A joint Adobe-NVIDIA research project demonstrating accelerated ray-traced 3D.
At this week’s SIGGRAPH convention in Vancouver, Adobe and NVIDIA are giving a technology presentation of ray-traced extruded text and shapes inside a “motion graphics environment” (you can read for yourself what the menu bar says; before getting too excited, note this is a technology prototype and not an announced or released product). Obviously, there are a lot of questions left unanswered at this point in time - but as we’ve seen in the past, a lot of other Adobe technology demos eventually become products; fingers crossed that this is the case here.
New 3D Rig Comes Complete with Hardware and Software Solution
When I caught up with GoPro, their booth was more like one of the casinos rather than a trade show booth. There was a multitude of screens, a GoPro van and even a race car.
A quick look at some of the S3D oddities on offer at NAB 2011.
If you’re gonna shoot S3D, why not watch S3D? Dual PMW-F3s on a mirror rig.
I’m a Chauncey Gardner when it comes to 3D: I like to watch. But as long as stereo 3D requires a bulky mirror rig, or a data cart like the one below, watching is all I’m likely to do. Fortunately, NAB shows that I’m not the only one who feels that way: there were plenty of [somewhat more] practical solutions for shooting stereo.
NAB 2011 Video - Panasonic’s second-generation 3D Camcorder
Adam Wilt | 04/20- 10:34 PM
The AG-3DP1 has a 17x zoom and records to dual P2 cards
Steve Cooperman of Panasonic describes the 1/3” 3MOS AG-3DP1 3D P2 camcorder. It should be available later this year, but pricing has not been announced.
The new release (with some judicious adjustments) makes it easier to create easier-to-watch stereo scenes from 3D compositions.
You may remember our blog post on the “inherent” problems with stereoscopic 3D that famed film editor Walter Murch pointed out in an open letter to film critic Roger Ebert. We took Murch’s comments as inspiration to explore workflows in the latest release of After Effects that might work around some of Murch’s concerns: Namely, getting the eyes and brain to converge and focus on the same object (preferably one the same distance from the viewer as the screen).
SOC Sean Fairburn’s New Company Brings Experience and Ingenuity to 3D Production
Mio 3D is a company founded by illustrious Director of Photography Sean Fairburn. He created a innovative new way of shooting 3D imagery, one that utilizes three different cameras instead of just two cameras.
New Device Makes Precision and Elegance Affordable
3D is rapidly becoming a standard rather than a speciality. With the advent of new cameras and new techniques, 3D has now become a viable option for those on a tighter budget. Brian Valente at Redrock Micro has the perfect solution: the Micro 3d Rig.
Plus a little screencast in this blog post on a topic we didn’t get to cover.
I had great fun last week presenting the Final Cut Pro X multicam editing webinar for Moviola Filmmaking Webinars. It was a lightning fast 90 minutes and we covered a lot of ground but we didn’t get through everything I wanted to cover. The On-Demand version can be purchased and I recorded an extra screencast about one topic that I didn’t get to cover in the webinar. Check it out after the jump.
You want 240fps 1920x1080? I’ve got your high-speed HD right here… for less than $10K.
When Adam Wilt and I shot “Fire and Ice” together on a prototype FS700 we had no idea that it would be shown at NAB… and that it would be hit. We wanted to do more, so we pitched Sony a commercial concept for a local company that involved high speed “veggie baseball.” Guess what: they sent us an FS700 again. Edible baseball never looked so good.
To be considered for listing, contact pr (at) provideocoalition (dot) com
All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.