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Get to know…...Boris FX

Get a brief look at what Boris FX has to offer with its flagship product

By Kevin P. McAuliffe | November 30, 2014

My recent review of Red Giant Universe got me thinking, after taking a look at some Facebook comments, that there are a lot of users out there who might not know some of the 3rd-party plug-in companies out there, so I thought as a recurring article series, we would take a brief look at all the plug-in companies out there, and what they bring to the table for you, the end user.  I thought I’d start with a company I’m very familiar with, and that is Boris FX.

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REVIEW - Red Giant Universe

Is this a Universe you want to visit?

By Kevin P. McAuliffe | November 29, 2014

NAB 2014 has been over for about seven months now, and most people might be wondering why I am writing a review of Red Giant Universe now, as opposed to when it was first announced/released around the time of NAB.  To be honest with you, the review I'm writing today is very different from the one I would have written then.

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Creating a Storyboard in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | November 28, 2014

How do you tell a visual story without any visuals?

This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to do exactly that.

Final Cut Pro X contains a collection of generators: "generated" content that you can use in your projects. These... Read More

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Media Composer 101 - Lesson 5 - Bins part 1

Media Composer 101 - Lesson 5 - Bins part 1

Let's get back to basics with the start of a multi-part look at Bins in Media Composer

By Kevin P. McAuliffe | November 27, 2014

Let's get back to basics and take a look at bins inside of Media Composer.  This first of a multi-part lesson will give you a good running start, so you can start organizing yourself lightning quick!

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The case of the white t-shirt

The case of the white t-shirt

An assortment of analogies to help understand the video production business

By ChrisZwar | November 24, 2014

In an earlier article I said that when I began my career, I found business issues more difficult to understand than any software or hardware matters.  This article elaborates on some of those issues, and presents several different analogies to help you think about you and your business... Read More

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Installing and editing with Final Cut Pro 7 on a new Macbook Pro with Yosemite

The lack of a DVD drive and a new OS hasn't stopped FCP Classic

By Scott Simmons | November 23, 2014

It had been well over a year since I saw my good friend and longtime business partner Final Cut Pro 7 but this week saw the opportunity request to open it back up and work on a music video. Rather than try to convince the production to move to something else (believe me, I’ve tried) I jumped in! Then I noticed I needed to install it on my laptop … that doesn’t have a DVD drive. Nor do I have an external one. It’s still possible and you can even update to 7.0.3. 

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SmartView 4K monitor: like a DreamColor monitor with built-in Teranex?

SmartView 4K monitor: like a DreamColor monitor with built-in Teranex?

SmartView 4K monitor features built-in 3D LUTs, Teranex scaler, and more.

By Allan Tépper | November 22, 2014

At IBC in Amsterdam, Blackmagic showed its US$1995 SmartView 4K (Ultra HD) monitor, which features built-in 3D LUTs, Teranex scaler, adjustable on screen markers, H/V delay, blue only, 12G-SDI inputs, and more. Many readers may immediately imagine that the SmartView 4K might be a direct competitor to an HP DreamColor. I conducted a short interview about some of its yet unpublished specs. Let’s see in which respects it’s like a DreamColor, and in which it isn’t.

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Media Composer 101 - Advanced - Reformatting your Footage

Media Composer 101 - Advanced - Reformatting your Footage

This lesson will help you format your 4x3 footage correctly, inside your 16x9 timeline!

By Kevin P. McAuliffe | November 20, 2014

We're heading back to the mailbag to answer another viewer question, and it's one that throws people for a loop a lot of the time, and that is getting your SD footage to look correct in your HD 16x timeline.

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Coming Soon: Veydras Micro 4/3 Cinema Primes

Dedicated cine primes will improve cine-style workflows for MFT cameras

By Adam Wilt | November 19, 2014

Los Angeles lensmen Ryan Avery (formerly with Schneider Optics) and Jim Zhang (a behind-the-scenes designer for the likes of Century Optics, Chrosziel, and 16x9) have teamed up to build the “Veydra” line of Micro 4/3 Cinema Lenses.

Image... Read More

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Moving “Tracks” in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | November 19, 2014

How do you select all "tracks" in Final Cut Pro X, and do you even need to?

This week on MacBreak Studio, Steve Martin from Ripple Training helps us understand how approaching Final Cut Pro X from the perspective of legacy editing applications can hinder our ability to get... Read More

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Want to see 4K editing in Media Composer before its release?

Avid is very excited about the impending release of the next version of Media Composer, and wants everyone to see it!

By Kevin P. McAuliffe | November 14, 2014

And no, I’m not breaking any embargoes, NDA’s or anything like that.  Avid is very excited about the impending release of the next version of Media Composer, and officially wants everyone to see it, and get excited about it as well.

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Media Composer 101 - Advanced - Roundtripping to After Effects

Getting your MC timeline to AE is easy. Getting it back requires a little more thought!

By Kevin P. McAuliffe | November 13, 2014

In the next lesson of Kevin P McAuliffe's "Media Composer 101" tutorial series, he sidesteps from the basic training to cover an advanced lesson, based on an e-mail from a viewer, and some online confusion.

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Back-timing and Retiming in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | November 11, 2014

This week on MacBreak Studio, Steve Martin from Ripple Training shows us a very useful trick when retiming clips in Final Cut Pro X.

The retiming features in Final Cut are extensive and rather intuitive. To get started, you can press Command-R while the playhead is over a... Read More

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Growing pains - the desktop video identity crisis

The agony and the angst of beginning a new career with new technology

By ChrisZwar | November 11, 2014

Some of the most confusing aspects of a job have nothing to do with hardware problems or software upgrades.  Everyone using After Effects knows that Video Copilot produce great tutorials, but none of them tell you how to deal with a co-worker who has bad body odor, or what to do if a... Read More

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Product Review: SteadiDrone QU4D 2014 Quadcopter

Product Review: SteadiDrone QU4D 2014 Quadcopter

Heavy Duty and Stable Flying Multirotor for Aerial Videography

By Jeff Foster | November 07, 2014

This UAV manufacturer based out of South Africa has set out to make durable, stable and easy to transport designs that run on the popular 3D Robotics Pixhawk GPS Flight Controller and provide smooth footage for a GoPro HERO4 in a brushless gimbal. I think they're on to something here...

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5 Ways Creating Documentaries Helped Me Improve My Storytelling

By Bobby Marko | November 06, 2014

Back in 2008 I had a discussion with my wife about how I wanted to do something more with my talent and skill as a filmmaker. I loved the pay check I earned for what I was doing at the time (corporate, wedding and web video content) but it wasn’t enough. I felt like there was something... Read More

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Media Composer 101 - Lesson 4 - Composer Overview & Intro to Bins

This lesson will teach you that organization is the key to a smooth edit!

By Kevin P. McAuliffe | November 05, 2014

In the next lesson of Kevin P McAuliffe's "Media Composer 101" tutorial series, he gives you a general overview of Media Composers interface, and starts his talk about bins, and why organization is the key to getting your edits done to time, and on time!

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ProDAD Respeedr

Software to speed you up or slow you down...

By Bruce A Johnson | November 04, 2014

ProDAD is a company that really, really aims to please.  Over the last few years they have come out with software that addressed the realms of transitions (Vitascene), video stabilization (Mercalli) and action-video optimization (ProDRENALIN) in clever, albeit unique, ways.  Respeedr... Read More

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Mastering the Keyboard in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | November 04, 2014

Can you edit without a mouse or trackpad?

That's the challenge our guest Sam Mestman tackles this week with Ripple Training host Steve Martin.

Executing commands with the keyboard is almost always faster than using a mouse or trackpad input device, so the more... Read More

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SMPTE Time Code - Virtually Unchanged After Almost 50 Years

SMPTE Time Code - Virtually Unchanged After Almost 50 Years

How this tool came to be and how it has withstood the test of time

By Richard Wirth | November 03, 2014

The more things change, the more they stay the same.  So goes the old proverb.

SMPTE Time Code is like that.  While the entire production and post world around it has changed radically, time code has remained virtually the same.

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