|
crowd sourcing the experts | ||||||||
 |
||||||||
| |
||||||||
|
||||||||
|
||||||||
February 2012January 2012December 2011November 2011October 2011September 2011August 2011May 2011April 2011March 2011February 2011January 2011December 2010November 2010October 2010September 2010August 2010July 2010June 2010May 2010April 2010March 2010February 2010January 2010December 2009November 2009October 2009September 2009August 2009July 2009June 2009May 2009April 2009March 2009February 2009January 2009December 2008November 2008October 2008September 2008August 2008July 2008June 2008May 2008April 2008March 2008February 2008January 2008December 2007Complete Archives
Register for A Free Digital Asset Management WebcastASSIMILATE Announces Breakthrough 48 FPS Playback of RAW RED EPIC Stereo StreamsGive Your Production A Lift With Stackable Apple BoxesVisual Effects Society (VES) Announces Winners of 10th Annual VES AwardsBenQ Introduces Short-Throw Projectors with Interactive Projection TechnologySpy Opens Doors On New Creative Studio In Santa MonicaAnton/Bauer Provides Rock-Solid Dependability For “The Amazing Race” As It Treks Across The GlobeFull Compass Systems Appoints Jim Ripp as Assistant Sales ManagerExclusive 2012 Fletcher Camera Comparison Chart Now Available to PVC readersHasselblad Launches State-of-the-art Online Video PlatformOscar-Nominated Jeff Cronenweth, ASC Set for Conversation at Createasphere’s ETEBlackmagic Design Releases Support For Final Cut Pro X 10.0.3 Broadcast MonitoringLivestream Integrates with NewTek TriCaster™Westcott receives two Hot One AwardsHarrison Ford to be Feted by American Society of CinematographersJVC Unveils ProHD Portable Monitor SeriesAudio-Technica Kicks Off “50 Years of Passionate Listening” Anniversary Celebration with GalaDonny Osmond to Keynote NAB Show LuncheonEye Scream Factory Releases 74 DVE Transitions by Kevin P. McAuliffeCoreCG Launches MentalCore, Breakthrough Solution for Optimizing the Maya and mental ray WorkflowAn Immersive Keynote Announced for Createasphere’s Entertainment Technology ExpoTelevision Industry Leaders Bruce Rosenblum and Ben Silverman to Address 2012 NAB ShowEyeheight Announces CC-3D Stereoscopic Colour CorrectorNewTek Unveils TriCaster™ Certified Operator ProgramJVC Introduces ProHD Compact Studio |
|
Quasar Is Shown Throughout NAB Exhibition Hall
In the six months since Element Technica unveiled its Technica 3D Quasar rig at the IBC convention in Amsterdam, the Quasar has quickly found its home in feature film, sports and entertainment venue productions. At the 2010 NAB Convention, the Quasar rig will be seen in technology demonstrations at vendor booths throughout the exhibition halls. more »Offhollywood Brings Unique Vision III 3D Lens Technology to Production MarketVisually Compelling New Imaging Technology Enhances Depth, Shape, Texture, and Realism in 3D Production, Enriches Video for 2D Viewing Leading digital cinema company Offhollywood today announced that, in association with Element Technica 3D and Thales Angenieux, it is providing producers and cinematographers with cutting-edge Vision III Imaging 3D lens technology. The integrated solution unites Element Technica’s 3D rigs for capture of stereoscopic 3D images, Vision III’s patented Digital Parallax Scanning (DPS®) technology, and Thales Angenieux’s high-quality cinema and television lenses to yield an unmatched 3D viewing experience. more »Digital Rapids’ New Flux HD Hardware Combines Acclaimed Video Processing Quality with 3G-SDI SupportNew PCI Express capture and pre-processing cards enable superior compression quality and seamless path to next-generation distribution Digital Rapids—the leading provider of tools and solutions for bringing television, film and Web content to wider audiences—is debuting the new Flux HD video capture and pre-processing hardware, the first cards optimized for encoding and streaming to feature dual-link and 3G-SDI input support. more »Band Pro Introduces PL Mount Prime Lenses From Leica
After much anticipation, Band Pro is proud to introduce Leica Summilux-C™ lenses – a groundbreaking new line of PL mount primes designed to deliver ultra-high optical performance for film and digital capture. more »Advertisement Omneon Media Servers Now Support XDCAM(R) HD Recording Compliant With RDD9 MXF SpecificationOmneon Inc. today announced that the Omneon Spectrum(TM) media server and MediaDeck(TM) server system now support XDCAM(R) HD recording compliant with RDD9 MXF interoperability specification. This enhancement to the Omneon media servers’ interoperability not only allows RDD9-wrapped content to be recorded directly to either server system, it also enables content from the Spectrum or MediaDeck server system to be dropped as files into a Sony MPEG Long GOP device—camera, deck, or editor—for immediate use or placement on removable storage. more »GENARTS EXPANDS ITS COMMITMENT TO AUTODESK SYSTEMS, ANNOUNCES SAPPHIRE FOR AUTODESK SMOKE ON MACHighly Anticipated Release Delivers Same Functionality as Linux Version at Significantly Lower Cost GenArts Inc., the premier provider of specialized visual effects software for the film, television and video industries, announced today that it will port its industry-standard Sapphire plug-ins to Autodesk Smoke on Mac. Based on Sapphire 5, GenArts Sapphire™ for Smoke on Mac offers the same great functionality as on the original Smoke platform, with all the cost advantages of Smoke on Mac. The new release will be available by the end of Q2 2010. more »GENARTS ANNOUNCES THE AVAILABILITY OF SAPPHIRE 5 FOR AFTER EFFECTSCS5-Compatible Version for After Effects Offers Unmatched Performance and Creativity, While Lowering Infrastructure Costs GenArts, Inc., the premier provider of specialized visual effects software for the film, television and video industries, unveiled today GenArts Sapphire™ 5 for Adobe After Effects. Available in June 2010, Sapphire 5 has been completely re-written to support GPU acceleration and floating point, providing far faster render speeds, far greater interactivity and the highest image quality available. more »GENARTS UNVEILS MONSTERS GT FOR ADOBE AFTER EFFECTS USERSUnique Suite of Effects Combines One-of-a-Kind Creativity With Dramatic Advances in Control
GenArts Inc., the premier provider of specialized visual effects software for the film, television and video industries, announced today GenArts Monsters GT™ for Adobe After Effects users. Designed to complement GenArts Sapphire’s industry-standard everyday tools, Monsters GT offers its one-of-a-kind effects to After Effects users. Adobe CS5-compatible, Monsters GT features a revamped user interface to provide excellent control, and full GPU and floating point support to maximize image quality and cost benefits. more »ALEXA Steps Out at NAB: Advanced Camera System Offers Highest Dynamic Range and ProRes Capture
After much anticipation, ARRI is pleased to unveil ALEXA—the first model in a new generation of digital cameras for feature, television, commercial, documentary, music video production and more. Compact, ergonomic and lightweight on one hand, robust with ARRI’s legendary reliability on the other, ALEXA’s new Super 35 format sensor delivers amazing images with a base sensitivity of EI 800, low noise and an unsurpassed dynamic range of 13.5 stops. ARRI Imaging Technology (AIT) captures organic, film-like images unlike any digital camera, with natural color rendition and pleasing skin tones. more »Page 65 of 170 pages « First < 63 64 65 66 67 > Last » Advertisement |
|
|
||||
|
|
|||||||
2D Footage with a Stereo 3D Rig in After Effects CS5.5
Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5
Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.
How to get the “24p” look for your live-switched multicam shoot
A contracted article, sponsored by Datavideo Corporation.
Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.
To be considered for listing, contact pr (at) provideocoalition (dot) com
Copyright © 2011, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere
All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.