Education & Inspiration

edit premiere premiere pro tips

Day 14 #28daysofquicktips - The Find in Timeline command in Adobe Premiere Pro

This will be familiar to FCP7 editors so its inclusion in PPro is great

By Scott Simmons | February 14, 2015

Adobe Premiere Pro CC  recently added a very handy option to the Find command. That option is Find In Timeline and it will let you quickly and easily search out and (more importantly select) many clips at once in the timeline. Oh what a timesaver this can be.

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Day 13 #28daysofquicktips - Full Screen Playback Options in Adobe Premiere Pro CC

A flick of a keyboard can get you different full screen playback options

By Scott Simmons | February 13, 2015

Everyone knows the Premiere Pro shortcut that will take a panel full screen when you hit the tilde (`) key. That works great in the Source and Program monitor so you can quickly watch a cut nearly fullscreen. But there's a few other short cuts for full-screen playback that are even better.

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Day 12 #28daysofquicktips - Clean up the Adobe Premiere Pro Viewing Monitors

Turn off a few settings for a much cleaner look

By Scott Simmons | February 12, 2015

If you remember the early days of Premiere Pro you probably remember what a cluttered interface the application had. It was rather ugly and not very well thought out. Buttons, switches and dials were everywhere. The modern Adobe Premiere Pro CC is much cleaner but you can clean up the viewing monitors even more.

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Blackmagic At Sundance Film Festival

Four films shot with Blackmagic Cameras and countless others using DaVinci Resolve

By Brian Hallett | February 11, 2015

Everyone loves a camera that makes a show at the Sundance Film Festival, and Blackmagic embraces that rebellious, independent spirit that makes their cameras and software a perfect match for passionate Indie Film-makers world-wide.  

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Day 11 #28daysofquicktips - Select a Specific Layer in the Premiere Pro Source Monitor

If a top layer covers those underneath it can be hard to get at a layer for manipulation

By Scott Simmons | February 11, 2015

Have you ever had a stack of video layers in an Adobe Premiere Pro CC timeline and you couldn’t select anything in the Source monitor beyond the top-most layer? Of course you have. And the solution is an easy one.

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Premiere Pro News Notes #12

with tidbits on related apps

By Rich Young | February 10, 2015

Here's another collection of news on tutorials, tips, and related tools assorted with Adobe Premiere Pro. There's a bit more about audio lately, though AEP is still playing catchup on Premiere news.

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Interweaving in 3D space in Motion

This Week on MacBreak Studio

By Mark Spencer | February 10, 2015

Can you wrap a light streak around text in Motion?

That's the question on this week's MacBreak Studio with Steve Martin from Ripple Training that I attempt to answer, using an example from an earlier episode on creating light streaks.

In that episode I... Read More


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Day 10 #28daysofquicktips - Create an Audio-only Multicam Clip in Premiere Pro

This can be very handy when you want to audition many music tracks

By Scott Simmons | February 10, 2015

For some reason Adobe Premiere Pro CC doesn’t seem to let you create a Multi-camera sequence from a batch of audio only clips. That can be handy if you want to quickly audition different music cuts in an edit. You can do it but you have to trick PPro to make it happen.

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Day 9 #28daysofquicktips - Trim to Playhead in Adobe Premiere Pro

These keyboard trimming shortcuts will speed up your editing flow

By Scott Simmons | February 09, 2015

There’s a batch of keyboard commands that kind of all work together in Adobe Premiere Pro CC to improve trimming and make it considerably faster once those keys are learned. It takes a bit of time to remember them but once you do they are very handy.

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Media Composer 101 - Advanced - 4K Workflows Part 2: RED 4K Offline/Online in v8.3

Navigate the Ins and Outs of shooting in 4K and finishing in HD in Avid Media Composer

By Kevin P. McAuliffe | February 08, 2015

In the second part of our look at 4K workflows inside of Media Composer Subscription, we take a look at a RED offline/online scenario working totally in 4K, with a little help from REDCINE-X PRO.

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Day 8 #28daysofquicktips - Use a Trackpad for Better Navigation

This reader Quicktip comes to us from Alex Gollner

By Scott Simmons | February 08, 2015

Continuing in yesterday’s vein of using an external input device today’s Quicktip comes to us from Alex Gollner (that’s @Alex4D to many) and it is all about using a trackpad on your Mac for better navigation. That’s a trackpad on your laptop or an external trackpad.

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Day 7 #28daysofquicktips - Remap the H key away from the HAND tool

Really, how often do you use the Hand tool anyway?

By Scott Simmons | February 07, 2015

Going back to keyboard discussions for today’s Quicktip I always remap the H key on most NLEs (that’d be FCPX and Adobe Premiere Pro) that are tool based as the H is the HAND tool. I’ve never found myself using the Hand tool very often and it seems a shame to have a key so close to JKL scrubbing that I don't use.

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Day 6 #28daysofquicktips - Option click to move the Final Cut Pro X playhead

Clicking a clip moves the skimmer but you might want to move the playhead too

By Scott Simmons | February 06, 2015

The Final Cut Pro X Skimmer is an awesome thing. But you still have a traditional playhead when working in an FCPX timeline (or Project if you want to use Apple’s term for a timeline). There might be times when you want the playhead to move to a specific frame but just clicking a clip doesn’t move the playhead, it selects the clip.

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Day 5 #28daysofquicktips - Move a Clip’s Connection Point in Final Cut Pro X

Sometimes that little connection tail isn't in the right place

By Scott Simmons | February 05, 2015

One fundamental concept of Final Cut Pro X and its trackless timeline is Connected Clips. When editing clips outside of a Primary Storyline all clips must connect to something in the Primary Storyline and they move according to that parent clip. But you can, thankfully (and mercifully depending on your POV), move that connection point.

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Blackmagic Design Releases DaVinci Resolve 11.2

Improved Cinema DNG processing & adding Avid's new codec

By Brian Hallett | February 04, 2015

Blackmagic Design releases DaVinci Resolve 11.2 adding new codecs, cinema DNG tone improvements, and edit page improvements that move the color correction software closer to an NLE that can handle more than simple edits.  

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Day 4 #28daysofquicktips - Override clip connections in Final Cut Pro X

There are times when you just don't want those Connected Clips to move

By Scott Simmons | February 04, 2015

One fundamental feature of Final Cut Pro X is the Connected Clip be they single video or audio clips or Secondary Storylines. Once you’ve made them and established those connection points Connected Clips will slide around and move as their parent clips are moved; be that via a trimming operation or click and drag. But there are times (quite possibly a lot of times) when you want the Connected Clips to stay put as you adjust the parent clip. The tilde (or grave accent) key comes to the rescue to Override Clip Connections.

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after effects premiere pro roundup

A roundup of 70+ After Effects roundups

AEP topic roundups, including Premiere Pro

By Rich Young | February 03, 2015

Here's a roundup (ok, list) of AE Portal topic roundups on PVC. Many of them have been updated since their initial release. Read More


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Sweeping Up in Motion

This Week on MacBreak Studio

By Mark Spencer | February 03, 2015

This week on MacBreak Studio Steve Martin from Ripple Training (check out the brand new completely updated website) and I dive into Motion in order to respond to a viewer's question, who wanted to know how he could fly a camera by an object, while having the camera continue to... Read More


Exploring Workflow, Storage & Archive in M&E Part I – Isn’t This Someone Else’s Problem?

Exploring Workflow, Storage & Archive in M&E Part I – Isn’t This Someone Else’s Problem?

ProMAX Systems' Jess Hartmann helps us dig into how professionals across the industry can and should think of asset management

By Jeremiah Karpowicz | February 03, 2015

The nuts and bolts of the creative process are not my specialty. When I worked at a post house, I had my own system for versioning, and it was not one my coordinator appreciated. Even when I’m grabbing footage at places like NAB or IBC, I know I should be backing up everything,... Read More


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Day 3 #28daysofquicktips - Remap numbers 1 to 9 on your Final Cut Pro X keyboard

These commands are on your keypad and you don't use them that often anyway

By Scott Simmons | February 03, 2015

While we are on Final Cut Pro X keyboard keys (see yesterday’s quicktip about G for Storyline Mode) here is something I did very early on when using FCPX: I made a new keyboard set and began remapping the number keys 1 - 9. 

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