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Art Adams
A native of Northern California, Art Adams has been in the film industry for 22 years--including the last 17 as a director of photography. After spending ten years in Hollywood, Art is now based in the San Francisco Bay Area. He has been published in HD Video Pro, American Cinematographer, Camera Operator Magazine, Film/Tape World and CineSource. Art is a member of the International Cinematographers Guild (IATSE 600), the Society of Camera Operators (SOC), and is a trustee of the National Writers Union (UAW 1981). His web site is at www.artadams.net. 
The Best of Stunning Good LooksLIGHTING STRATEGIES: Rough Guide to Illuminating a Bounce CardLIGHTING STRATEGIES: Exploiting a Single Light SourceBOOK REVIEW: “How to Shoot Movies Without Shooting Yourself in the Foot”LIGHTING STRATEGIES: Placing the Fill Light for FacesLIGHTING STRATEGIES: What Makes Soft Lights Cast Soft Shadows?For You, a Panel DiscussionLIGHTING STRATEGIES: Soft Light vs. Hard LightPulse Width Modulation is NOT Your FriendLIGHTING STRATEGIES: Placing a Hard Key LightThe Simplest, Fastest Interview Lighting Setup—Ever.The Future of Technology is YouFill Light: The Underdog of LightingBlue Nile Shines Thanks to the Canon 5D and Apple ColorYou’ve read my writing, now hear my talkingAnatomy of a Spot: T-MobileDSC Labs Hawk Chart: The Simplest Color Chart That You Can’t Live WithoutArri Alexa and Rosco LitePads Come Through for OnLive’s First National SpotThe Secrets of the Chroma Du Monde, Explained Live (on tape) at NAB!A Mix of Film and HD Doesn’t Scare Arri’s AlexaWhere I’ll Be at NABThe Secret Art of Slating: 25 Tips to Help You Slate Like a ProiPhone Apps: The Short List for the Average CinematographerPanasonic AF-100: The Good, The Bad, and The UglyCareer Advice for the Young DP
January 2012December 2011November 2011October 2011September 2011July 2011June 2011April 2011February 2011January 2011December 2010October 2010September 2010August 2010July 2010June 2010April 2010March 2010February 2010January 2010November 2009October 2009September 2009August 2009July 2009June 2009May 2009April 2009March 2009February 2009January 2009November 2008October 2008September 2008August 2008July 2008June 2008May 2008April 2008March 2008February 2008Complete Archives
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Random Tips from a Professional Camera OperatorHopefully useful advice to smooth and finesse your moves and tune your viewfinder eye
Teaching the craft of camera operating is extremely difficult to do well, so I’m going to do it half-assed and give you some random tips that may help you along in your career. more »
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(11) Comments•
Most recent comments by:
camdave,
Ed Moore,
Art Adams,
Brett802,
Art Adams,
Art Adams,
Gary Adcock,
Ed Moore,
Art Adams,
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Two New Sharp-Looking Charts from DSC LabsFocus on the important things with the Fiddlehead and CineZone charts
The first time I used a DSC Chart for color analysis I was completely blown away by the thought and cleverness that went into designing the Chroma Du Monde. Now they’ve done it again, but this time for focus. more »The Making of an Epic Media ProjectA RED ONE, a small but agile crew, and a 2k 60’-wide screening in an Omnimax theater. This, truly, is a modern day epic.
Rambus is a company of big ideas, and they wanted their 20th anniversary celebration to include a theatrical production that accurately reflected who they are and where they came from. The resulting short film—shown in an Omnimax dome at the San Jose Tech Museum—moved Rambus founders and employees to tears. more »
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(18) Comments•
Most recent comments by:
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stupper57,
Art Adams,
stupper57,
Bjorn Ahlen,
Mike Curtis,
Art Adams,
stephen v2,
Mike Curtis,
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Reversing Keyframes in Motion
And how to find some shy keyframes that prefer to stay hidden
Here’s a quick tip on how to reverse a keyframed animation, in particular for a shape style preset which doesn’t reveal its keyframes to you in the normal manner. In addition, we’ll look at how extend or shrink the timing of a keyframed animation with a special little tool in the Keyframe Editor.
Motion and Motion Blur in FCP
How to get motion blur to appear in embedded Motion projects
Having trouble getting motion blur to show up in your Motion project that is embedded in your FCP sequence? There are a couple of key steps you have to follow to make it work correctly - here they are.
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