Tuesday, August 09, 2011

NVIDIA Optix

Chris Meyer | 08/09- 12:37 PM

A joint Adobe-NVIDIA research project demonstrating accelerated ray-traced 3D.

At this week’s SIGGRAPH convention in Vancouver, Adobe and NVIDIA are giving a technology presentation of ray-traced extruded text and shapes inside a “motion graphics environment” (you can read for yourself what the menu bar says; before getting too excited, note this is a technology prototype and not an announced or released product). Obviously, there are a lot of questions left unanswered at this point in time - but as we’ve seen in the past, a lot of other Adobe technology demos eventually become products; fingers crossed that this is the case here.

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Tuesday, April 26, 2011

NAB 2011:  GoPro Rides The 3D Wave

Clint Milby | 04/26- 09:53 PM

New 3D Rig Comes Complete with Hardware and Software Solution

When I caught up with GoPro, their booth was more like one of the casinos rather than a trade show booth. There was a multitude of screens, a GoPro van and even a race car.

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Sunday, April 24, 2011

NAB 2011 - Stereo 3D

Adam Wilt | 04/24- 10:00 PM

A quick look at some of the S3D oddities on offer at NAB 2011.

If you’re gonna shoot S3D, why not watch S3D? Dual PMW-F3s on a mirror rig.

I’m a Chauncey Gardner when it comes to 3D: I like to watch. But as long as stereo 3D requires a bulky mirror rig, or a data cart like the one below, watching is all I’m likely to do. Fortunately, NAB shows that I’m not the only one who feels that way: there were plenty of [somewhat more] practical solutions for shooting stereo.

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Wednesday, April 20, 2011

NAB 2011 Video - Panasonic’s second-generation 3D Camcorder

Adam Wilt | 04/20- 10:34 PM

The AG-3DP1 has a 17x zoom and records to dual P2 cards

Steve Cooperman of Panasonic describes the 1/3” 3MOS AG-3DP1 3D P2 camcorder. It should be available later this year, but pricing has not been announced.

900x506 QuickTime movie, 1 Mbit/sec h.264, 12 Mbytes.

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Wednesday, April 20, 2011

Stereoscopic 3D in After Effects CS5.5

Chris Meyer | 04/20- 01:17 PM

The new release (with some judicious adjustments) makes it easier to create easier-to-watch stereo scenes from 3D compositions.

You may remember our blog post on the “inherent” problems with stereoscopic 3D that famed film editor Walter Murch pointed out in an open letter to film critic Roger Ebert. We took Murch’s comments as inspiration to explore workflows in the latest release of After Effects that might work around some of Murch’s concerns: Namely, getting the eyes and brain to converge and focus on the same object (preferably one the same distance from the viewer as the screen).

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Monday, April 18, 2011

NAB 2011:  MIO 3D Shows a New Way to Shoot 3D

Clint Milby | 04/18- 08:47 PM

SOC Sean Fairburn’s New Company Brings Experience and Ingenuity to 3D Production

Mio 3D is a company founded by illustrious Director of Photography Sean Fairburn. He created a innovative new way of shooting 3D imagery, one that utilizes three different cameras instead of just two cameras.

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Monday, April 18, 2011

NAB 2011:  Redrock’s New Micro 3D Rig

Clint Milby | 04/18- 08:35 PM

New Device Makes Precision and Elegance Affordable

3D is rapidly becoming a standard rather than a speciality. With the advent of new cameras and new techniques, 3D has now become a viable option for those on a tighter budget. Brian Valente at Redrock Micro has the perfect solution: the Micro 3d Rig.

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Monday, April 18, 2011

NAB 2011:  DasRekorder Rekords Das 3D

Clint Milby | 04/18- 08:10 PM

New German Startup Brings Passion and Ingenuity to 3D Work Flow

At NAB 2011 this past week, we ran across DasRekorder, a German based company who had a cool little device that allows for mobile 3D recording.

more »

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Final Cut Pro X Multicam Editing webinar now available on-demand
Scott Simmons

Plus a little screencast in this blog post on a topic we didn’t get to cover.

CAMERAS: Food Fights with the FS700
Art Adams

You want 240fps 1920x1080? I’ve got your high-speed HD right here… for less than $10K.

How to get good production dialogue
Matt Jeppsen

Use a boom mic and some common sense!

After Effects Apprentice Free Video: Using Parenting to Animate Layers as a Unit
Chris and Trish Meyer

Taking advantage of parenting, multiple 3D views, and AE’s built-in calculator to coordinate a multi-layer animation.

Rigging the Bird
Mark Spencer

Motion Magic on MacBreak Studio

10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
Scott Simmons

These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement

Blackmagic: We’re ready to remove the Band-Aid!
Allan Tépper

If you agree, please sign the online petition requesting the required updates.

Adobe is coming to a city near you!
Michelle Gallina

CS6 Production Premium Road Show

Learn After Effects CS6: basics
Rich Young

New videos from Brian Maffitt

How the Blackmagic Cinema Camera will indirectly take sales from AJA, Matrox, and MOTU
Allan Tépper
Philip Bloom on why he has switched to Adobe Creative Suite 6 Production Premium
Michelle Gallina
AbelCine updates its free Field Of View Comparator for Blackmagic Cinema Camera
Allan Tépper

Now you can compare the field of view of just about any camera and lens, free of charge!







Final Cut Pro X Multicam Editing webinar now available on-demand

Scott Simmons | 05/15- 06:10 PM

Plus a little screencast in this blog post on a topic we didn’t get to cover.

I had great fun last week presenting the Final Cut Pro X multicam editing webinar for Moviola Filmmaking Webinars. It was a lightning fast 90 minutes and we covered a lot of ground but we didn’t get through everything I wanted to cover. The On-Demand version can be purchased and I recorded an extra screencast about one topic that I didn’t get to cover in the webinar. Check it out after the jump.

 

CAMERAS: Food Fights with the FS700

Art Adams | 05/15- 04:41 PM

You want 240fps 1920x1080? I’ve got your high-speed HD right here… for less than $10K.

When Adam Wilt and I shot “Fire and Ice” together on a prototype FS700 we had no idea that it would be shown at NAB… and that it would be hit. We wanted to do more, so we pitched Sony a commercial concept for a local company that involved high speed “veggie baseball.” Guess what: they sent us an FS700 again. Edible baseball never looked so good.

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