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Final Cut Library Manager

This Week on MacBreak Studio

By Mark Spencer | May 20, 2014

It's 10 o'clock; do you know where your libraries are?

And even if you do, do you know what's in them? This week on MacBreak Studio, I talk with Steve Martin from Ripple Training about an indispensable application if you use Final Cut Pro X.

I love the... Read More

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Don’t Copy Those Proxies!

This Week on MacBreak Studio

By Mark Spencer | May 13, 2014

Do you have to keep editing when you travel?

This week on MacBreak Studio, I talk with Steve Martin from Ripple Training about taking your edit on the road.

The scenario is this: you are editing in your office on a Mac Pro with your media on a large RAID like a... Read More

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Blackmagic Production Camera Noise Test

How much can you clean up a noisy image

By Brian Hallett | May 12, 2014

How much noise is too much noise?  Or, is the better question:  How much noise can DaVinci Resolve's noise reduction clean up pushed Blackmagic Production Camera footage?  I take the Production Camera and test all three ISOs to see exactly where each setting lands when it comes to noise, and how likely noise reduction can save your shot.

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A Recipe for Analog to Digital Video Transfer:  Baking

A Recipe for Analog to Digital Video Transfer:  Baking

Problems encountered in the process of preserving our video past

By Richard Wirth | May 12, 2014

We had a project come to us recently that required the transfer of ¾ inch videotape to digital files. To those for whom analog videotapes have become a mysterious relic akin to Egyptian hieroglyphs, let it be known that much of our cultural heritage still exists only on this medium.

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After Effects for print: Making GAEA

+ ETLAT (edit this, look at that)

By Rich Young | May 09, 2014

A couple of years ago, Jesse Michael Newman released a layer-by-layer video deconstruction of an After Effects project, DECONSTRUCTING GAEA I - Flowing Meditation though the end result was a printed piece as part of a Kickstarter campaign. He has a new piece, DECONSTRUCTING GAEA II, to support a short sale on art prints.

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Replacing Temp Music in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | May 06, 2014

 

    How can you reconnect media in a managed library?

This week on MacBreak Studio, I show Steve Martin from Ripple Training the answer to that question by using a common scenario: replacing temp music.

As editors, we often spend countless hours combing... Read More

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Tracking in Final Cut Pro X with SliceX

This Week on MacBreak Studio

By Mark Spencer | April 29, 2014

How can you track an object in Final Cut Pro X - and why would you want to?

In this episode of MacBreak Studio, Steve Martin answers the second question to provide context and motivation for the first.

In a nod to Alfred Hitchcock's movie Notorious, Steve wants... Read More

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NAB 2014: My Experience

What's it like for someone to work AND play at NAB 2014? Here's my experience!

By Kevin P. McAuliffe | April 28, 2014

I have to admit.  This year’s NAB was like my Oscars.  Normal people (like you and me) would go to the Academy Awards to do some “Stargazing”, as the expression goes.  That’s what I feel that I spent almost a week doing.  Star gazing.  Yes, I was there for work, and work I did, but as we all know, NAB is much more than that. 

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PVC at NAB 2014 - iOgrapher

Covering a tradeshow? Then the iOgrapher might be just your thing ... among other uses that is.

By Scott Simmons | April 22, 2014

Smack in the middle of the plug-in pavilion was what looked like a retail store. That was for iOgrapher and their iPad mount/holder/all-around-helper accessory that will come in most handy if using the iPad for camera-related or new-gathering work.

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Fixing Titles in Final Cut Pro X

On This Week's MacBreak Studio

By Mark Spencer | April 22, 2014

How good is your spelling?

Even if it's great, and even with Final Cut Pro's built-in spellchecker, it's still easy to make mistakes, particularly when adding titles to video that include people's names.

This is where the powerful combination of the... Read More

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NAB 2014 Aerial Videography & “Drone” Overview

Field Trips, Workshops & Manufacturers Make A Huge Splash This Year!

By Jeff Foster | April 18, 2014

Above all the buzz about 4K cameras and monitors at NAB this year, were flying cameras that sounded like large swarms of bees. POV photography and videography have literally taken off in the past 18 months in a big way, and NAB 2014 was just the place to learn more about this rapidly emerging technology... and how filmmakers will benefit from above AND on the ground!

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The Power of the Timeline Index in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | April 15, 2014

The Timeline Index is one of the hidden jewels of Final Cut Pro X. Have you been using it to its full potential?

The Timeline Index is essentially a database window into your timeline. Since FCP X is in some ways a big database, all the items in your timeline: video clips,... Read More

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Keyframe Improvements in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | April 08, 2014

The 10.1 update to Final Cut Pro X included several improvements for manipulating keyframes. For example, it's now possible to select multiple keyframes, and to copy and paste keyframes.

In this episode of MacBreak Studio, Mark and Steve from Ripple Training demonstrate... Read More

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The Making of ‘Adobe and the Frog’

By Rich Young | April 03, 2014

Film Riot and Adobe have a slick little web ad for the new Creative Cloud NAB 2014 reveal. It was edited in Premiere CC, with the CG character rendered in After Effects CC using Element 3D, and color graded using Magic Bullet Looks.

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Preview: The Mini XTC 9250-XL

The Wait Is Finally Over

By Don Starnes | April 01, 2014

Just in time for NAB, the 9250-XL is everything that a producer could want in a camera. The revolution has begun...

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Multicam Audio Editing in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | April 01, 2014

Multicam in Final Cut Pro X has gotten even better.

The multicam implementation in Final Cut Pro X was exceptional from the time it was first introduced. The flexibility of the different options for syncing angles, including a very fast and accurate automatic sync feature... Read More

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Media Composer - You Ask, I Answer! - Lesson 3

A viewer wants to do a simple split screen in Media Composer? Let's see how it's done!

By Kevin P. McAuliffe | March 31, 2014

In this tutorial, exclusive to PVC, I'm going to answer a question about creating simple split screens inside of Media Composer 7.  3D Warp tool, or Avid FX, which one will you choose?

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Getting Started with Motion

This Week on MacBreak Studio

By Mark Spencer | March 25, 2014

Is it time to learn Motion?

Motion is one of the companion applications to Final Cut Pro X (the other is Compressor). You use it to create motion graphics and visual effects, like animated title sequences, green screen composites, tracking shots, particle effects, and much... Read More

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My NAB 2014 Post|Production World sessions

If you're attending, these are the classes I'll be teach. Please come!

By Scott Simmons | March 24, 2014

NAB 2014 is just around the corner and I’m happy to once again be leading several sessions at the Post|Production World Conference. Avid Media Composer, Adobe Premiere Pro CC and panel discussions are on the agenda amongst all the other things at NAB. I’m always humbled and honored that a random editor from Nashville, Tennessee gets to interact with editors and production folks from all over the world during these sessions. As I’ve said before, I learn as much as they do.

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Do I Have to Open the Library?

This Week on MacBreak Studio

By Mark Spencer | March 19, 2014

Archiving your completed Final Cut Pro X project and the associated media has become much easier in version 10.1. If you are working with managed media - meaning all your media is contained within the library - you can simply drag the library in the Finder to your archive volume. If... Read More

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