Preparing for Cinema 4D Lite v2.0

Preparing for Cinema 4D Lite v2.0

How not to lose your current presets when you upgrade

By Chris and Trish Meyer | September 30, 2014

Adobe pre-announced many of the new features for the next version of After Effects CC 2014 at the just-passed IBC show. One of the big additions will be upgrading Cineware and Cinema 4D Lite - the 3D modeling and animation program that comes bundled with After Effects CC - to version 2.0, based on Maxon’s Cinema 4D R16 (Cinema 4D Lite is based on R14).

This is mostly great news, as this means a ton of new features for us After Effects CC users (see the series of movies Maxon posted on their Cineversity site for R15 and R16). However, some of these updates have obsoleted older features, which in turn means some of the currently provided factory presets for C4D Lite may be lost. Read on to learn how to proactively set these aside so you can still access them when the next update indeed happens.


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Multi-screen Multicam in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | September 30, 2014


Putting the Angle Viewer into the Timeline?

That is essentially what Steve Martin from Ripple Training shows us how to do in this week's episode of MacBreak Studio. So why would you want to?

When editing a multi-camera shoot in Final Cut Pro X, you first... Read More


Product Review: 3D Robotics RTF Y6 Multicopter

Product Review: 3D Robotics RTF Y6 Multicopter

Precision, Power and Autonomous Flight Control

By Jeff Foster | September 27, 2014

Beyond traditional smaller quadcopter designs on the market, the usual choice for an upgrade is a hex or octocopter... but the form factor of 6 motors and props on the three-armed "Y" formation of the 3D Robotics RTF Y6 airframe provides not only good stability in windy conditions, but a hotrod of a UAV capable of over 55mph and some truly impressive video footage. But hold on - this sucker can really FLY!

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Adobe at IBC 2014 - the show in review

Product previews, brilliant customer presentations, and thousands of visitors

By Eric Philpott | September 25, 2014

It felt like summer in Amsterdam, host city for the International Broadcasting Convention, Europe’s largest industry tradeshow. Inside the spacious RAI convention center thousands of visitors came to see the latest in film and broadcast technology – including previews of the next... Read More


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Useful Tools for Editors: The Denoise Edition

Remove noise (and other stuff) from both audio and video with some of these tools

By Scott Simmons | September 24, 2014


Here we are back again with another round of Useful Tools for Editors. Today there’s a few things that can help reduce the noise in both your audio and your video as well as some options to beauty up your image be it someone’s skin or bringing it into a... Read More


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Creating Final Cut Pro Transitions in Motion

This Week on MacBreak Studio

By Mark Spencer | September 23, 2014

How do you customize effects in Final Cut Pro X?

That's a question I hear frequently from legacy Final Cut Pro editors. They are used to changing the settings of a built-in effect, then saving the modified version so they can use it again in other projects with all their... Read More


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ViewFinder Mark II Review: A Director’s Viewfinder in Your Pocket That You Will Want!

A mobile, digital viewfinder for your iPhone

By Bobby Marko | September 22, 2014

It was about two years ago I wrote a post about DIRE Studios ViewFinder Cine app for cinematographers and photographers. They had a few variations of this app depending on your wants and features. Earlier this year they totally revamped the app and renamed it ViewFinder Mark II and bundled... Read More


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Z-Depth from 3D After Effects layers

How to generate a z-depth pass from 3D layers in After Effects, without 3rd party plugins

By ChrisZwar | September 19, 2014

I recently posted a video tutorial that demonstrates how to generate a z-depth map from Particular, and then use it to composite multiple layers of Particular together.  This technique opens up a whole range of creative possibilities, and allows extremely complex scenes to be created with... Read More


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LaCie Rugged Thunderbolt Review

By Dan Carr | September 18, 2014

Having robust mobile storage solutions that you can rely on is important, as is the speed of them.  I recently purchased the latest LaCie Rugged Thunderbolt drive and ran it through some tests.

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Pinnacle Studio/iOS adds 48 kHz + non-integer framerates, but instructions are required

Pinnacle Studio/iOS adds 48 kHz + non-integer framerates, but instructions are required

Pay attention to some details, and we can now have audio/video that complies with our target format.

By Allan Tépper | September 16, 2014

As the developer previously committed, Pinnacle Studio for iPad/iPhone/iPod Touch has now added both 48 kHz audio as default for all iOS devices except for the first iPhone 4, and non-integer framerates like 23.976, 29.97, and 59.94 fps, together with integer ones like 24, 25, and 50. The way to handle these framerates requires a bit of explanation, as I’ll cover ahead.

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Toggling Corrections in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | September 16, 2014

How do you turn off a color correction?

This is the question we tackle on this week's episode of MacBreak Studio, where I show Steve Martin from Ripple Training a simple way to make toggling corrections in Final Cut Pro X much faster and easier.

When setting up... Read More


iLoud: a multifaceted powered speaker that impresses

iLoud: a multifaceted powered speaker that impresses

Use iLoud for playback during music video production, to present live, or during editing.

By Allan Tépper | September 15, 2014

After i recently reviewed two other products from IK Multimedia, the iRig Pro preamp/A>D converter and the iRig Mic HD, they graciously sent me their iLoud, a rechargeable stereo powered speaker that impressed me quite a bit. Although IK Multimedia markets the iLoud for musicians, I immediately saw several other applications for our ProVideo Coalition readers, including playback for a music video production, to present live, or even to monitor when editing audio or video, with the usual disclaimer for the last one. Ahead are the details.

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122 Slides on the Sony PXW-FS7

122 Slides on the Sony PXW-FS7

Sony’s new Super35mm camcorder, introduced by Product Manager Juan Martinez

By Adam Wilt | September 11, 2014

The Sony PXW-FS7 “Vérité”, being announced at IBC as I post this, is a large-single-sensor camera aimed specifically at shoulder-mounted run’n’gun work: things like documentary shooting, news, direct cinema, and (shudder) “reality TV”.  It... Read More


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Movidiam Is A New Creative Network For Filmmakers And Photographers

By Dan Carr | September 11, 2014


Movidiam is a creative network that allows brands, agencies and creative professionals across the globe to connect and collaborate on projects in a new way. 

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Avid announces Resolution Independence for Avid Media Composer

That's 4K and beyond ... plus some background rendering and other stuff

By Scott Simmons | September 11, 2014

Over in Amsterdam Avid held their most recent Avid Connect event and we finally got the Avid Media Composer news that many have been waiting for - resolution independence is coming to Media Composer. This wasn’t totally unexpected as it has been hinted at for some time but this was the official announcement with this new version hitting in Q4 2014. And we’ll get Avid DNxHR - “4K beauty without the bandwidth.”

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Achieve an Efficient Production by Becoming Proficient at Pre-Production

How to better understand the importance of pre-production

By Bobby Marko | September 10, 2014

Problems always occur in video and film production. It’s the nature of the work we do. There are always outside forces beyond our control and no matter what we do to prepare for them, we are always faced with a problem to solve that we didn’t count on or didn’t foresee.... Read More


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Dissecting those upcoming Adobe Premiere Fall CC 2014 Preview Features

The CC train continues to steam along with a preview of even more new and needed features

By Scott Simmons | September 10, 2014

In advance of IBC 2014 Adobe has shown a whole slew of updates that we can expect to see in the next version of Adobe Premiere Pro CC 2014 as well as a lot of other Creative Cloud video apps. This release looks to be another important update for those hardcore PPro users as there are some very important things coming. Adobe is still listening as these are all things we’ve been asking for. Let’s dissect some of them.

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Media Composer 101 - Lesson 1

Let's get started learning Avid Media Composer Subscription

By Kevin P. McAuliffe | September 10, 2014

In this introductory Lesson, Kevin P McAuliffe introduces you to Avid Media Composer Subscription (also called MC8). 

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Batch Encoding in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | September 09, 2014

Batch exporting directly from Final Cut Pro X?

That's what Steve Martin from Ripple Training explores in today's episode of MacBreak Studio.

While there are many sharing options built into Final Cut Pro X, some folks turn to Compressor, Apple's... Read More