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Register for A Free Digital Asset Management WebcastASSIMILATE Announces Breakthrough 48 FPS Playback of RAW RED EPIC Stereo StreamsGive Your Production A Lift With Stackable Apple BoxesVisual Effects Society (VES) Announces Winners of 10th Annual VES AwardsBenQ Introduces Short-Throw Projectors with Interactive Projection TechnologySpy Opens Doors On New Creative Studio In Santa MonicaAnton/Bauer Provides Rock-Solid Dependability For “The Amazing Race” As It Treks Across The GlobeFull Compass Systems Appoints Jim Ripp as Assistant Sales ManagerExclusive 2012 Fletcher Camera Comparison Chart Now Available to PVC readersHasselblad Launches State-of-the-art Online Video PlatformOscar-Nominated Jeff Cronenweth, ASC Set for Conversation at Createasphere’s ETEBlackmagic Design Releases Support For Final Cut Pro X 10.0.3 Broadcast MonitoringLivestream Integrates with NewTek TriCaster™Westcott receives two Hot One AwardsHarrison Ford to be Feted by American Society of CinematographersJVC Unveils ProHD Portable Monitor SeriesAudio-Technica Kicks Off “50 Years of Passionate Listening” Anniversary Celebration with GalaDonny Osmond to Keynote NAB Show LuncheonEye Scream Factory Releases 74 DVE Transitions by Kevin P. McAuliffeCoreCG Launches MentalCore, Breakthrough Solution for Optimizing the Maya and mental ray WorkflowAn Immersive Keynote Announced for Createasphere’s Entertainment Technology ExpoTelevision Industry Leaders Bruce Rosenblum and Ben Silverman to Address 2012 NAB ShowEyeheight Announces CC-3D Stereoscopic Colour CorrectorNewTek Unveils TriCaster™ Certified Operator ProgramJVC Introduces ProHD Compact Studio |
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Register for A Free Digital Asset Management WebcastEmerging Trends in Media and Asset Management at Tier 1 Media Companies
In this intensive webcast we will explore the challenges of managing ad hoc SAN growth including: competitive pressure, serving growing and more sophisticated user base, end-user expectation that your content be available anywhere/anytime, assets as a monetary source, rapid ingest of pockets of analog sources… including an end user perspective on real world examples. more »
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ASSIMILATE Announces Breakthrough 48 FPS Playback of RAW RED EPIC Stereo StreamsIn SCRATCH and SCRATCH Lab
ASSIMILATE, Inc today announced that SCRATCH® and SCRATCH Lab® version 6.1 have achieved never-before-seen performance levels in the playback of RED EPIC Stereo content. SCRATCH Lab now provides DITs, DPs and Directors with dailies playback and review of RAW Stereo EPIC streams, direct from the camera at a full 48 FPS. SCRATCH 6.1 finishing systems can achieve the same 48 FPS playback rate of EPIC Stereo content even after sophisticated color grades and VFX have been applied. more »
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Give Your Production A Lift With Stackable Apple BoxesDigital Juice Releases Industry-Standard Stacking Boxes in 4 Sizes for Film Set & Location Shoots
Digital Juice® announced today that it is expanding its DJ Gear line of products with the release of Apple Boxes. One of the most common pieces of equipment on a studio set, Apple Boxes are heavy-duty wooden boxes that are used for propping, mounting or leveling lights, furniture and gear as well as for seating or raising the height of talent and crew during production shoots. more »Visual Effects Society (VES) Announces Winners of 10th Annual VES AwardsRango, recognized with awards in four categories, is the night’s most honored project
The Visual Effects Society (VES) announced the winners of its 10th Annual VES Awards tonight at the Beverly Hilton Hotel in Beverly Hills, California. The annual event recognizes outstanding visual effects artistry in 23 categories of film, animation, television, commercials, special venues and video games. more »Advertisement BenQ Introduces Short-Throw Projectors with Interactive Projection TechnologyFor Classrooms, Versatile Projectors Offer Dual Pen Support, Ultra-Short-Throw Ratios, and a Variety of Display Options
BenQ America Corp. today introduced its new MW860USTi and MP780 ST+ interactive short-throw projectors with ultra-short-throw ratios of 0.37 and 0.49, respectively. Designed to provide teachers and students with the ultimate interactive experience in any classroom setting, the versatile teaching tools feature BenQ’s second-generation PointDraw™ interactive projection technology with dual pen support. more »Spy Opens Doors On New Creative Studio In Santa MonicaEmmy Award-winning Artist Scott Rader Joins Team
SPY, a FotoKem company offering creative finishing services for commercials and feature films, has opened a new studio in Santa Monica, Calif. SPY: LA extends the capabilities of its main facility in San Francisco, and will specialize in VFX based commercial productions. SPY: LA began work in December on a number of visually compelling spots for such clients as UPS, Asics, THQ/UFC, Hillshire Farm and Canon. The new West Coast locale is within FotoKem’s award-winning sound studio Margarita Mix. more »Anton/Bauer Provides Rock-Solid Dependability For “The Amazing Race” As It Treks Across The GlobeThe Amazing Race uses Anton/Bauer to ensure all cameras have enough power to capture every exciting moment the contestants encounter.
Since their first day of production back in 2001, crew members of the hit reality television series “The Amazing Race” have counted on Anton/Bauer® products to power them through even the toughest geographic and weather conditions. more »Full Compass Systems Appoints Jim Ripp as Assistant Sales ManagerBig News for the national leader in professional audio, video, lighting, A/V and musical instrument sales
Full Compass Systems, a national leader in professional audio, video, lighting, A/V and musical instrument sales, has selected Jim Ripp as its new Assistant Sales Manager. Ripp has a wide range of sales and management experience related to the music industry and will be a solid addition to the Full Compass Sales team. more »Exclusive 2012 Fletcher Camera Comparison Chart Now Available to PVC readersAn Easy Way to Compare Specifications for all the Major Brands
Thomas Fletcher has made the Fletcher Camera & Lenses 2012 Comparison chart available to PVC readers as a downloadable link. The Fletcher Camera 2012 Comparison Chart looks at 14 different cameras available on the market for various stated aspects and average daily rental rates. Canon, Phantom, Weisscam, Red, Alexa, and Sony all are included with various ranges and models. Download your quick reference today! more »Page 1 of 170 pages 1 2 3 > Last » Advertisement |
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2D Footage with a Stereo 3D Rig in After Effects CS5.5
Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5
Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.
How to get the “24p” look for your live-switched multicam shoot
A contracted article, sponsored by Datavideo Corporation.
Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.
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