Art Adams

A native of Northern California, Art Adams has been in the film industry for 22 years--including the last 17 as a director of photography. After spending ten years in Hollywood, Art is now based in the San Francisco Bay Area. He has been published in HD Video Pro, American Cinematographer, Camera Operator Magazine, Film/Tape World and CineSource.

Art is a member of the International Cinematographers Guild (IATSE 600), the Society of Camera Operators (SOC), and is a trustee of the National Writers Union (UAW 1981).

His web site is at www.artadams.net.

The Best of Stunning Good Looks
LIGHTING STRATEGIES: Rough Guide to Illuminating a Bounce Card
LIGHTING STRATEGIES: Exploiting a Single Light Source
BOOK REVIEW: “How to Shoot Movies Without Shooting Yourself in the Foot”
LIGHTING STRATEGIES: Placing the Fill Light for Faces
LIGHTING STRATEGIES: What Makes Soft Lights Cast Soft Shadows?
For You, a Panel Discussion
LIGHTING STRATEGIES: Soft Light vs. Hard Light
Pulse Width Modulation is NOT Your Friend
LIGHTING STRATEGIES: Placing a Hard Key Light
The Simplest, Fastest Interview Lighting Setup—Ever.
The Future of Technology is You
Fill Light: The Underdog of Lighting
Blue Nile Shines Thanks to the Canon 5D and Apple Color
You’ve read my writing, now hear my talking
Anatomy of a Spot: T-Mobile
DSC Labs Hawk Chart: The Simplest Color Chart That You Can’t Live Without
Arri Alexa and Rosco LitePads Come Through for OnLive’s First National Spot
The Secrets of the Chroma Du Monde, Explained Live (on tape) at NAB!
A Mix of Film and HD Doesn’t Scare Arri’s Alexa
Where I’ll Be at NAB
The Secret Art of Slating: 25 Tips to Help You Slate Like a Pro
iPhone Apps: The Short List for the Average Cinematographer
Panasonic AF-100: The Good, The Bad, and The Ugly
Career Advice for the Young DP
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Monday, October 31, 2011

The Future of Technology is You

New toys are great, but what’s more important is who plays with them.

Technology is always advancing, and we’re at the point in this industry where we’ll always have new toys on the near horizon. My question is: how much do these toys matter when it’s the people who use them who provide all the creativity?

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The Future of Technology is You
Art Adams

New toys are great, but what’s more important is who plays with them.

29 Ways to Stay Creative
Matt Jeppsen

An inspirational pick-me-up for when you’re stuck in a creative rut

PsF’s missing workflow, Part 3: Sony’s AVCHD & NXCAM cameras
Allan Tépper
Last week in After Effects
Rich Young

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Editors can take advantage of advanced stabilization in Premiere Pro CS5.5

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Compact, Lightweight Light Proves That Good Things Do Come In Small Packages…

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With the move toward Adobe Auto Duck is doing a solid for the editing and post community

CMG Hidden Gems: Chapter 44 – Prerendering and Proxies
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On MacBreak Studio

A report on Walter Murch’s talk at the Boston SuperMeet
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Thanks to Chris Portal for taking pictures and summarizing Murch’s talk







The Future of Technology is You

Art Adams | 10/31- 04:05 PM

New toys are great, but what’s more important is who plays with them.

Technology is always advancing, and we’re at the point in this industry where we’ll always have new toys on the near horizon. My question is: how much do these toys matter when it’s the people who use them who provide all the creativity?

29 Ways to Stay Creative

Matt Jeppsen | 10/31- 09:17 AM

An inspirational pick-me-up for when you’re stuck in a creative rut

Stuck in a funk, creatively speaking? Here’s some ideas to break out of the old. Watch below…

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