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Register for A Free Digital Asset Management WebcastASSIMILATE Announces Breakthrough 48 FPS Playback of RAW RED EPIC Stereo StreamsGive Your Production A Lift With Stackable Apple BoxesVisual Effects Society (VES) Announces Winners of 10th Annual VES AwardsBenQ Introduces Short-Throw Projectors with Interactive Projection TechnologySpy Opens Doors On New Creative Studio In Santa MonicaAnton/Bauer Provides Rock-Solid Dependability For “The Amazing Race” As It Treks Across The GlobeFull Compass Systems Appoints Jim Ripp as Assistant Sales ManagerExclusive 2012 Fletcher Camera Comparison Chart Now Available to PVC readersHasselblad Launches State-of-the-art Online Video PlatformOscar-Nominated Jeff Cronenweth, ASC Set for Conversation at Createasphere’s ETEBlackmagic Design Releases Support For Final Cut Pro X 10.0.3 Broadcast MonitoringLivestream Integrates with NewTek TriCaster™Westcott receives two Hot One AwardsHarrison Ford to be Feted by American Society of CinematographersJVC Unveils ProHD Portable Monitor SeriesAudio-Technica Kicks Off “50 Years of Passionate Listening” Anniversary Celebration with GalaDonny Osmond to Keynote NAB Show LuncheonEye Scream Factory Releases 74 DVE Transitions by Kevin P. McAuliffeCoreCG Launches MentalCore, Breakthrough Solution for Optimizing the Maya and mental ray WorkflowAn Immersive Keynote Announced for Createasphere’s Entertainment Technology ExpoTelevision Industry Leaders Bruce Rosenblum and Ben Silverman to Address 2012 NAB ShowEyeheight Announces CC-3D Stereoscopic Colour CorrectorNewTek Unveils TriCaster™ Certified Operator ProgramJVC Introduces ProHD Compact Studio |
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Blackmagic Design Announces New ATEM Production Switchers Model LineupBlackmagic Design today announced a new range of ATEM Production Switchers, with new powerful features, smaller size, lower cost and the ability for users to customize their solution for their needs and budget. ATEM Production Switchers now start from a low $2,495. more »Blackmagic Design Announces ATEM Television StudioBlackmagic Design today announced ATEM Television Studio, a new live production switcher that combines a professional switcher with a broadcast quality H.264 encoder so customers can perform live multi-camera production and broadcast encoding for the Internet all in one product for only $995. more »Blackmagic Design Announces ATEM Camera ConverterBlackmagic Design today announced ATEM Camera Converter, a new type of converter that allows consumer HDMI cameras or professional SDI cameras to use optical fiber for low cost connection to live production switchers up to 25 miles away. ATEM Camera Converter lets customers get more cameras closer to the live action at much lower cost. ATEM Camera Converter also includes talkback, external microphone input, program return feed, on-air tally and a built in battery power source for only $595. more »Blackmagic Design Announces Media Express 3Blackmagic Design today announced Media Express 3, an exciting new update for advanced capture and playback using Blackmagic Design DeckLink, Multibridge, Intensity and UltraStudio Pro products that supports Windows 7, Mac OSX and Linux platforms. more »Advertisement ONY CREATIVE SOFTWARE ANNOUNCES Z DEPTH™ 2.0 UPGRADENew Stereoscopic 3D Production Application Features Increased Accuracy and Enhanced Visual Queues for Subtitle Placement in 3D Productions LAS VEGAS - April 11, 2011 [NAB Show - Booth #C11001] - Sony Creative Software, a leading provider of professional video and audio editing applications, today announced a new upgrade to Z Depth™. Z Depth 2.0, which will be released in May 2011, will be demonstrated in the Sony booth during the NAB Show®. A significant upgrade to the Blu-ray 3D subtitling application, Z Depth 2.0 enhances the ability for 3D authoring companies to easily create required disparity metadata files for positioning of subtitles and interactive graphic menus in 3D Blu-ray Disc™ production.
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EDITSHARE REVS ITS WORKLOW FROM ASSET MANAGEMENT TO ARCHIVE – WHAT TO SEE ON THE EDITSHARE BOOTHEditShare Flow (production asset management), Energy & XStream (shared storage), Geevs (broadcast ingest/playout), and Ark (archiving) arrive to the big show with big new features Boston, MA—April 11, 2011—EditShare®, the technology leader in cross-platform collaborative editing and shared media storage systems, is showcasing its newly enhanced versatile media production workflow applications and tiered storage line up at the NAB 2011 exhibition. EditShare offers an exceptional collection of purpose-built solutions that power a wide range of production workflows including Reality TV, Episodics, News Production, Live Events, Sports, Feature Films, News Production and more. The new capabilities promote system interoperability and metadata management across the company’s line of ingest, asset management, shared storage, playout, and archive product lines. “This year, EditShare is showcasing a robust tiered storage environment with a cost-effective top-notch asset management layer that supports virtually every format and almost every workflow,” said Andy Liebman, founder and CEO of EditShare. “The EditShare value lies in both performance and versatility. Our collaborative solutions seamlessly integrate, facilitating end-to-end tapeless workflows for just about any production while still providing purpose built solutions that on their own offer tremendous performance and interoperability for mixed vendor technology environments.” more »Filmmakers Rush to Adopt Colorfront’s On-Set Dailies SystemLAS VEGAS, NAB Booth C8615 — April 10, 2011 — Colorfront’s On-Set Dailies, the innovative digital dailies system launched in September 2010, has already gained widespread acceptance by digital filmmakers around the world. Since its introduction at IBC2010, On-Set Dailies has been chosen by major labs, studios, and post-production facilities in Europe and North America for its comprehensive toolkit and best-in-class rendering performance. Facilities adopting On-Set Dailies include EFILM / Deluxe, Company 3, Laser Pacific, PostWorks NY, Creative Science, Bling Digital, Sixteen19, CinePostproduction and ARRI Film & TV (Germany), and Mikros Image (France). more »Digital Rapids Unveils Quartet of New Products and Upgrades for Live Multi-Screen Encoding and StreaApril 10, 2011—NAB Show, Las Vegas, Booth SL6010: Digital Rapids has unveiled a wide array of new products and enhancements in the company’s comprehensive range of encoders for live multi-screen delivery. The new offerings include the launch of the StreamZ Live IP encoder for repurposing live IP-based inputs; significant performance increases in the StreamZHD Live ABR adaptive streaming encoder; new remote management capabilities for the TouchStream live streaming appliance; and a preview of a new hybrid encoder, extending Digital Rapids’ proven, multi-screen encoding benefits into ‘traditional’ television applications in the broadcast, cable, satellite and telco markets. more »Weigel Broadcasting Standardizes on Thomson Video Networks for Me-TV AffiliatesRENNES, France — April 10, 2011 — Thomson Video Networks today announced that Weigel Broadcasting Co. has standardized on a channel delivery system from Thomson for its new Me-TV (Memorable Entertainment Television), the new digital classic television network. Affiliates of Me-TV will utilize a complete solution based on Thomson’s Sapphire broadcast server and ViBE EM2000 encoder. Me-TV’s library includes series from Twentieth Century Fox Television Distribution and CBS Television Distribution, as well as independent series owners and producers. Me-TV’s programs are some of the best television programs ever produced, including “M*A*S*H,” “Perry Mason,” “The Mary Tyler Moore Show,” “The Dick Van Dyke Show,” “The Bob Newhart Show,” and the original “Star Trek” and “Hawaii Five-O” series, in addition to 60 other programs. A sister network to Metro Goldwyn Mayer Studio Inc. (MGM) and Weigel Broadcasting’s successful This TV, which launched in 2008, Me-TV is designed to air on the digital subchannels of local stations, and is expanding nationally after becoming a familiar part of the Chicago broadcast scene. more »Page 28 of 170 pages « First < 26 27 28 29 30 > Last » Advertisement |
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How to get the “24p” look for your live-switched multicam shoot
A contracted article, sponsored by Datavideo Corporation.
Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.
Gear In 60 Seconds – Nauticam NA-60D
Getting watery trick shots with this DSLR housing
Here’s another FreshDV Gear in 60 Seconds video, on the Nauticam NA-60D housing for Canon 60D DSLR stills & video. In this case, we used the housing to get some wild trick shots for a short narrative film. Watch me jump off a waterfall in the video below…
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