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Art Adams
A native of Northern California, Art Adams has been in the film industry for 22 years--including the last 17 as a director of photography. After spending ten years in Hollywood, Art is now based in the San Francisco Bay Area.
He has been published in HD Video Pro, American Cinematographer, Camera Operator Magazine, Film/Tape World and CineSource.
Art is a member of the International Cinematographers Guild (IATSE 600), the Society of Camera Operators (SOC), and is a trustee of the National Writers Union (UAW 1981).
His web site is at www.artadams.net.
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Monday, August 30, 2010
A directory of my best articles, sorted by topic.
This entry is a guide to my best articles, sorted by topic. Enjoy!
more »
Monday, September 19, 2011
One more chapter in my “It’s not the camera, it’s the creativity behind the camera” series.
One of the best things about this business is that greatness lurks around every corner. If you are resourceful and creative you’ll find it well enough.
more »
Friday, February 18, 2011
Of all the apps I’ve found, these are the most helpful.
It seems everyone and their sister’s friend’s cousin has made a list of indispensable cinematography iPhone apps. Now it’s my turn. Let’s see how original I am.
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Page 1 of 1 pages
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Scott Simmons
It’s not as nice as a built-in clip enable / clip disable contextual menu but it works.
Rich Young
CC Hair, animation tools, plug-in news, multiplane & camera mapping, expressions, and more.
Jeff Foster
Inventor of the Sodium Vapor Compositor and the Blue Screen Color Difference Traveling Matte & Multiple Oscar recipient
Mark Spencer
Including answers to questions we couldn’t get to during the show
David Torno
Use one layer’s speed to trigger another layer event or animation.
Michelle Gallina
Rich Young
AE with Kinect mocap, text, 3D, expressions, and more.
Terence Curren
Snowflakes In The Desert?
Michelle Gallina
Thursday, February 23, 2012, 10AM Pacific Time
Scott Simmons
We finally get a tool to do what we thought would be possible from FCPX v1.0.0
David Torno
Wiggle a multi-dimensional property in only one direction.
Jeff Foster
Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5
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Brian Mulligan | 02/22- 06:33 AM
Using VideoCopilot’s Optical Flares for After Effects
Lens flares are the new lens flares. Lens flares have made a comeback of late, largely due to recent developments in software that allows lens flares to behave in a more realistic manner with border adjustments and occlusions. Long are the days when all we had was a stock 35mm default flare. Now there are many good plug-in options. Red Giant’s Knoll Light Factory is a classic but is feeling a bit aged, even with its new 3D Flare add on, currently in beta. Genarts Sapphire v6 has a new reworked lens flare option, which is much improved over previous versions, and Optical Flares from Video Copilot is quite spectacular. More on Optical Flares in a minute… First you need to know how lens flares work inside Smoke.
Scott Simmons | 02/21- 01:39 PM
It’s not as nice as a built-in clip enable / clip disable contextual menu but it works.
In honor of TipTuesday over on Twitter I thought I’d share this simple Avid Media Composer tip that I use to counter the lack of a clip enable / disable feature in Media Composer. It’s all about saving an effect and getting easy access to that saved effect. There’s actually several tips in here that can be used for most all effects in Media Composer.
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