Monday, September 15, 2008

Mammoth HD releases RED Reel#3

Randy Boyes | 09/15- 11:21 AM

The Mammoth HD RED Footage Libraries presents the newest in our RED Show/Demo Reels.

http://www.mammothhd.com/MHD_DemoReels.html

Featuring new additions to the Mammoth HD RED Libraries. Shot on RED in 4K and 3k/2K SloMotion the new material featured - lifestyle, sports, world locations, scenics, wildlife, time-lapse and Underwater/Ocean Life.

From Locations around the world and right next door..... breathtaking landscapes and action......

Mammoth HD RED Libraries - Delivered as HD1080, HD720, 2K and 4K.... and Vertical HD.

The Mammoth HD Library now feature over 630 Collections and over 350 hours of SingleClip Material - including RED 4K/3K/2K for Broadcast, Marketing/Advertising, Film and Vertical HD for Digital Signage and Display.

For more information on the collections and the Mammoth HD Hi Definition Footage Library, and to see the previews of all the Mammoth HD collections and clips, please visit the Mammoth HD website at http://www.mammothhd.com .

RED® is a trademark of RED Digital Cinema

//// Editors: Print Resolution Images are available - Contact MHD. \\\\

Mammoth HD’s Production Partners include: G-Technology (http://www.g-technology.com ), Promise Technology (http://www.promise.com), Cal Digit (http://www.caldigit.com). AJA (http://www.aja.com), Quantum (http://www.quantum.com ), Bogen Imaging Group (http://www.bogenimaging.us) and NuVision (http://www.nuvision.com)

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Monday, September 15, 2008

Adobe previews next generation of post production software

Randy Boyes | 09/15- 11:03 AM

SAN JOSE, Calif. and AMSTERDAM, Netherlands — Sept. 10, 2008 — At IBC2008 Adobe Systems Incorporated (Nasdaq:ADBE) is showcasing advanced video and new media technologies that are enabling broadcasters and media professionals to create, deliver, and monetize dynamic media across disparate platforms and devices. Highlights of the show include previews of the next version of Adobe® Creative Suite® Production Premium and Adobe Flash® Media Server software, as well as the introduction of Adobe Flash Media Encoding Server software (see separate press release), a fast, scalable solution for converting multiple video file formats for delivery via Adobe Flash software, which has established itself as the premier instant-on video solution for media companies around the world.

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Friday, September 12, 2008

Sony Vegas is now 64-bit capable

Matt Jeppsen | 09/12- 07:40 AM

Excerpt from this PR Newswire article via Randall Bennett.

“Sony Creative Software, a leading provider of professional video and audio editing applications, today announced the availability of Vegas Pro 8.0c and Vegas Pro 8.1 non-linear editing (NLE) software application updates. Vegas Pro 8.0c makes the transition from other NLE systems to Vegas Pro easier by enabling the user to customize the trimmer window to operate in an enhanced source/preview mode and provides additional support for new video cameras popular with broadcast users, as well as the new PDW-1500 XDCAM deck. As the first 64-bit editing application offered by a leading software developer, Vegas Pro 8.1 provides users increased editing power and flexibility to work with complex memory-hungry 3D projects and high-definition (HD) content.”

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Tuesday, September 09, 2008

Imagineer contest winner takes home $10K worth of software

Matt Jeppsen | 09/09- 08:28 AM

GUILDFORD, UK (September 9, 2008) Imagineer Systems (http://www.imagineersystems.com), creators of next-generation VFX tools, today announced the winner of its 2008 Video Tutorial Development Contest:  Ben Heusner of Curious Turtle (http://www.curiousturtle.com).  The Company also announced the 2nd Place Winner of its contest, Elad Menashe, a software engineer and freelance VFX artist.

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Thursday, September 04, 2008

Digital Rapids releases Broadcast Manager 1.3

Randy Boyes | 09/04- 09:16 AM

The tools and reliability of broadcast to Internet TV and IPTV

September 3, 2008—Markham, Ontario: Digital Rapids—a leading developer of solutions for bringing television, video and movie content to the latest generation of viewing devices—has released a powerful new version of the Digital Rapids Broadcast Manager enterprise-class live encoder management software.

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Thursday, September 04, 2008

Genarts releases Sapphire plug-ins for OFX products

Randy Boyes | 09/04- 09:06 AM

Supports leading post-production platforms including The Foundry’s Nuke, Autodesk Toxik, Eyeon Fusion and others

Cambridge, MA. September 3, 2008—GenArts, Inc., a leading provider of visual effects plug-ins for the film, broadcast and video industries, today announced the immediate availability of Sapphire Plug-ins for OFX products. A collaborative effort by visual effects developers, OFX is an open standard for plug-ins, enabling developers to support a broad range of platforms with a common interface. Sapphire Plug-ins for OFX makes its full range of features and functionality, including more than 200 Sapphire effects, available to users of a growing list of popular post-production platforms from industry leaders including Autodesk, The Foundry, Eyeon, FilmLight, Digital Vision and Assimilate. Demonstrations of the new release will be given at IBC 2008 on GenArts stand 7.K41.

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Thursday, September 04, 2008

Vision Effects releases Video Gogh 3

Randy Boyes | 09/04- 08:55 AM

Video Gogh turns your videos into moving paintings, using RE:Vision Effects optical flow technology to move brush strokes without stuttering artifacts. Video Gogh 3 opens up other possibilities in motion graphic design by introducing the option for users to define their own brushes, which may be animated. Version 3 adds a substantial amount of new visual effects opportunities that many have requested over the years.

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Thursday, September 04, 2008

now TV’s sports studio boosts performance with latest robotics technology from Vinten Radamec®

Randy Boyes | 09/04- 08:49 AM

Vinten Radamec announces now TV has chosen Vinten Radamec’s latest robotics technology for its sports studio as part of the company’s ongoing technology enhancement strategy.

As the world’s largest and most successful commercial deployment of IPTV technology, now TV, faced the need to deliver high-quality studio productions while holding the line on the expense of manning individual cameras in their studio.

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