RSS

Education & Inspiration

The Most Important Piece of Paperwork for Your Projects

By Richard Harrington | July 30, 2008

I often preach extensively about project management at design and creative conferences around the globe. The one piece of paperwork that I always emphasize is completing a scoping document for a project then getting the client to sign off and accept it. This one piece of paperwork can solve all sorts of problems and is really worth the 2-5 hours it takes to write. The outline is as follows.Project Scoping Document( 2 - 1 0 p a g e s )Project NameExecutive SummaryBackgroundProject Scope (High Level)Project ObjectivesDeliverablesOrganizationsInterfaces RequiredAssumptionsConstraintsEvaluation CriteriaRisksRewardsBudgetsSchedules (Due Dates)Project Team ReadinessKey RolesExecutive SponsorProject ManagerBusiness ExpertsTechnical ExpertsSignature Lines - Sign Off "Charter" Read More

0 Comments

anime anime studio comic-con comicon flash maga mobile animation mobile media puppet tool

Mobile Animation for Comics

Is this the next big flash in the pan?

By Chris and Trish Meyer | July 28, 2008

We wake up most mornings listening to the new on NPR (National Public Radio). This morning, after a story on Comic-con (the huge annual comic book convention), there was a piece on the boom in "mobile animation" in Japan. Japan is a big market for comic books ("manga"), as well as a big market for mobile phones and new trends in mobile media. The story indicated that distributing comics through mobile phones had become The Next Big Thing over there. Some advancements include touch-interface phones such as the iPhone, which allows a tactile turning-the-page experience. But also of interest is animating the comics for delivery over cell phones and other mobile players.If you're looking for new niches or market opportunities, it may be time to brush up on the subjects of converting drawn art to vectors (time to crack open that copy of Adobe Illustrator which came free with your After Effects or Photoshop bundle), creating vector artwork (especially comics), and - most important of all - animating that artwork. This last skill is what can set you, a motion graphics artist, apart from other more conventional illustrators in the field, or make yourself an important partner for them. Adobe Flash is obviously the big dog in this field, but there are also a couple of other solutions out there worth exploring, such as Anime Studio Pro which allows you to add "bones" to vector or even hand-drawn artwork, and the Puppet Tools in Adobe After Effects CS3 and later.By the way, another news item this morning concerned a new search engine called Cuil ("an old Irish word for knowledge") started by a bunch of ex-Googlites. A search for "mobile animation" on Cuil returned a subjectively more useful result (arranged in a far more visually useful fashion) than a standard Google search. Keep an eye on them. Read More

0 Comments

business iphone

Workflow for your Business

By Scott Gentry | July 24, 2008

Within this industry, there is a lot written about, misunderstood, and confusing information on workflow. Let's get this straight from the start, I'm not about to fix any of that. I'm going to talk a little bit about business workflow. You know, what actually keeps your business alive. In the past I've mentioned such tools as ReQall, Tripit, and others. Today I'm going to offer a few more tools that are really helping me. First up is Jott. You may already be using Jott, if not, sign up today. It's a competitor to ReQall, but with a lot more to offer. What Jott has done, is partnered with a ton more other sites and technologies to make their service really valuable to my daily workflow. Here's how it works... Read More

0 Comments

abq albuquerque moving santa fe

Leaving Los Angeles

Trading Hollywood for The Land of Enchantment.

By Chris and Trish Meyer | July 12, 2008

Our former studio in Los Angeles, circa a few years ago.

The reason we haven't been posting up here for the past couple of weeks is because we've been packing up our home/office/studio and putting it into storage while we buy a new home in the East Mountains section of Albuquerque, just down the Turquoise Trail from Santa Fe. There are many reasons we're undergoing this major life change, several of which we'll be elaborating upon in the upcoming weeks and months. If you're curious, here's a few of the reasons why: Read More

3 Comments

Dymo Discpainter, Part Deux

By Art Adams | June 27, 2008

Wherein I use the Discpainter to print 70 DVDs, with reasonable results. Read More

4 Comments

Untrustworthy

By Art Adams | June 26, 2008

I just got fired from a job because the producer decided I was untrustworthy. Huh? Read More

9 Comments

Have a Broadband Card?  Want to Share with the rest of the Crew?

Learn how to share broadband internet with the crew.

By Richard Harrington | June 12, 2008

Author and video podcaster Richard Harrington explains how you can take your wireless broadband card and share that internet connection with others on location. Read More

0 Comments

Distressing Text Edges - Photoshop for Video

By Richard Harrington | June 12, 2008

Instructor Richard Harrington shows you how to use a patterned image to degrade the edges of your text for a unique text effect in Photoshop. Read More

0 Comments

collapse transformations fixed resolution illustrator motion graphics photoshop

Motion Quick Tip: Importing Illustrator and Photoshop Files

Working With Fixed Resolution

By Mark Spencer | June 09, 2008

When working with Motion, you'll often import content that was created elsewhere. For example, Illustrator and Photoshop are two powerful applications for creating and manipulating images. They both work very well with Motion, but to get the best results, you need to know about setting in Motion that isn't necessarily obvious or easy to find. Read More

1 Comments

collapse transformations fixed resolution illustrator motion graphics photoshop

Motion Quick Tip: Importing Illustrator and Photoshop Files

Working With Fixed Resolution

By Mark Spencer | June 09, 2008

When working with Motion, you'll often import content that was created elsewhere. For example, Illustrator and Photoshop are two powerful applications for creating and manipulating images. They both work very well with Motion, but to get the best results, you need to know about setting in Motion that isn't necessarily obvious or easy to find. Read More

0 Comments

final cut studio training video

What’s in a Name?

Manage Your File Names without Leaving the Browser

By steve martin | June 04, 2008

As any editor knows, good media management begins by establishing proper naming conventions. In a perfect world, proper clip names would be entered during the logging stage. However, due to tight deadlines or perhaps shear laziness on the part of the editor, media file names are sometimes injested or captured with non-descript file names such as "untitled" or, as is the case with the Panasonic AG-HVX200, transferred with their 6 digit camera-assigned file names. This article will show you how to rename your files directly in the Browser using Final Cut Pro 6. Read More

0 Comments

final cut studio training video

What’s in a Name?

Manage Your File Names without Leaving the Browser

By steve martin | June 04, 2008

As any editor knows, good media management begins by establishing proper naming conventions. In a perfect world, proper clip names would be entered during the logging stage. However, due to tight deadlines or perhaps shear laziness on the part of the editor, media file names are sometimes injested or captured with non-descript file names such as "untitled" or, as is the case with the Panasonic AG-HVX200, transferred with their 6 digit camera-assigned file names. This article will show you how to rename your files directly in the Browser using Final Cut Pro 6. Below is an screen shot of an edit in progress using clips transferred from an AG-HVX200. Before you can rename the file, you first must locate the Master clip. Park your playhead over the clip to be renamed, then press Shift-F to reveal the clip in the Browser. The clip will become selected. In the Browser, give your clip a meaningful name. From the Modify Menu choose Rename>File to Match Clip.You will be warned that what you are about to do will modify the original file. Go ahead, live life on the edge...Because of Final Cut Pro's Master/Affiliate clip architecture, all Affiliate clips that reference the Master clip will be renamed. In the Finder, you'll see that the file name was actually changed to the new name you entered in the Browser. Read More

1 Comments

Digital Cinema Course DVD Review

Reviewing Rush Hamden's DVD series for filmmakers (with video excerpts)

By Matthew Jeppsen | June 03, 2008

Digital Cinema CourseReviewed by Kendal Miller, FreshDV Contributing EditorMSRP: $439-$529Fresh Score: 4/5Fresh Points: This series provides an incredible wealth of information previously attainable only at school or on set. The price places it firmly in the reach of most independent filmmakers making it readily accessible.Stale Points:At times the presentation runs long, and I would like to see more first person presentation of the material rather than continual voice-over. I also often found myself craving more advanced, high end setups with more elaborate lighting etc.Film School on a BudgetIt has been said that when you are through learning, well, then you are through. This is especially true in an industry that is as rapidly evolving as ours. I tend to subscribe to this philosophy myself and make every attempt to set aside time routinely for professional development. Whenever I'm on set I always make a concerted effort to take aways some new trick, or tip doesn't matter if its the Assistant Director, the Gaffer, or a Production Assistant. I want to sharpen my skills and therefore my marketability.The Digital Cinema Course, produced by Rush Hamden, offers the possibility of learning a lot of information, 18 DVDs and 24hours worth to be exact. The course is divided into four parts which I will refer to as modules. The command pack consist of four modules Gear Guide (DCT-GG07), Basic Production (DCT-BP), Movie Production (DCT-MP), and Lighting Set (DCT-LS). There are several other optional courses things such as audio production, green screen, and compositing available as well. Read on as we examine the aims and goals of this course, an overview of the course and then what will you learn, what you won't. Read More

0 Comments

Tapeless Workflows, a Jump to the Past?

By Terence Curren | June 01, 2008

We in the post world are on the verge of an explosion in media management, and it isn't a pretty sight. The worst part is that even though it is billed as the future, it really is a bast from the past. That is going to be very trying on many of the new production and post crowd who haven't been raised with the disciplines of the old workflows. Read More

3 Comments

Dymo Discpainter: First Impressions

Will a printer that does only one thing save my sanity?

By Art Adams | May 22, 2008

For quite a while I've used an Epson R320 printer to label my showreel DVDs, but the end of that era has come. I now own a Dymo Discpainter. Read More

6 Comments

video on the web web video

Web Video: The New “Skip Intro”?

Is video on the web being used as a way to avoid creating real content?

By Chris and Trish Meyer | May 16, 2008

Remember when "Flash Intros" (or what Adobe would prefer me to call "introductory animations created with the software Adobe Flash," lest I dilute their trademark) were all the rage? You had to have one play when a user first arrived at your site to be considered hip, media savvy, and up-to-date. But in reality, most of these detracted from rather than added to a web site's experience, resulting in lots of users clicking on the oft-included "skip intro" button so they could get to what they were really after: the content on a site. In the end, many were an annoyance rather than a value-add.I'm beginning to fear that web video could suffer the same fate. I'm sure you and your client feel more hip, media savvy, and up-to-date when you include video on their site, but are you really serving their user by doing so? Read More

3 Comments

The Myth of 1%

The Myth of 1%

When making a business plan, don't make any assumptions about market share.

By Chris and Trish Meyer | May 06, 2008

There are many variations on this common trap, but the general outline goes like this: Someone hears a report about how much money there is being made in a market segment, such as podcasts or movie trailers or renting out RED One cameras. They then theorize that if they could capture just some small percentage of that market - say, 1% - that they would be rich. And thus, a business plan is born! After all, who can't capture at least 1% of a given market?!? Read More

1 Comments

Multithreaded Information

Is the medium really the message? Or should we think more about matching the message to the medium?

By Chris and Trish Meyer | May 03, 2008

(At the end of an old article we recently posted to our Keyframes channel about creating graphics for the NBC AstroVision sign in Time Square, we mused about the ways networks are trying to take advantage of new media to connect better with their audiences and create more brand loyalty. Even thought it was originally written ten years ago, it still resonates today. I thought I would drag it out here for your weekend musing, in case you missed it over in CMG Keyframes.)One of the original attractions of "multimedia" was the ability to provide additional details and background information about a subject without forcing interruptions in the linear unraveling of the central narrative (as I do here with my frequent parenthetical asides). Examples of this include allowing the user to click on hot words or photos in a CD-ROM application (do any of you still remember those?) or on a web page to take you to another page with tangential content, or attempts to present multiple media streams at once - such as text, photos, and sound - to give a wider gestalt to the story.So where does established, linear, big media - i.e. broadcast television - fit into this picture? Although the economics are different, many of the same goals applied, even ten years ago: You have a linear central story (the program), but other details you could provide...even something as simple as outtakes from filming the program, or background on the stars. Fan magazines, newsgroups, web sites, and even TV Guide help fill this roll. NBC, in their own way, started doing the same back in the late 90s. For example, their "NBC2000" group was one of the first to put the alternate screen boxes at the end of television shows, sometimes containing outtakes or promos of other programs. With their AstroVision sign, they went further. Initially, NBC tried "repurposing" their existing TV promos onto the sign. However, as many multimedia producers also found out back then, you can't always take a message from one medium to another and expect it to hold up. In this case, the lack of sound, as well as the differences in attention span between someone at home and someone in Times Square (or Epcot Center, or sporting events, where they also play these promos), rendered the original promos less effective than they were on TV. In response, NBC started designing alternate content for the sign - such as trivia puzzles, word games, and factoids about their stars. Each one is then followed by a few seconds of the program the star appears in, along with the name of the show, television network, and night it plays. It ain't exactly a hot link, but it does give you the pointer you need to follow up on a thread you might have found interesting. And if you're already a fan, it gives you some additional background information to widen your experience of the show.It wasn't the "grand convergence" many preached about back in the 90s (or even today), but neither was it a bad idea - especially for the time. I know it is still popular to say the medium is the message, but perhaps some of us would be better served by focusing more on the message, and then figuring out how to use the mediums at our disposal to better disseminate it.The content contained in our books, videos, blogs, and articles for other sites are all copyright Crish Design, except where otherwise attributed. Read More

0 Comments

AE Puppet Tool

Want to learn how to turn photos into animation?

By Richard Harrington | April 22, 2008

To get the hands on files Photoshopforvideo.com Read More

0 Comments

advertising supported free content long tail parc wired

Freeconomics

Chris Anderson of Wired gives a talk at PARC about how "free" is the future of business.

By Chris and Trish Meyer | April 22, 2008

If you haven't noticed, the "new" business model is to give away things on the Web, and find other ways to make money off of the (hopefully) resulting feeding frenzy. This isn't a new concept; broadcast television is - or was, before cable and satellite and TiVo - free, with the content being advertiser-supported. Fast forward to today, and you're reading web sites like this one for free. But it's still a radical change in business plans for many. For example, many of us up here were recently magazine writers, used to getting a check in exchange for writing a new article, whether anyone read it or placed an ad next to it or not. Now we're kicking out content for "free" hoping to be compensated through a combination of ad support and page views.Chris Anderson - Editor in Chief at Wired Magazine since 2001, and author of The Long Tail: Why the Future of Business is Selling Less of More - recently gave at talk at the Palo Alto Research Center (PARC) on this subject. Here is a short description of the talk:The Web has become the land of the free. The idea that you can make money by giving something away is no longer radical - free has emerged as a full-fledged economy. Not only is technology giving companies greater flexibility in how broadly they can define their markets, but anything that touches digital networks quickly feels the effect of falling costs.PARC has made a video of the talk available - for free, of course. Click here to watch "FREE! Why $0.00 Is the Future of Business." Read More

0 Comments