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Art Adams
A native of Northern California, Art Adams has been in the film industry for 22 years--including the last 17 as a director of photography. After spending ten years in Hollywood, Art is now based in the San Francisco Bay Area.
He has been published in HD Video Pro, American Cinematographer, Camera Operator Magazine, Film/Tape World and CineSource.
Art is a member of the International Cinematographers Guild (IATSE 600), the Society of Camera Operators (SOC), and is a trustee of the National Writers Union (UAW 1981).
His web site is at www.artadams.net.
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Tuesday, September 27, 2011
Fill light isn’t just for controlling contrast; its quality and placement can make or break your shot.
The day I stop learning about lighting will be the day my EKG goes flatline. There’s an extraordinary amount to learn and absorb, and I doubt I’ll ever learn all of it. That’s okay, because it means I’ll never run out of new things to learn. My most recent fixation is on the one light many think about the least: the fill light.
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Monday, September 19, 2011
One more chapter in my “It’s not the camera, it’s the creativity behind the camera” series.
One of the best things about this business is that greatness lurks around every corner. If you are resourceful and creative you’ll find it well enough.
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Clint Milby
Groundbreaking DP Tries His Hand At Manufacturing HDSLR Support Products
Mark Christiansen
Create a 2.5D background scene instantaneously
Mark Spencer
Going deeper into the new Roles feature in the Final Cut Pro X Update
Scott Simmons
As of October the crossgrade price goes up $500
Terence Curren
Is there any room left for new ideas, or are we doomed to work on repeats of previous projects forever?
Art Adams
Fill light isn’t just for controlling contrast; its quality and placement can make or break your shot.
Chris and Trish Meyer
Another selection of “hidden gems” (and essential advice), this time from Chapter 40 of Creating Motion Graphics with After Effects.
Mark Christiansen
This script makes text changes, even on a large scale, almost straightforward.
Adam Wilt
The first aftermarket handle designed specifically for the NEX-FS100.
Scott Simmons
The first update for FCPX gains some big features
Clint Milby
What The HDSLR Speculators Are Saying
Art Adams
One more chapter in my “It’s not the camera, it’s the creativity behind the camera” series.
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Clint Milby | 09/30- 04:06 PM
Groundbreaking DP Tries His Hand At Manufacturing HDSLR Support Products
Shane Hurlbut, ASC announced today that he, along with Letus, will be releasing a new line of HDSLR support gear they are calling the Master Cinema Series.
Mark Christiansen | 09/30- 04:03 PM
Create a 2.5D background scene instantaneously
Thanks to Photoshop and the iPhone, creating a single, arbitrarily wide panoramic image made up of a series of still images, stitched together, has never been simpler. First you shoot the series of stills, being careful to leave overlap between each image as you pan in one direction. Then in Photoshop, the Photomerge operation, or on the iPhone, an app such as AutoStitch Panorama or 360 Panorama automatically detects the matching areas of frame and corrects for lens distortion in order to create a single, wide image.
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