Art Adams

A native of Northern California, Art Adams has been in the film industry for 22 years--including the last 17 as a director of photography. After spending ten years in Hollywood, Art is now based in the San Francisco Bay Area. He has been published in HD Video Pro, American Cinematographer, Camera Operator Magazine, Film/Tape World and CineSource.

Art is a member of the International Cinematographers Guild (IATSE 600), the Society of Camera Operators (SOC), and is a trustee of the National Writers Union (UAW 1981).

His web site is at www.artadams.net.

IR Cheat Sheet, Updated to Version 2
Arri Alexa and Far Red: A Problem That’s Already Been Solved
RED MX IR Tests: The New Sensor is Similar to the Old Sensor
Step into the Matrix: What I Learned from Examining RED’s Build 30 Color Science
Lighting Against The Wind: The Making of a Mime Music Video
A Cine Gear Find: TechScout Touch
GearNex: The Next Generation of Gear Head
VFX Tell the Story in California State Fair Spots
Everyone Looks Sexy at 1000fps
The Tiger Lillies Finally Set Sail
Random Tips from a Professional Camera Operator
Two New Sharp-Looking Charts from DSC Labs
The Making of an Epic Media Project
Low-Budget PSA’s, Shot on RED, Prove that Budget is Not a Barrier to Excellence
A Tale of Forbidden Love, Shot on RED
Anatomy of a Spot: Commonwealth Club
World’s Only “Death Oompah” Band Gets Virtual Reality Music Video
So You Want to Work with Cameras
ADHD Guide to Flash Video for the Web
Rough Guide to Flicker-Free HD Shooting
What You Need to Know about Green, Blue and RED
RED Color Comparison
Tiffen Goes Into Production on T1 Far Red Filter
The Vertical Bar Graph Raw Exposure Meter
RED’s Blue Noise: Where It Went, and Other Color Anomalies You Should Know About
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Complete Archives

Wednesday, July 28, 2010

IR Cheat Sheet, Updated to Version 2

Get the right filter for the right camera!

At long last, an update to my fabled IR Filter Cheat Sheet. Not every camera responds the same way to IR; make sure you have the right filter for the right job.

more »

Cameras
Production
Tips • (0) Comments • • Permalink


Wednesday, July 28, 2010

Arri Alexa and Far Red: A Problem That’s Already Been Solved

Most cameras have issues with far red or infrared. There are lots of filters to fix that, but you have to use the right one for the right camera. Read on to see what works with Alexa.

Last night I had the chance to—finally!—touch an Arri Alexa at Chater Camera’s Alexa preview party. And, being a curious sort of fellow, I decided to run some impromptu tests. IR tests are the easiest to do so I quickly did some—and in the process learned some interesting things about Alexa.

more »

Cameras
Production
Tips
Training • (5) Comments • Most recent comments by: Art Adams, David Williams, Art Adams, Art Adams, Gary Adcock, • Permalink


Friday, July 23, 2010

RED MX IR Tests: The New Sensor is Similar to the Old Sensor

Don’t throw your IR filters away yet. You’re gonna need them.

RED says that their new sensor is more resistant to IR contamination than their original sensor. This test shows that, while there may be an improvement, IR is still an issue. Fortunately all the usual IR filter solutions work just fine.

more »Click to audio / video »

Cameras
Production
Tips • (2) Comments • Most recent comments by: Art Adams, JamWright, • Permalink


Wednesday, July 21, 2010

Step into the Matrix: What I Learned from Examining RED’s Build 30 Color Science

RED says the MX sensor uses the same colorimetry as their old M sensor. Others say the improvements are so dramatic that this can’t be. A search for the truth led me deep into the heart of The Matrix…

The RED ONE MX is finally here, and it looks great—better than it should, considering that RED says that it hasn’t changed the colorimetry of its sensors, only its sensitivity and noise levels. How could software alone make such a huge difference? I found out… the hard way.

more »

Cameras
Post Production
Production
Tips
Training • (3) Comments • Most recent comments by: Art Adams, BBuijsman, Rob, • Permalink



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Friday, June 18, 2010

Lighting Against The Wind: The Making of a Mime Music Video

If your first response to a low-budget music video contest is to cast one actress in three different parts, all of whom appear onscreen at the same time and interact with each other, then this article is for you.

In the last two years I’ve often described myself as a “reel-building whore.” If I’m asked to do a low-budget and “reel worthy” freebie by a trusted director/collaborator I jump at the challenge. When director Ian McCamey asked me to shoot a freebie music video with three interactive mimes who were all played by the same actress, I couldn’t say no.

more »

Cameras
Lighting
Production
Tips
Training
Visual Effects • (2) Comments • Most recent comments by: Art Adams, Rob, • Permalink


Thursday, June 10, 2010

A Cine Gear Find: TechScout Touch

Lighting orders are a touch screen away with this great productivity app for DPs.

It was in the LightGear booth at Cine Gear that I first saw TechScout Touch. “You can create your lighting order using this one iPhone app,” said the sales rep, “and send the order straight to the rental house.”

“That’s great,” I said, “but I don’t live in LA, and the odds are pretty slim that I’m going to use your rental house for a Northern California job.”

“No, you don’t get it,” she said. “This app simply creates an email containing an equipment list. You can send it to any rental house you want, or your gaffer… whoever!”

That’s when she had my undivided attention.

more »
(0) Comments • • Permalink


Wednesday, June 09, 2010

GearNex: The Next Generation of Gear Head

A small start-up makes another smooth move by improving an already excellent product

Sacramento start-up GearNex surprised the industry last year by bringing a small, affordable and very functional gear head to market. It was mostly worth the asking price at the time. Now the price has gone up–and it’s a better deal than ever.

more »

Cameras
Production • (2) Comments • Most recent comments by: Art Adams, Gary Adcock, • Permalink


Tuesday, June 01, 2010

VFX Tell the Story in California State Fair Spots

A RED ONE, a barn, seven kids, a guy in a yellow bear costume, the setting sun, an animated dinosaur and dozens of visual effects elements combine to create dazzling imagery on a moderate budget.

A bit of prior planning, some clever visual effects and a new RED software build help a talented production team get maximum bang for minimum bucks.

more »

Cameras
Editing
Lighting
Post Production
Production
Training
Visual Effects • (3) Comments • Most recent comments by: DaneH, Art Adams, Jerry Rojas, • Permalink


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