February 2012
January 2012
December 2011
November 2011
October 2011
September 2011
August 2011
May 2011
April 2011
March 2011
February 2011
January 2011
December 2010
November 2010
October 2010
September 2010
August 2010
July 2010
June 2010
May 2010
April 2010
March 2010
February 2010
January 2010
December 2009
November 2009
October 2009
September 2009
August 2009
July 2009
June 2009
May 2009
April 2009
March 2009
February 2009
January 2009
December 2008
November 2008
October 2008
September 2008
August 2008
July 2008
June 2008
May 2008
April 2008
March 2008
February 2008
January 2008
December 2007

Complete Archives
Register for A Free Digital Asset Management Webcast
ASSIMILATE Announces Breakthrough 48 FPS Playback of RAW RED EPIC Stereo Streams
Give Your Production A Lift With Stackable Apple Boxes
Visual Effects Society (VES) Announces Winners of 10th Annual VES Awards
BenQ Introduces Short-Throw Projectors with Interactive Projection Technology
Spy Opens Doors On New Creative Studio In Santa Monica
Anton/Bauer Provides Rock-Solid Dependability For “The Amazing Race” As It Treks Across The Globe
Full Compass Systems Appoints Jim Ripp as Assistant Sales Manager
Exclusive 2012 Fletcher Camera Comparison Chart Now Available to PVC readers
Hasselblad Launches State-of-the-art Online Video Platform
Oscar-Nominated Jeff Cronenweth, ASC Set for Conversation at Createasphere’s ETE
Blackmagic Design Releases Support For Final Cut Pro X 10.0.3 Broadcast Monitoring
Livestream Integrates with NewTek TriCaster™
Westcott receives two Hot One Awards
Harrison Ford to be Feted by American Society of Cinematographers
JVC Unveils ProHD Portable Monitor Series
Audio-Technica Kicks Off “50 Years of Passionate Listening” Anniversary Celebration with Gala
Donny Osmond to Keynote NAB Show Luncheon
Eye Scream Factory Releases 74 DVE Transitions by Kevin P. McAuliffe
CoreCG Launches MentalCore, Breakthrough Solution for Optimizing the Maya and mental ray Workflow
An Immersive Keynote Announced for Createasphere’s Entertainment Technology Expo
Television Industry Leaders Bruce Rosenblum and Ben Silverman to Address 2012 NAB Show
Eyeheight Announces CC-3D Stereoscopic Colour Corrector
NewTek Unveils TriCaster™ Certified Operator Program
JVC Introduces ProHD Compact Studio

Thursday, April 07, 2011

AURALEX MAKES ITS DEBUT AT THE 2011 NAB SHOW WITH FULL LINE OF ACOUSTICAL PRODUCTS

Dorian Gentry | 04/07- 03:05 PM

Company will Showcase a Range of Products including its Studiofoam®, Studiofoam®Pro and ProPanel™ Lines

Auralex® Acoustics, Inc., the industry leader in innovative sound control solutions, is making its debut into the broadcast market at the 2011 NAB Show (Booth SL8810) with a full line of acoustical products catered to a range of broadcast spaces such as production facilities, control rooms and voiceover booths.  Auralex will showcase its best-selling lines of Studiofoam®, Studiofoam®Pro and ProPanel™ product lines, which were previously marketed to the pro audio and music industry markets.

more »


Thursday, April 07, 2011

DASHWOOD CINEMA SOLUTIONS UNVEILS BREAKTHROUGH 3D PRODUCTION SYSTEM: STEREO3D CAT

Dorian Gentry | 04/07- 11:52 AM

Built for stereographers by stereographers, Stereo3D CAT™ provides live depth analysis and disparity/alignment feedback for lightning-fast 3D camera rig calibration.

Toronto, Canada – April 7, 2011 – Dashwood Cinema Solutions, developer of stereoscopic software, is pleased to announce a quantum leap in its line of cutting-edge Mac®-based stereoscopic 3D products — Stereo3D CAT™.  Stereo3D CAT™ is an unrivaled on-location calibration and analysis system that removes all of the complexities associated with stereoscopic 3D camera calibration in production. Unlike most 3D products on the market, stereographers with years of stereoscopic 3D production experience provided input to help build Stereo3D CAT™, resulting in the most accurate visual aide for stereoscopic calculations and calibrations in the industry. Stereo3D CAT™ is equipped with unique features, including an Alignment Tracker, a Stereo3D Visualizer™, and a Parallax Inspector™ to calculate the correct camera alignment points, illustrate the depth of the 3D scene and avoid divergence in record-breaking time.

more »


Wednesday, April 06, 2011

Industrial Light & Magic’s Rango Rides Into the Wild West With Help From NVIDIA Quadro

Dorian Gentry | 04/06- 12:05 PM

Professional GPUs Slice Render Times Substantially and Help Bring a Cast of 120 Computer-Generated Desert Creatures to Life

image

SANTA CLARA, Calif. — April 6, 2011 — In Rango, the new Paramount Pictures and Nickelodeon animated film directed by Gore Verbinski, visual effects facility Industrial Light & Magic (ILM) was able to overcome production demands and timeline challenges with the help of NVIDIA® Quadro® professional graphics solutions.


Approximately 450 ILM artists located in San Francisco and Singapore worked on Rango, each on a workstation equipped with NVIDIA Quadro solutions. The artists benefited from the speed of the graphics processing unit (GPU) when using animation tools such as Autodesk Maya, along with a range of ILM’s in-house applications.

more »


Wednesday, April 06, 2011

Thinkbox Software Releases Frost

Dorian Gentry | 04/06- 11:59 AM

Blazingly fast particle mesher to debut at the NAB show

Winnipeg, Manitoba, Canada (April 6, 2011)—Thinkbox Software, developers of Deadline and Krakatoa, announces the release of Frost, a fast and flexible particle mesher that allows artists to convert point clouds to geometry several times faster than other leading industry standard tools. Frost will be unveiled at the National Association of Broadcasters Conference (NAB) April 11-14 in Las Vegas, NV. To book a Frost training session or demo at NAB, visit http://www.thinkboxsoftware.com/sales .

more »



Advertisement


Wednesday, April 06, 2011

FINAL CUT USERS GET BUNDLED WITH AV3 SOFTWARE’S NEW PRODUCTION POWER PACKS

Dorian Gentry | 04/06- 11:52 AM

Production Power Packs designed to maximize workflows at minimum cost; first power pack couples Get with Boris AAF Transfer for editors working with both Final Cut Pro and Media Composer

Boston, MA – April 6, 2011 – AV3 Software, developer and distributor of unique and innovative workflow tools for digital media, is pleased to introduce to the creative community its brand new Production Power Packs: bundled software designed to maximize workflow and production quality at minimum cost. To kick-start the Production Power Pack initiative, AV3 Software partnered with Boris FX, the leading developer of integrated graphics and effects technology for the broadcast, post-production, film, and multimedia markets. This first specially priced package bundles AV3 Software’s Get dialog search application powered by Nexidia with Boris AAF Transfer for a unique search-and-transfer combination for any editing environment within Apple® Final Cut Pro® and Avid® Media Composer®.

more »


Tuesday, April 05, 2011

OConnor New Head and Accessories at NAB Booth C6030

Dorian Gentry | 04/05- 03:40 PM

image

OConnor, a Vitec Group brand, maker of leading camera support equipment and lens accessories for cinematography, announces at NAB 2011 the introduction of a new fluid head as well as additions to the company’s accessory lineup.

more »


Tuesday, April 05, 2011

IRIDA News for NAB

Dorian Gentry | 04/05- 03:33 PM

IRIDAS Bolsters Playback, Conform, Review and Stereo 3D Production Systems; Launches FrameCycler DDS 2011 and
SpeedGrade NX at NAB 2011

Munich, DE (April 6, 2011)—IRIDAS (http://www.iridas.com) announced today it will launch significant enhancements to its family of playback, conform and review systems, as well, will unveil an entirely new stereo 3D production solution built on its award winning DualStream technology, next week at NAB 2011 in Las Vegas.

more »


Tuesday, April 05, 2011

PHYX Keyer 2.0 Raises the Bar on Keying

Dorian Gentry | 04/05- 10:37 AM

FXFACTORY POWERED PHYX KEYER 2.0 RAISES THE BAR ON KEYING IN FINAL CUT PRO, MOTION AND AFTER EFFECTS

Noise Industries and PHYX Inc. amp up popular keying plug-in pack with three new keying plug-ins for increased keying accuracy, speed and control

Boston, MA – April 5, 2011 – Noise Industries, developer of visual effects tools for the post-production and broadcast markets, and development partner PHYX Inc. are pleased to bring the VFX community PHYX Keyer 2.0 for the FxFactory® platform. PHYX Keyer 2.0 is an amplified collection of keying plug-ins designed to work inside Adobe® After Effects®, Apple® Final Cut Pro®, Apple Motion® and Apple Final Cut® Express applications. PHYX Keyer 2.0 is GPU-accelerated for speed increases of up to 300% and introduces three new professional-quality plug-ins to the existing pack; Composite Matcher, FastKeyer, and MatteFuse. Version 2.0 contains highly optimized, award-winning tools to create seamless and realistic composites, repair uneven green/blue screens, create and manipulate mattes, neutralize green/blue spill, and match background color and edge lighting.

more »

Apple
Final Cut Pro
Editing
GentryMedia Sister Sites
ProVideo Coalition
NAB 2011 • (1) Comments • Most recent comments by: Charles Angus, • Permalink


Tuesday, April 05, 2011

ARRI and Codex Digital release OEM ARRIRAW Recorder

Dorian Gentry | 04/05- 10:22 AM

(London, 31 March 2011) – Codex Digital, the leading developer of digital media recorders and media management systems for film and television production, today
announces that it has reached an agreement with ARRI to manufacture a Codex ARRIRAW recorder for use with ARRI’s popular ALEXA and ARRIFLEX D-21 film-style digital cameras. The new recorder will be marketed both directly and through ARRI’s worldwide reseller network. ARRI and its resellers will also be selling Codex camera mounts, datapacks and transfer stations.

more »


Page 31 of 170 pages « First  <  29 30 31 32 33 >  Last »


Advertisement



2D Footage with a Stereo 3D Rig in After Effects CS5.5
Jeff Foster

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

How to get the “24p” look for your live-switched multicam shoot
Allan Tépper

A contracted article, sponsored by Datavideo Corporation.

Gear In 60 Seconds – Nauticam NA-60D
Matt Jeppsen

Getting watery trick shots with this DSLR housing

Any Way You Want It
Mark Spencer

Setting Up a Rig in Motion 5 on MacBreak Studio

Editing with Final Cut Pro X
Mark Spencer

7 Professional Editors Share Their FCP X Experiences

Another week in After Effects
Rich Young

A news roundup

Redrock Micro’s ultraCage for the C300
Clint Milby

New Cage Fits New Camera Like A Glove

Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
Scott Simmons

If you haven’t heard they have moved from FCP7 to Media Composer

Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update
Scott Simmons

The ease of setup and managing multicam clips makes this the best FCPX update yet

25 Camera Angles in 25 Minutes
Mark Spencer

Multicamera Editing in Final Cut Pro X

Expression Shorts - Numerical Readout
David Torno

Create numerical readouts for use in HUD style graphics.

If You Make Your Living In Post, Don’t Miss The HPA Tech Retreat
Terence Curren

The best event for keeping up to speed in the post production world.







2D Footage with a Stereo 3D Rig in After Effects CS5.5

Jeff Foster | 02/10- 06:09 PM

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.

image

How to get the “24p” look for your live-switched multicam shoot

Allan Tépper | 02/10- 04:23 PM

A contracted article, sponsored by Datavideo Corporation.

Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2011, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank