloud... Read More

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The Desktop Video Revolution - Part 3

The Desktop Video Revolution - Part 3

How desktop technology revolutionised video production - 2013

By ChrisZwar | June 10, 2014

The video production industry has radically changed over the past 20 years, a period of time that can be called "the desktop video revolution".  As desktop computers evolved to become faster and cheaper, they gradually displaced the traditionally expensive "black boxes" that had governed... Read More

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The Desktop Video Revolution - Part 2

The Desktop Video Revolution - Part 2

How desktop technology revolutionised video production - 1997

By ChrisZwar | June 10, 2014

The video production industry has radically changed over the past 20 years, a period of time that can be called "the desktop video revolution".  As desktop computers evolved to become faster and cheaper, they gradually displaced the traditionally expensive "black boxes" that had governed... Read More

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The Desktop Video Revolution - Part 1

How desktop technology revolutionised video production

By ChrisZwar | June 10, 2014

The video production industry has radically changed over the past 20 years, a period of time that can be called "the desktop video revolution".  As desktop computers evolved to become faster and cheaper, they gradually displaced the traditionally expensive "black boxes" that had governed... Read More

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Video framerates and the Tower of Babel: a translation guide

Video framerates and the Tower of Babel: a translation guide

Until manufacturers start speaking the same language, we need a cheat sheet.

By Allan Tépper | June 10, 2014

What does “24p” or “30p” mean when a manufacturer states it? How can we tell if —and when— they really mean 23.976p, 24.000p, 29.97p, or even the non-standard 30.000p? Unfortunately, each manufacturer has its own policy about this, which reminds me of the biblical story of the Tower of Babel: At the end of the story, all of the workers were speaking a different language and couldn’t understand each other. Ahead is a translation guide, including Adobe, AJA, Apple, Avid, Blackmagic, Canon, Corel/Pinnacle Systems, Datavideo, GoPro, JVC, FiLMiC Pro, NewTek/TriCaster, Panasonic, and Sony, plus an FAQ.

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Pinnacle Studio for iPad adds 25p + more improvements

Pinnacle Studio for iPad adds 25p + more improvements

Fortunately, Pinnacle Studio for iPad added several improvements, but several simple ones remain desperately missing.

By Allan Tépper | June 10, 2014

Pinnacle Studio for iPad (previously known as Avid Studio for iPad) has thankfully added missing framerates including 24 + 25, plus other improvements. In my articles in ProVideo Coalition magazine, I have covered the application since its birth from Avid, when it changed its name and owner, and when it became the first iOS video editing app to support translucent alpha channels. Ahead I’ll cover the improvements in detail, what’s critically missing, and what is simply wrong and must be fixed.

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The VFX Business in 2014: an interview with Scott Ross, Part Two

The VFX Business in 2014: an interview with Scott Ross, Part Two

As the last major VFX studio in Los Angeles leaves town, we look what could change current trends

By Mark Christiansen | June 10, 2014

At the close of last week, Sony Pictures Imageworks (SPI) announced it would be moving its headquarters from Los Angeles to Vancouver. While inevitable to many visual effects industry observers who understand the role of subsidies in moving VFX work away from California and the U.S., this... Read More

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Strategic Through-Edits

This Week on MacBreak Studio

By Mark Spencer | June 10, 2014

When is an edit not an edit - and why should you care?

Steve Martin from Ripple Training tackles this deep philosophical question on this week's MacBreak Studio.

We are of course referring to a "through-edit": something Steve defines as "an edit with continuous... Read More

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First look: ThunderBay IV 4-bay 12TB Thunderbolt system

First look: ThunderBay IV 4-bay 12TB Thunderbolt system

Over the upcoming weeks, I’ll be reviewing this quite flexible Thunderbolt storage device.

By Allan Tépper | June 06, 2014

Long time readers know that I have reviewed several different Thunderbolt storage (and other) devices from diverse manufacturers. One of those is OWC, aka Other World Computing. I am now honored to be invited to review their new ThunderBay IV 4-bay 12TB Thunderbolt, system, which can be configured in several different ways and promises to offer quite a punch for its relatively low —and even palindromic— price of US$979. Here’s a first look.

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Send Better Video Project Pitches Faster

Proposal software and templates can help you prepare proposals faster, track whether they've been viewed, and win business.

By Chris Potter | June 04, 2014

Before I started work building our video review and approval platform I worked in the consulting business. A big part of the job involved preparing client pitches and proposals.

The process was pretty tedious. Proposals were built based off of templates we had prepared. More often... Read More

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Replace/Relink in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | June 03, 2014

When to replace and when to relink?

This is the question Mark and Steve from Ripple Training tackle on this week's MacBreak Studio.

If you need to replace a video clip, graphic, or audio file in your Final Cut Pro X project, one way is to use the aptly-named... Read More

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Taking your BCC AE looks to BCC AVX

What might seem like a tedious process is actually very simple

By Kevin P. McAuliffe | May 31, 2014

Last week I had an interesting situation come up.  I was working on a commerical for Tom Cruise's "Edge of Tomorrow", and I needed to make a small revision to some text.  I didn't want to go into After Effects to do it, but my problem was, is there a simple way to take my BCC AE look, and quickly get it into Media Composer?  Well guess what, there is!  In this exclusive PVC tutorial, I'll show you how simple it is!

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Free Video: Creating Your Own Background Loops

Free Video: Creating Your Own Background Loops

Have some fun with your camera and shoot out-of-focus video that you can later repurpose into video backdrops

By Chris and Trish Meyer | May 30, 2014

A couple of months ago, we released a video training course titled Adobe Premiere Pro and After Effects: Enhancing Production Value. Some of the tricks in that course relied on using blending modes to add lighting effects from second footage layers that had color, abstract patterns and movements. There is a lot of stock footage available with these patterns; in the following video, we share some tips on creating your own:

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