ProVideo Coalition.com: Stunning Good Looks by Art Adams

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Art Adams A native of Northern California, Art Adams spent ten years in LA--first at film school (Loyola Marymount) and then working in the film industry. He started out as a camera assistant on low budget features and worked his way into spots, music videos, features, sitcoms and episodic television shows. He transitioned from assistant to operator to DP by the time he returned to the San Francisco Bay Area in 1993. Currently Art focuses his energies on shooting spots and high end corporate productions, as well as special venue and blue/green screen projects. He likes jobs that make his brain hurt with ingenuity and cleverness. He has been published in HD Video Pro, American Cinematographer, Camera Operator Magazine and Film/Tape World. January 2012 December 2011 November 2011 October 2011 September 2011 July 2011 June 2011 April 2011 February 2011 January 2011 December 2010 October 2010 September 2010 August 2010 July 2010 June 2010 April 2010 March 2010 February 2010 January 2010 November 2009 October 2009 September 2009 August 2009 July 2009 June 2009 May 2009 April 2009 March 2009 February 2009 January 2009 November 2008 October 2008 September 2008 August 2008 July 2008 June 2008 May 2008 April 2008 March 2008 February 2008 Complete Archives Category Archives The Best of Stunning Good Looks LIGHTING STRATEGIES: Rough Guide to Illuminating a Bounce Card LIGHTING STRATEGIES: Exploiting a Single Light Source BOOK REVIEW: “How to Shoot Movies Without Shooting Yourself in the Foot” LIGHTING STRATEGIES: Placing the Fill Light for Faces LIGHTING STRATEGIES: What Makes Soft Lights Cast Soft Shadows? For You, a Panel Discussion LIGHTING STRATEGIES: Soft Light vs. Hard Light Pulse Width Modulation is NOT Your Friend LIGHTING STRATEGIES: Placing a Hard Key Light The Simplest, Fastest Interview Lighting Setup—Ever. The Future of Technology is You Fill Light: The Underdog of Lighting Blue Nile Shines Thanks to the Canon 5D and Apple Color You’ve read my writing, now hear my talking Anatomy of a Spot: T-Mobile DSC Labs Hawk Chart: The Simplest Color Chart That You Can’t Live Without Arri Alexa and Rosco LitePads Come Through for OnLive’s First National Spot The Secrets of the Chroma Du Monde, Explained Live (on tape) at NAB! A Mix of Film and HD Doesn’t Scare Arri’s Alexa Where I’ll Be at NAB The Secret Art of Slating: 25 Tips to Help You Slate Like a Pro iPhone Apps: The Short List for the Average Cinematographer Panasonic AF-100: The Good, The Bad, and The Ugly Career Advice for the Young DP		2010 August The Best of Stunning Good Looks 2012 January LIGHTING STRATEGIES: Rough Guide to Illuminating a Bounce Card LIGHTING STRATEGIES: Exploiting a Single Light Source BOOK REVIEW: “How to Shoot Movies Without Shooting Yourself in the Foot” LIGHTING STRATEGIES: Placing the Fill Light for Faces 2011 December LIGHTING STRATEGIES: What Makes Soft Lights Cast Soft Shadows? For You, a Panel Discussion LIGHTING STRATEGIES: Soft Light vs. Hard Light Pulse Width Modulation is NOT Your Friend LIGHTING STRATEGIES: Placing a Hard Key Light November The Simplest, Fastest Interview Lighting Setup—Ever. October The Future of Technology is You September Fill Light: The Underdog of Lighting Blue Nile Shines Thanks to the Canon 5D and Apple Color July You’ve read my writing, now hear my talking June Anatomy of a Spot: T-Mobile DSC Labs Hawk Chart: The Simplest Color Chart That You Can’t Live Without Arri Alexa and Rosco LitePads Come Through for OnLive’s First National Spot April The Secrets of the Chroma Du Monde, Explained Live (on tape) at NAB! A Mix of Film and HD Doesn’t Scare Arri’s Alexa Where I’ll Be at NAB February The Secret Art of Slating: 25 Tips to Help You Slate Like a Pro iPhone Apps: The Short List for the Average Cinematographer Panasonic AF-100: The Good, The Bad, and The Ugly January Career Advice for the Young DP 2010 December Phantom Adventures: 1000fps on a Budget October Alexa ISO Settings: The Least You Need to Know September Arri Alexa’s Dynamic Range: It’s All in How You Use It August Canon 5D: How much dynamic range does it have, really? My Love Affair with Alexa July Next Stop: The Last Stop! RED MX Latitude Tests IR Cheat Sheet, Updated to Version 2 Arri Alexa and Far Red: A Problem That’s Already Been Solved RED MX IR Tests: The New Sensor is Similar to the Old Sensor Step into the Matrix: What I Learned from Examining RED’s Build 30 Color Science June Lighting Against The Wind: The Making of a Mime Music Video A Cine Gear Find: TechScout Touch GearNex: The Next Generation of Gear Head VFX Tell the Story in California State Fair Spots April Everyone Looks Sexy at 1000fps March The Tiger Lillies Finally Set Sail February Random Tips from a Professional Camera Operator Two New Sharp-Looking Charts from DSC Labs The Making of an Epic Media Project January Low-Budget PSA’s, Shot on RED, Prove that Budget is Not a Barrier to Excellence A Tale of Forbidden Love, Shot on RED 2009 November Anatomy of a Spot: Commonwealth Club World’s Only “Death Oompah” Band Gets Virtual Reality Music Video October So You Want to Work with Cameras ADHD Guide to Flash Video for the Web Rough Guide to Flicker-Free HD Shooting September What You Need to Know about Green, Blue and RED RED Color Comparison Tiffen Goes Into Production on T1 Far Red Filter The Vertical Bar Graph Raw Exposure Meter RED’s Blue Noise: Where It Went, and Other Color Anomalies You Should Know About August CameraMania! RED Build 20 Torture Tests Busy Person’s Guide to Color Correcting the Canon 5D Abel Cine offers New Mattebox System for Canon 5D Mark II My First Shoot with the Canon 5D July NorCal Digital Cinema Society Meeting Tonight, 6pm June Facebook Mobile spot, Shot on RED Black Glimmerglass and Hollywood Black Magic Filter Tests Diffusion Confusion Using the ND .90 Filter as a Preproduction Tool Far red on the EX1/EX3/F35: “It’s a feature, not a bug!” Look for me at CineGear The Last Far Red Filter You’ll Ever Need? Porsche Spot VFX Breakdown May Why Does Blue Hurt So Much? Tiffen tests new no-ND IR filter for EX1/EX3/F35 Optically White Balance the RED with Schneider CTB Filters Whatever Happened to Ira Tiffen? Hands on with the Gearnex Gear Head April Tiffen DFX 2 Digital Filters Rosco Shows New IR Filter (and other goodies) at NAB Gear Head for the RED March Porsche F35 Spec Spot Revealed IR Filter Cheat Sheet Mysteries of Color and Light The Quicktime Conundrum, Part 2: Solved by our Readers The Quicktime Conundrum Anatomy of a Porsche Spec Spot February EX1/EX3 IR Filter Shoot-Out Fake Tilt-Shift Cinematography F35 IR Filter Shoot-Out RED Hot Mirror Shoot-Out The Not-So-Technical Guide to S-Log and Log Gamma Curves No pain? NO GAIN! January No 85 Necessary on the F35! Correction: Schneider Optics Sings the CTB’s Schneider Optics Sings the Blues Return of IR The Sony F35 and ND Filters The Not-So-Technical Guide to the Sony F35 2008 November Even Rembrandt Sang the Blues Lighting Advice for Budding DPs My First Shoot with the Sony F35 The RED Outdoors		3D Audio Budgeting Business Cameras Distribution Editing Hardware Lists Lighting Motion Graphics NAB '09 Pre-Production Production Post Production Training Visual Effects After Effects Apprentice Free Video: Exploring Shape Effects Chris and Trish Meyer \| 01/31- 05:06 AM *An overview of five of the simpler shape operators that can turn your basic outline into something quite twisted.* As… LIGHTING STRATEGIES: Rough Guide to Illuminating a Bounce Card Art Adams \| 01/29- 11:58 AM *Lighting a bounce card is easy, right? Right… IF you know the basics. Here they are.* Is bounce light really just about aiming a light at a white card… Quick Look: Sony F65 4K Digital Cine Camera Adam Wilt \| 01/28- 06:05 PM *BandPro’s Jeff Cree shows off the F65 at Videofax in San Francisco.* Last week, San Francisco rental house extraordinaire Videofax… Advertisements

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