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Blackmagic Design Releases DaVinci Resolve 11.2

Improved Cinema DNG processing & adding Avid's new codec

By Brian Hallett | February 04, 2015

Blackmagic Design releases DaVinci Resolve 11.2 adding new codecs, cinema DNG tone improvements, and edit page improvements that move the color correction software closer to an NLE that can handle more than simple edits.  

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Day 4 #28daysofquicktips - Override clip connections in Final Cut Pro X

There are times when you just don't want those Connected Clips to move

By Scott Simmons | February 04, 2015

One fundamental feature of Final Cut Pro X is the Connected Clip be they single video or audio clips or Secondary Storylines. Once you’ve made them and established those connection points Connected Clips will slide around and move as their parent clips are moved; be that via a trimming operation or click and drag. But there are times (quite possibly a lot of times) when you want the Connected Clips to stay put as you adjust the parent clip. The tilde (or grave accent) key comes to the rescue to Override Clip Connections.

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A roundup of 70+ After Effects roundups

AEP topic roundups, including Premiere Pro

By Rich Young | February 03, 2015

Here's a roundup (ok, list) of AE Portal topic roundups on PVC. Many of them have been updated since their initial release. Read More


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Sweeping Up in Motion

This Week on MacBreak Studio

By Mark Spencer | February 03, 2015

This week on MacBreak Studio Steve Martin from Ripple Training (check out the brand new completely updated website) and I dive into Motion in order to respond to a viewer's question, who wanted to know how he could fly a camera by an object, while having the camera continue to... Read More


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Day 3 #28daysofquicktips - Remap numbers 1 to 9 on your Final Cut Pro X keyboard

These commands are on your keypad and you don't use them that often anyway

By Scott Simmons | February 03, 2015

While we are on Final Cut Pro X keyboard keys (see yesterday’s quicktip about G for Storyline Mode) here is something I did very early on when using FCPX: I made a new keyboard set and began remapping the number keys 1 - 9. 

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Motion Graphics for Business - Part 2: Beyond Hollywood

The videos that influenced videos

By ChrisZwar | February 02, 2015

As the interest in motion graphics rapidly expanded following the release of Seven, Hollywood embraced innovative title design, and many Hollywood title sequences helped define the look of motion graphics for years to come.  As I noted in Part 1, the early books on motion graphics design... Read More


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Day 2 #28daysofquicktips - G for Storyline mode in Final Cut Pro X

This tip saves a ton of time when creating Secondary Storylines

By Scott Simmons | February 02, 2015

While looking to remap some of my Final Cut Pro X keyboard I noticed the G key and realized I never really used it. Checking the command editor says G is to toggle Storyline Mode. The description says this:Toggle the ability to build Storylines when dragging clips in the timeline.

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Media Composer 101 - Advanced - 4K Workflows Part 1: HD Projects

Navigate the Ins and Outs of shooting in 4K and finishing in HD in Avid Media Composer

By Kevin P. McAuliffe | February 01, 2015

In this first of a two part look at working in 4K in Media Composer, we look at the scenario of a client shooting 4K material, for a project that will only ever see the light of day in HD.

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Day 1 #28daysofquicktips - Minimize Interview Roles in FCPX

This tip saves me a lot of time watching FCPX redraw filmstrip thumbnails

By Scott Simmons | February 01, 2015

For some reason most all of my Final Cut Pro X job seem to revolved around talking head interviews. This is fine and we can tell some good stories from interviews but I’ve found that the redrawing of thumbnails in the FCPX timeline can take up a lot of time throughout the day. I’ve sped that up with this tip.

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Premiere Pro News Notes #11

By Rich Young | January 31, 2015

Here's another collection of news on tutorials, tips, and related tools assorted with Adobe Premiere Pro. Things have continued apace, though perhaps with rehashing, even behind the paywalls.

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Media Composer Quick Bite 1

"Working with Photoshop Guides" for Media Composer editors

By Kevin P. McAuliffe | January 31, 2015

Media Compser editors know that our Title safe and Picture safe guides are an essential part of our titling workflow.  Working in Photoshop is no different, but sometimes I see editors run into problems with their guides in Photoshop, and just need a little push in the right direction. Read More


28 Days of Quicktips 2015 -  #28daysofquicktips

28 Days of Quicktips 2015 -  #28daysofquicktips

A tip a day for 28 days. Send your own and maybe win a prize!

By Scott Simmons | January 31, 2015

Way, way back in the year 2009 when I started this channel on PVC I published the 28 Days of Quicktips. And then we did it again in 2011 and included reader quicktips. It was exactly what the title says, one Quicktip a day for the entire month of February that somehow related to post-production. We’re going to do it again for 2015. Like we did in 2011, this year we're also looking for user submitted Quicktips. Just send us your favorite short Quicktip and an accompanying image or two that helps illustrate the tip and we'll try to publish those as well. And as an incentive to send us your own Quicktips I will choose what I personally judge to be the best submission and send them a free copy of the Color Correction Handbook. Details below.

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Dynamic Trimming in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | January 27, 2015

What is dynamic trimming, anyway?

There has been a lot of discussion on this topic lately, and today Steve Martin from Ripple Training jumps in with his take on what the term meant when applied to legacy Final Cut Pro and what it means today in Final Cut Pro X.

By... Read More


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I am a Bird

Experiencing the Inspire 1

By Mark Spencer | January 26, 2015

This weekend my friend Gary Yost took out his new DJI Inspire 1 for some test flights. The footage is so pretty I thought it was worth sharing.

Though overall he loves the Inspire 1, he does have some criticisms. In his words:

The great news is that this craft is so... Read More


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Media Composer 101 - Advanced - Creating SD DVD’s from HD, 2K & 4K Projects part 3

Let's wrap up our look at creating DVD's by building them in our favorite DVD creation applications

By Kevin P. McAuliffe | January 24, 2015

In this week's Media Composer 101 tutorial, I'm going to show you four different DVD burning applications, and how simple they are to use, when creating your screening DVD's!

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Why Digital Sprockets edits video with DaVinci Resolve instead of FCP X

Why Digital Sprockets edits video with DaVinci Resolve instead of FCP X

Benjamín Fernández of Digital Sprockets has 6 reasons why he prefers to edit video with DaVinci Resolve instead of FCP X.

By Allan Tépper | January 24, 2015

Benjamín Fernández is the director of Digital Sprockets in México City, where since 1994 he has offered post-production, telecine (film-to-tape) and film restoration services. While I’m in México City doing seminars, I visited Digital Sprockets and heard all 6 interesting reasons why Benjamín prefers editing video with DaVinci Resolve than with Final Cut Pro X.

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Review - Wipster

Can something so simple and free be any good? Yes, yes it can!

By Kevin P. McAuliffe | January 21, 2015

There have been a couple of great articles here on PVC in the last little while about Review and Approval.  Scott Simmons had an article that focused on the Review and Approval options for you out there, and Dorian Heller had posted his look at Wipster.  Well, with this review, I hope to take Dorian’s great review, and expand on it with my own take on Wipster, and look at not only the product itself, but the man behind it, Rollo Wenlock, Wipster's CEO, and his vision for the company. Read More


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The Compound Clip Conundrum

This Week on MacBreak Studio

By Mark Spencer | January 21, 2015

Handles? We don't need no stinkin' handles!

That's what a compound clip in Final Cut Pro X might say when you try to ripple, roll, or extend an edit point or add a transition between a compound clip and another clip. You'll find there is no extra media... Read More


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Audio Splits, Stems & Elemental Tracks

Additional Mixes for The Longevity of Your Project

By Woody Woodhall | January 19, 2015

A post sound mixer's main task is to create an awe inspiring mix that enhances and elevates the story being told.  But, post mixers' responsibilities are far more than just creating a great soundtrack. Using sophisticated digital tools, the mixer must be sure to meet and exceed all... Read More


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Media Composer 101 - Advanced - Creating SD DVD’s from HD, 2K & 4K Projects part 2

Let's compress our files with an application you might already have at your disposal.

By Kevin P. McAuliffe | January 15, 2015

In this week's Media Composer 101 tutorial, Kevin P McAuliffe will show you that no matter what compression application you have, whether it Sorenson Squeeze, Adobe's Media Encoder or even Apple's Compressor, with a little forethought, you will be creating your M2V and AC3 files, lightning quick!

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