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The Desktop Video Revolution - Part 3

The Desktop Video Revolution - Part 3

How desktop technology revolutionised video production - 2013

By ChrisZwar | June 10, 2014

The video production industry has radically changed over the past 20 years, a period of time that can be called "the desktop video revolution".  As desktop computers evolved to become faster and cheaper, they gradually displaced the traditionally expensive "black boxes" that had governed... Read More

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The Desktop Video Revolution - Part 2

The Desktop Video Revolution - Part 2

How desktop technology revolutionised video production - 1997

By ChrisZwar | June 10, 2014

The video production industry has radically changed over the past 20 years, a period of time that can be called "the desktop video revolution".  As desktop computers evolved to become faster and cheaper, they gradually displaced the traditionally expensive "black boxes" that had governed... Read More

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The Desktop Video Revolution - Part 1

How desktop technology revolutionised video production

By ChrisZwar | June 10, 2014

The video production industry has radically changed over the past 20 years, a period of time that can be called "the desktop video revolution".  As desktop computers evolved to become faster and cheaper, they gradually displaced the traditionally expensive "black boxes" that had governed... Read More

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Video framerates and the Tower of Babel: a translation guide

Video framerates and the Tower of Babel: a translation guide

Until manufacturers start speaking the same language, we need a cheat sheet.

By Allan Tépper | June 10, 2014

What does “24p” or “30p” mean when a manufacturer states it? How can we tell if —and when— they really mean 23.976p, 24.000p, 29.97p, or even the non-standard 30.000p? Unfortunately, each manufacturer has its own policy about this, which reminds me of the biblical story of the Tower of Babel: At the end of the story, all of the workers were speaking a different language and couldn’t understand each other. Ahead is a translation guide, including Adobe, AJA, Apple, Avid, Blackmagic, Canon, Corel/Pinnacle Systems, Datavideo, GoPro, JVC, FiLMiC Pro, NewTek/TriCaster, Panasonic, and Sony, plus an FAQ.

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Pinnacle Studio for iPad adds 25p + more improvements

Pinnacle Studio for iPad adds 25p + more improvements

Fortunately, Pinnacle Studio for iPad added several improvements, but several simple ones remain desperately missing.

By Allan Tépper | June 10, 2014

Pinnacle Studio for iPad (previously known as Avid Studio for iPad) has thankfully added missing framerates including 24 + 25, plus other improvements. In my articles in ProVideo Coalition magazine, I have covered the application since its birth from Avid, when it changed its name and owner, and when it became the first iOS video editing app to support translucent alpha channels. Ahead I’ll cover the improvements in detail, what’s critically missing, and what is simply wrong and must be fixed.

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The VFX Business in 2014: an interview with Scott Ross, Part Two

The VFX Business in 2014: an interview with Scott Ross, Part Two

As the last major VFX studio in Los Angeles leaves town, we look what could change current trends

By Mark Christiansen | June 10, 2014

At the close of last week, Sony Pictures Imageworks (SPI) announced it would be moving its headquarters from Los Angeles to Vancouver. While inevitable to many visual effects industry observers who understand the role of subsidies in moving VFX work away from California and the U.S., this... Read More

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Strategic Through-Edits

This Week on MacBreak Studio

By Mark Spencer | June 10, 2014

When is an edit not an edit - and why should you care?

Steve Martin from Ripple Training tackles this deep philosophical question on this week's MacBreak Studio.

We are of course referring to a "through-edit": something Steve defines as "an edit with continuous... Read More

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First look: ThunderBay IV 4-bay 12TB Thunderbolt system

First look: ThunderBay IV 4-bay 12TB Thunderbolt system

Over the upcoming weeks, I’ll be reviewing this quite flexible Thunderbolt storage device.

By Allan Tépper | June 06, 2014

Long time readers know that I have reviewed several different Thunderbolt storage (and other) devices from diverse manufacturers. One of those is OWC, aka Other World Computing. I am now honored to be invited to review their new ThunderBay IV 4-bay 12TB Thunderbolt, system, which can be configured in several different ways and promises to offer quite a punch for its relatively low —and even palindromic— price of US$979. Here’s a first look.

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Send Better Video Project Pitches Faster

Proposal software and templates can help you prepare proposals faster, track whether they've been viewed, and win business.

By Chris Potter | June 04, 2014

Before I started work building our video review and approval platform I worked in the consulting business. A big part of the job involved preparing client pitches and proposals.

The process was pretty tedious. Proposals were built based off of templates we had prepared. More often... Read More

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Replace/Relink in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | June 03, 2014

When to replace and when to relink?

This is the question Mark and Steve from Ripple Training tackle on this week's MacBreak Studio.

If you need to replace a video clip, graphic, or audio file in your Final Cut Pro X project, one way is to use the aptly-named... Read More

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Taking your BCC AE looks to BCC AVX

What might seem like a tedious process is actually very simple

By Kevin P. McAuliffe | May 31, 2014

Last week I had an interesting situation come up.  I was working on a commerical for Tom Cruise's "Edge of Tomorrow", and I needed to make a small revision to some text.  I didn't want to go into After Effects to do it, but my problem was, is there a simple way to take my BCC AE look, and quickly get it into Media Composer?  Well guess what, there is!  In this exclusive PVC tutorial, I'll show you how simple it is!

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Free Video: Creating Your Own Background Loops

Free Video: Creating Your Own Background Loops

Have some fun with your camera and shoot out-of-focus video that you can later repurpose into video backdrops

By Chris and Trish Meyer | May 30, 2014

A couple of months ago, we released a video training course titled Adobe Premiere Pro and After Effects: Enhancing Production Value. Some of the tricks in that course relied on using blending modes to add lighting effects from second footage layers that had color, abstract patterns and movements. There is a lot of stock footage available with these patterns; in the following video, we share some tips on creating your own:

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Getting Started with BCC Lite for Media Composer Part 1

Your new Media Composer Software subscription comes with some hidden gems. Let's see how to get up and running quick and easy!

By Kevin P. McAuliffe | May 29, 2014

As most Media Composer editors are now aware, BCC is no longer included in your Media Composer Symphony upgrade.  That's because with your monthly subscription, you are now getting Symphony included.  But, that doesn't mean that you're without some awesome BCC effects to get you moving in the right direction.

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Blackmagic Cameras and Clean Audio

How to "sweeten" the audio in your NLE

By Brian Hallett | May 29, 2014

No doubt, good sound is as important as good pictures. The problem?  How can you record good sound on the Blackmagic Cinema Camera and Pocket Cinema Camera when the in-camera preamps are a little less than desired?  I'll show how you can use your NLE's audio equalizer and on-camera accessories to help everything sound a little bit better.  

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Wriggle it - just a little bit

Wriggle it - just a little bit

Creating a hand drawn stop motion look in After Effects

By ChrisZwar | May 27, 2014

Hand drawn and stop motion animations have a very distinct look.  Every frame is slightly different, and when played back at full speed those small differences can add visible character and warmth to the end result - think of the Red Bull ads that have run for many years, or the opening... Read More

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Animated Tilt-Shift in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | May 27, 2014

This week on MacBreak Studio, Steve Martin from Ripple Training shows us an unusual application for the SliceX plugin for Final Cut Pro X.

SliceX and TrackX are plugins from CoreMelt that work inside Final Cut Pro X and are powered by Imagineer's Mocha planar tracking... Read More

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Free Video: Quick & Easy White Balance Adjustment

Free Video: Quick & Easy White Balance Adjustment

Use blending modes in After Effects or Premiere Pro

By Chris and Trish Meyer | May 27, 2014

A couple of months ago, we released a video training course titled Adobe Premiere Pro and After Effects: Enhancing Production Value on spinning the straw clients often give us into visual gold. One of the movies in that course demonstrated a dead-easy white balancing trick that removed color tints from footage using Blend Modes:

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Free Video: After Effects CC Text Templates for Adobe Premiere Pro

Free Video: After Effects CC Text Templates for Adobe Premiere Pro

Get up to speed on this important new feature in the next release of After Effects and Premiere Pro CC

By Chris and Trish Meyer | May 24, 2014

Several weeks ago, we wrote about some of our favorite new features promised for the next update to After Effects CC (Creative Cloud). Since then we’ve produced a series of videos about these features; below is one about using After Effects to create animated text templates for Premiere Pro CC.

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Review and Approval Options for Video Pros

Vimeo's new Copyright Match on private videos means many editors might be looking UPDATED 5/23/14

By Scott Simmons | May 22, 2014

Vimeo has dropped a bomb on their community with the May 21 announcement of Copyright Match on Vimeo. Of course this sent the internet into a tailspin as any big change in a useful, popular service always does. It has also sent a lot of content creators, filmmakers and editors into orbit as they have used Vimeo and its private link option as a review and approval service for their clients. It is easy to use and share private links but Vimeo was never meant to be a review and approval service. Thankfully there are a lot of R&A services out there. READ ON FOR A 5/23/14 UPDATE FROM VIMEO.

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BCC 9’s FX Browser

BCC 9’s FX Browser

Find your looks quick and simple with this much needed addition to Boris Continuum Complete!

By Kevin P. McAuliffe | May 20, 2014

The addition of the FX Browser to almost every effect across Boris Continuum Complete makes picking the right look quick and easy!

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