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Art Adams
A native of Northern California, Art Adams has been in the film industry for 22 years--including the last 17 as a director of photography. After spending ten years in Hollywood, Art is now based in the San Francisco Bay Area.
He has been published in HD Video Pro, American Cinematographer, Camera Operator Magazine, Film/Tape World and CineSource.
Art is a member of the International Cinematographers Guild (IATSE 600), the Society of Camera Operators (SOC), and is a trustee of the National Writers Union (UAW 1981).
His web site is at www.artadams.net.
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Sunday, June 19, 2011
What’s the best camera to use when shooting in an elevator? A small one. Hellooooo Canon 5D…
Over time I’ve come to respect the Canon 5D. It’s not the most user friendly of cameras, and it has some fairly serious faults, but if you can avoid the pitfalls it can make very pretty images.
more »
Friday, June 17, 2011
Wouldn’t it be great if someone designed an easy-to-use color chart that could be quickly and easily used in the field? Well, someone did. And they call it The Hawk.
It wasn’t until I worked at the DSC Labs booth at NAB that I discovered The Hawk… and it blew me away. It’s a very simple chart, but it offers a colorist (professional or amateur) the most critical information necessary to accurately neutralize your raw, log, or even WYSIWYG images.
more »
Saturday, June 11, 2011
The project started out as a web-only teaser. When the client saw it they added another shoot day and turned it into a national spot. Here’s why, and how.
Originally slated to be a web-only spot, the first shoot day went so well that when the client saw the results they ordered a second shoot day, added an actor and made a $1m+ national ad buy.
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Michelle Gallina
Steve Forde, After Effects Product Manager, posts a couple thoughts on the FCPX release and more
Rich Young
With some face replacement references.
Chris and Trish Meyer
If you have an object that’s being used more than once, sometimes it’s best to give it its own “precomp” to live in.
Mark Spencer
Apple giveth - and Apple taketh away
Scott Simmons
No real commentary here other than seeing track how it turned out
Allan Tépper
Allan Tépper
Michelle Gallina
Al Mooney, Premiere Pro product manager, expresses a few thoughts
Rich Young
New in Magic Bullet Suite
Rich Young
A free 90-minute webinar
Mark Christiansen
New and upgraded component applications, one-click suite install, aggressive pricing
The Sony Tech Guy
Trimaster EL technology for the rest of us
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Michelle Gallina | 06/30- 02:05 AM
Steve Forde, After Effects Product Manager, posts a couple thoughts on the FCPX release and more
Rich Young | 06/29- 10:11 PM
With some face replacement references.
Mamoworld has a new After Effects video tutorial, Monster Face, which applies advanced tracking techniques from Mocha to modify a mouth and face in After Effects. Matthias recommends background in the popular Demon Face Warp tutorial by Andrew Kramer and his own Creating a Tracked Head Wound.
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