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NAB 2014: My Experience

What's it like for someone to work AND play at NAB 2014? Here's my experience!

By Kevin P. McAuliffe | April 28, 2014

I have to admit.  This year’s NAB was like my Oscars.  Normal people (like you and me) would go to the Academy Awards to do some “Stargazing”, as the expression goes.  That’s what I feel that I spent almost a week doing.  Star gazing.  Yes, I was there for work, and work I did, but as we all know, NAB is much more than that. 

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PVC at NAB 2014 - iOgrapher

Covering a tradeshow? Then the iOgrapher might be just your thing ... among other uses that is.

By Scott Simmons | April 22, 2014

Smack in the middle of the plug-in pavilion was what looked like a retail store. That was for iOgrapher and their iPad mount/holder/all-around-helper accessory that will come in most handy if using the iPad for camera-related or new-gathering work.

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Fixing Titles in Final Cut Pro X

On This Week's MacBreak Studio

By Mark Spencer | April 22, 2014

How good is your spelling?

Even if it's great, and even with Final Cut Pro's built-in spellchecker, it's still easy to make mistakes, particularly when adding titles to video that include people's names.

This is where the powerful combination of the... Read More

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NAB 2014 Aerial Videography & “Drone” Overview

Field Trips, Workshops & Manufacturers Make A Huge Splash This Year!

By Jeff Foster | April 18, 2014

Above all the buzz about 4K cameras and monitors at NAB this year, were flying cameras that sounded like large swarms of bees. POV photography and videography have literally taken off in the past 18 months in a big way, and NAB 2014 was just the place to learn more about this rapidly emerging technology... and how filmmakers will benefit from above AND on the ground!

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The Power of the Timeline Index in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | April 15, 2014

The Timeline Index is one of the hidden jewels of Final Cut Pro X. Have you been using it to its full potential?

The Timeline Index is essentially a database window into your timeline. Since FCP X is in some ways a big database, all the items in your timeline: video clips,... Read More

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Keyframe Improvements in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | April 08, 2014

The 10.1 update to Final Cut Pro X included several improvements for manipulating keyframes. For example, it's now possible to select multiple keyframes, and to copy and paste keyframes.

In this episode of MacBreak Studio, Mark and Steve from Ripple Training demonstrate... Read More

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The Making of ‘Adobe and the Frog’

By Rich Young | April 03, 2014

Film Riot and Adobe have a slick little web ad for the new Creative Cloud NAB 2014 reveal. It was edited in Premiere CC, with the CG character rendered in After Effects CC using Element 3D, and color graded using Magic Bullet Looks.

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Preview: The Mini XTC 9250-XL

The Wait Is Finally Over

By Don Starnes | April 01, 2014

Just in time for NAB, the 9250-XL is everything that a producer could want in a camera. The revolution has begun...

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Multicam Audio Editing in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | April 01, 2014

Multicam in Final Cut Pro X has gotten even better.

The multicam implementation in Final Cut Pro X was exceptional from the time it was first introduced. The flexibility of the different options for syncing angles, including a very fast and accurate automatic sync feature... Read More

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Media Composer - You Ask, I Answer! - Lesson 3

A viewer wants to do a simple split screen in Media Composer? Let's see how it's done!

By Kevin P. McAuliffe | March 31, 2014

In this tutorial, exclusive to PVC, I'm going to answer a question about creating simple split screens inside of Media Composer 7.  3D Warp tool, or Avid FX, which one will you choose?

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Getting Started with Motion

This Week on MacBreak Studio

By Mark Spencer | March 25, 2014

Is it time to learn Motion?

Motion is one of the companion applications to Final Cut Pro X (the other is Compressor). You use it to create motion graphics and visual effects, like animated title sequences, green screen composites, tracking shots, particle effects, and much... Read More

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My NAB 2014 Post|Production World sessions

If you're attending, these are the classes I'll be teach. Please come!

By Scott Simmons | March 24, 2014

NAB 2014 is just around the corner and I’m happy to once again be leading several sessions at the Post|Production World Conference. Avid Media Composer, Adobe Premiere Pro CC and panel discussions are on the agenda amongst all the other things at NAB. I’m always humbled and honored that a random editor from Nashville, Tennessee gets to interact with editors and production folks from all over the world during these sessions. As I’ve said before, I learn as much as they do.

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Do I Have to Open the Library?

This Week on MacBreak Studio

By Mark Spencer | March 19, 2014

Archiving your completed Final Cut Pro X project and the associated media has become much easier in version 10.1. If you are working with managed media - meaning all your media is contained within the library - you can simply drag the library in the Finder to your archive volume. If... Read More

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Get Started Fast with Avid for Final Cut Pro 7 Editors : Lesson 5

Let's Get Started Fast with Avid for Final Cut Pro 7 Editors - In Lesson 5 - Sound Mixing

By Kevin P. McAuliffe | March 18, 2014

If you've just made the switch from FCP7 to Media Composer 7, than the last lesson in this five part tutorial series will help you make the transition as smooth as possible!

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How To Get Trained

Hint: it isn’t by reading this.

By Don Starnes | March 18, 2014

Almost everyone now seems interested in video or cameras or movie making. Filmmaking has become a popular hobby and even a sport. This is perfectly fine. However, I find that very few people are serious about becoming a professional filmmaker.

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The Art of the Cut: “12 Years a Slave” Editor, Joe Walker

The Art of the Cut: “12 Years a Slave” Editor, Joe Walker

An interview that turned into a must-read master class in editing

By Steve Hullfish | March 17, 2014

It’s not often that Hollywood’s stars publicly recognize the great stewardship that an editor of a film has of their performance. But it’s a long journey between what an actor emotes in front of a camera and the reception of that performance by an audience. The director certainly has a strong influence on that performance, but the editor (with the director’s guidance) is the final gatekeeper of the performance the audience sees and the context in which it’s seen.

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The Demise of NBC Burbank Part 2

The Demise of NBC Burbank Part 2

Technical and Engineering Advancements Made at NBC

By Richard Wirth | March 16, 2014

Recently, I wrote about the beginnings of NBC’s historic lot in Burbank as the Peacock network completed its move to nearby Universal Studios.  The look back on NBC Burbank’s sixty-two year history wouldn’t be complete without exploring some of the technical history NBC engineers made over the years.

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Why Use Camera Archives in Final Cut Pro X?

This Week on MacBreak Studio

By Mark Spencer | March 11, 2014

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Why would you want to use a Camera Archive to import your video clips?

This week on MacBreak Studio, Mark Spencer talks with Steve Martin from Ripple Training about Camera Archives. When transferring footage from a camera's card, you can of course simply drag the... Read More

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Notes from the 2014 Editors Retreat

It was my first time attending and I really want to go back

By Scott Simmons | March 06, 2014

This past week I was able to attend my first ever Editors Retreat in Savannah, Georgia. It was an unbelievably fun week of learning, networking, eating and drinking. This was an event I have wanted to attend for years but 2014 was the first time it has worked out. While not inexpensive, I made the decision to attend in January after a number of Editors Retreat alumni all said the same thing: the Retreat is a great creative reboot. I whole heartedly agree.

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Bring on the Backups in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | March 04, 2014

How does Final Cut Pro X back up your work?

On this week's episode of MacBreak Studio, Steve Martin from Ripple Training takes us through the what, why, when, where, and how of backups in Final Cut Pro X.

Final Cut backups are enabled by default and they back up... Read More

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