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Complete Archives
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ASSIMILATE Announces Breakthrough 48 FPS Playback of RAW RED EPIC Stereo Streams
Give Your Production A Lift With Stackable Apple Boxes
Visual Effects Society (VES) Announces Winners of 10th Annual VES Awards
BenQ Introduces Short-Throw Projectors with Interactive Projection Technology
Spy Opens Doors On New Creative Studio In Santa Monica
Anton/Bauer Provides Rock-Solid Dependability For “The Amazing Race” As It Treks Across The Globe
Full Compass Systems Appoints Jim Ripp as Assistant Sales Manager
Exclusive 2012 Fletcher Camera Comparison Chart Now Available to PVC readers
Hasselblad Launches State-of-the-art Online Video Platform
Oscar-Nominated Jeff Cronenweth, ASC Set for Conversation at Createasphere’s ETE
Blackmagic Design Releases Support For Final Cut Pro X 10.0.3 Broadcast Monitoring
Livestream Integrates with NewTek TriCaster™
Westcott receives two Hot One Awards
Harrison Ford to be Feted by American Society of Cinematographers
JVC Unveils ProHD Portable Monitor Series
Audio-Technica Kicks Off “50 Years of Passionate Listening” Anniversary Celebration with Gala
Donny Osmond to Keynote NAB Show Luncheon
Eye Scream Factory Releases 74 DVE Transitions by Kevin P. McAuliffe
CoreCG Launches MentalCore, Breakthrough Solution for Optimizing the Maya and mental ray Workflow
An Immersive Keynote Announced for Createasphere’s Entertainment Technology Expo
Television Industry Leaders Bruce Rosenblum and Ben Silverman to Address 2012 NAB Show
Eyeheight Announces CC-3D Stereoscopic Colour Corrector
NewTek Unveils TriCaster™ Certified Operator Program
JVC Introduces ProHD Compact Studio

Tuesday, April 12, 2011

WAVES AUDIO MOURNS THE LOSS OF TAL HERZBERG

Dorian Gentry | 04/12- 07:30 PM

KNOXVILLE, TN, April 12, 2011 — Waves Audio mourns the passing of a longtime friend, producer/engineer and multi-talented musician Tal Herzberg. Tal is survived by his wife and two daughters.
Tal’s involvement with Waves goes back to its very beginnings, when he became the company’s first official U.S. West Coast user, forging a close association that continued and developed until his untimely passing. He was one of Waves’ first employees, and through his immense success as an engineer and producer, Waves proudly transitioned Tal to one of its most important Artists. Tal often credited his early experiences with Pro Tools and Waves as having contributed to his subsequent success in the highly competitive Los Angeles music industry.

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Tuesday, April 12, 2011

NewTek Integrates Apple® Mobile Device Support Into TriCaster™ 850 EXTREME™

Dorian Gentry | 04/12- 07:24 PM

iPad®, iPod®, iPhone®, Mac® and all AirPlay® Apps can serve as live video/audio sources for new HD portable live production system

LAS VEGAS – NAB Show – April 12, 2011 – NewTek

, worldwide leader in portable live production and 3D animation systems, today announced that the new TriCaster™ 850 EXTREME™ provides out-of-the-box, the ability to work directly with video and audio from any Apple® AirPlay®-enabled device and App. With instant wireless support for two simultaneous AirPlay sources, devices such as an iPad®, iPod®,  iPhone® and Mac® can serve as direct inputs to the TriCaster 850 EXTREME.

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Tuesday, April 12, 2011

New OWC Mercury Extreme Pro 6G SSD Pre-Release Performance Tested By Mac And PC Benchmarking Sites

Dorian Gentry | 04/12- 06:54 PM

Latest SATA Revision 3.0 6Gb/s SSD data rate performance surpassing 500MB/s to be pre-shipping confirmed by The SSD Review, MacPerformanceGuide, Barefeats, and TweakTown

image

April 12, 2011 Woodstock, IL—Other World Computing (OWC®) http://www.macsales.com, a leading zero emissions Mac® and PC technology company, today announced its soon to be shipping OWC Mercury Extreme Pro 6G SSD, the next generation of OWC SandForce® Driven™ SATA Revision 3.0 6Gb/s Solid State Drives, has been pre-release provided to four leading performance benchmarking websites: The SSD Review, MacPerformanceGuide, Barefeats, and Tweaktown. With sustained data rates over 500MB/s, the new OWC Mercury Extreme Pro 6G SSD allows users to unleash the true capabilities of their SATA 6G enabled Macs and PCs, while still delivering the award-winning performance and reliability the original Extreme Pro offers in SATA 1.5Gb/s and SATA 3.0Gb/s bus interface equipped machines.

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Monday, April 11, 2011

Blackmagic Design Announces DaVinci Resolve 8

PVC News Staff | 04/11- 09:51 PM

Blackmagic Design today announced DaVinci Resolve 8, a major new update to the world’s most advanced color correction tool. DaVinci Resolve 8 includes new extremely powerful features and will be available to all DaVinci Resolve users free of charge!

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Monday, April 11, 2011

Blackmagic Design Announces DaVinci Resolve Lite

PVC News Staff | 04/11- 09:36 PM

Blackmagic Design today announced DaVinci Resolve Lite, a new reduced feature version of DaVinci Resolve that includes many powerful color correction features in a downloadable software package available free of charge.

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Monday, April 11, 2011

Blackmagic Design Announces UltraStudio 3D with Thunderbolt™ Technology

PVC News Staff | 04/11- 09:35 PM

Blackmagic Design today announced UltraStudio 3D, a compact and portable capture and playback device based on the all-new Thunderbolt™ technology developed by Intel® and brought to market with collaboration from Apple®. UltraStudio 3D features full resolution dual stream 3D support, 12 bit hardware architecture, dual link 3 Gb/s SDI, support for up to 1080p60 in SDI and component analog and HDMI 1.4a connections, as well as full SD, HD and 2K support, for only US$995.

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Monday, April 11, 2011

Blackmagic Design Announces DeckLink 4K

PVC News Staff | 04/11- 09:34 PM

Blackmagic Design today announced DeckLink 4K, a new 3 Gb/s Quad Link SDI capture card that supports SD, HD, 3 Gb/s HD, 2K and 4K capture and playback using a single PCI Express slot for only $595.

more »


Monday, April 11, 2011

Blackmagic Design Announces UltraStudio SDI

PVC News Staff | 04/11- 09:33 PM

Blackmagic Design today announced UltraStudio SDI, the world’s smallest and most affordable SDI capture and playback solution with HDMI monitoring for USB 3.0 computers for only $395.

more »


Monday, April 11, 2011

Blackmagic Design Announces New ATEM Production Switchers Model Lineup

PVC News Staff | 04/11- 09:31 PM

Blackmagic Design today announced a new range of ATEM Production Switchers, with new powerful features, smaller size, lower cost and the ability for users to customize their solution for their needs and budget. ATEM Production Switchers now start from a low $2,495.

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2D Footage with a Stereo 3D Rig in After Effects CS5.5

Jeff Foster | 02/10- 06:09 PM

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.

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How to get the “24p” look for your live-switched multicam shoot

Allan Tépper | 02/10- 04:23 PM

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Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.

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