|
crowd sourcing the experts |
||||||||
 |
||||||||
Art Adams
A native of Northern California, Art Adams has been in the film industry for 22 years--including the last 17 as a director of photography. After spending ten years in Hollywood, Art is now based in the San Francisco Bay Area. He has been published in HD Video Pro, American Cinematographer, Camera Operator Magazine, Film/Tape World and CineSource. Art is a member of the International Cinematographers Guild (IATSE 600), the Society of Camera Operators (SOC), and is a trustee of the National Writers Union (UAW 1981). His web site is at www.artadams.net. 
The Best of Stunning Good LooksLIGHTING STRATEGIES: Rough Guide to Illuminating a Bounce CardLIGHTING STRATEGIES: Exploiting a Single Light SourceBOOK REVIEW: “How to Shoot Movies Without Shooting Yourself in the Foot”LIGHTING STRATEGIES: Placing the Fill Light for FacesLIGHTING STRATEGIES: What Makes Soft Lights Cast Soft Shadows?For You, a Panel DiscussionLIGHTING STRATEGIES: Soft Light vs. Hard LightPulse Width Modulation is NOT Your FriendLIGHTING STRATEGIES: Placing a Hard Key LightThe Simplest, Fastest Interview Lighting Setup—Ever.The Future of Technology is YouFill Light: The Underdog of LightingBlue Nile Shines Thanks to the Canon 5D and Apple ColorYou’ve read my writing, now hear my talkingAnatomy of a Spot: T-MobileDSC Labs Hawk Chart: The Simplest Color Chart That You Can’t Live WithoutArri Alexa and Rosco LitePads Come Through for OnLive’s First National SpotThe Secrets of the Chroma Du Monde, Explained Live (on tape) at NAB!A Mix of Film and HD Doesn’t Scare Arri’s AlexaWhere I’ll Be at NABThe Secret Art of Slating: 25 Tips to Help You Slate Like a ProiPhone Apps: The Short List for the Average CinematographerPanasonic AF-100: The Good, The Bad, and The UglyCareer Advice for the Young DP
January 2012December 2011November 2011October 2011September 2011July 2011June 2011April 2011February 2011January 2011December 2010October 2010September 2010August 2010July 2010June 2010April 2010March 2010February 2010January 2010November 2009October 2009September 2009August 2009July 2009June 2009May 2009April 2009March 2009February 2009January 2009November 2008October 2008September 2008August 2008July 2008June 2008May 2008April 2008March 2008February 2008Complete Archives
;
|
|
What You Need to Know about Green, Blue and REDI hope you like blue in your greens under tungsten light…
In a recent article I surmised that RED was mixing green into the blue channel to eliminate blue noise under tungsten light. I had a theory but no proof of what was going on. Now I have proof. more »
Cameras•
Tips•
Training•
(21) Comments•
Most recent comments by:
Jesse Rosen,
Ryan Damm,
Art Adams,
Jesse Rosen,
Graham Futerfas,
Art Adams,
Art Adams,
Stephen Webb,
Stephen Webb,
Graham Futerfas,
•
Permalink
RED Color ComparisonSee how the RED stacks up against the Sony EX1
Any camera looks good in a vacuum. Come see how the RED looks against itself and in comparison to a Sony EX3. more »
Cameras•
Production•
Training•
(13) Comments•
Most recent comments by:
Mark Weiss,
Bob Kertesz,
Art Adams,
Mark Weiss,
Tom Daigon,
locollama,
Art Adams,
Tom Daigon,
Art Adams,
Bob Kertesz,
•
Permalink
Tiffen Goes Into Production on T1 Far Red FilterIf you own an EX1, EX3 or F35 then this is the filter you’ve been waiting for
As you may have noticed from previous articles, I’ve done a lot of research on which cameras allow infrared or far red to contaminate dark fabrics and change their color. There hasn’t been a satisfactory solution for the Sony EX1, EX3 and F35 cameras—until now. more »
Cameras•
Production•
Tips•
(18) Comments•
Most recent comments by:
Oliver Schietinger,
Art Adams,
Art Adams,
Jill Conrad,
Oliver Schietinger,
Stephan,
Art Adams,
locollama,
Art Adams,
locollama,
•
Permalink
The Vertical Bar Graph Raw Exposure MeterThis RED exposure tool just became your best friend.
The vertical bar graph raw exposure meter is the least explained meter in the latest RED manual. It’s also one of the most valuable exposure tools the RED ONE offers. more »Advertisement RED’s Blue Noise: Where It Went, and Other Color Anomalies You Should Know AboutWhat you didn’t know you didn’t know about color and the RED ONE
RED software build 20 boasts new colorimetry that eliminates blue shadow noise under tungsten light. When asked how they did it, RED only said “We aren’t using noise reduction algorithms.” I love a challenge, and I think I figured out how they did it. more »
Cameras•
Post Production•
Production•
Tips•
Training•
(13) Comments•
Most recent comments by:
Art Adams,
Ryan Damm,
Art Adams,
Ryan Damm,
Art Adams,
Graham Futerfas,
www.DANCAD3D.com,
Jeff Kreines,
larry,
Art Adams,
•
Permalink
Page 1 of 1 pages Advertisement |
|
|
||||
|
|
|||||||
Motion 4 Up and Running Tutorial Released
Learn Motion 4’s Powerful New Features Quickly
Ripple Training has just released my latest tutorial, Motion 4 Up and Running. See excerpts from the training and get all the info at Ripple’s site.
To be considered for listing, contact pr (at) provideocoalition (dot) com
Copyright © 2011, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere
All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.