ProVideo Coalition.com: Stunning Good Looks by Art Adams

Sign up for newsletters crowd sourcing the experts the creative pro coalitions CREATE VIDEO PHOTO DAM AUDIO 3D HDSLR MAC



Advanced Search

Art Adams A native of Northern California, Art Adams spent ten years in LA--first at film school (Loyola Marymount) and then working in the film industry. He started out as a camera assistant on low budget features and worked his way into spots, music videos, features, sitcoms and episodic television shows. He transitioned from assistant to operator to DP by the time he returned to the San Francisco Bay Area in 1993. Currently Art focuses his energies on shooting spots and high end corporate productions, as well as special venue and blue/green screen projects. He likes jobs that make his brain hurt with ingenuity and cleverness. He has been published in HD Video Pro, American Cinematographer, Camera Operator Magazine and Film/Tape World. May 2012 April 2012 March 2012 January 2012 December 2011 November 2011 October 2011 September 2011 July 2011 June 2011 April 2011 February 2011 January 2011 December 2010 October 2010 September 2010 August 2010 July 2010 June 2010 April 2010 March 2010 February 2010 January 2010 November 2009 October 2009 September 2009 August 2009 July 2009 June 2009 May 2009 April 2009 March 2009 February 2009 January 2009 November 2008 October 2008 September 2008 August 2008 July 2008 June 2008 May 2008 April 2008 March 2008 February 2008 Complete Archives Category Archives The Best of Stunning Good Looks LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse CAMERAS: Food Fights with the FS700 CAMERA MATH: The Importance of Ratios GEEK-OUT: The Matrix, Reloaded Lighting Fire and Liquids: Playtime with the Sony FS700 LED Light Tests: Flesh Tone and Color Comparison Shootout BEHIND THE SCENES: Smoke in the Woods with the Canon 5D LED Light Tests: PRG Sponsors an LED Light Shootout CANON C300: Trimming White Balance, Plus a Look at Daylight vs. Tungsten Color CAMERAS: Now It’s Rocket Science Lights, Camera, Kids: Shooting a Childish Spot for T-Mobile on the Canon 5D GEEK OUT: The Non-Technical Technical Guide to Sony OLED Monitors LIGHTING STRATEGIES: Rough Guide to Illuminating a Bounce Card LIGHTING STRATEGIES: Exploiting a Single Light Source BOOK REVIEW: “How to Shoot Movies Without Shooting Yourself in the Foot” LIGHTING STRATEGIES: Placing the Fill Light for Faces LIGHTING STRATEGIES: What Makes Soft Lights Cast Soft Shadows? For You, a Panel Discussion LIGHTING STRATEGIES: Soft Light vs. Hard Light Pulse Width Modulation is NOT Your Friend LIGHTING STRATEGIES: Placing a Hard Key Light The Simplest, Fastest Interview Lighting Setup—Ever. The Future of Technology is You Fill Light: The Underdog of Lighting		2010 August The Best of Stunning Good Looks 2012 May LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse CAMERAS: Food Fights with the FS700 CAMERA MATH: The Importance of Ratios April GEEK-OUT: The Matrix, Reloaded Lighting Fire and Liquids: Playtime with the Sony FS700 LED Light Tests: Flesh Tone and Color Comparison Shootout BEHIND THE SCENES: Smoke in the Woods with the Canon 5D LED Light Tests: PRG Sponsors an LED Light Shootout March CANON C300: Trimming White Balance, Plus a Look at Daylight vs. Tungsten Color CAMERAS: Now It’s Rocket Science Lights, Camera, Kids: Shooting a Childish Spot for T-Mobile on the Canon 5D GEEK OUT: The Non-Technical Technical Guide to Sony OLED Monitors January LIGHTING STRATEGIES: Rough Guide to Illuminating a Bounce Card LIGHTING STRATEGIES: Exploiting a Single Light Source BOOK REVIEW: “How to Shoot Movies Without Shooting Yourself in the Foot” LIGHTING STRATEGIES: Placing the Fill Light for Faces 2011 December LIGHTING STRATEGIES: What Makes Soft Lights Cast Soft Shadows? For You, a Panel Discussion LIGHTING STRATEGIES: Soft Light vs. Hard Light Pulse Width Modulation is NOT Your Friend LIGHTING STRATEGIES: Placing a Hard Key Light November The Simplest, Fastest Interview Lighting Setup—Ever. October The Future of Technology is You September Fill Light: The Underdog of Lighting Blue Nile Shines Thanks to the Canon 5D and Apple Color July You’ve read my writing, now hear my talking June Anatomy of a Spot: T-Mobile DSC Labs Hawk Chart: The Simplest Color Chart That You Can’t Live Without Arri Alexa and Rosco LitePads Come Through for OnLive’s First National Spot April The Secrets of the Chroma Du Monde, Explained Live (on tape) at NAB! A Mix of Film and HD Doesn’t Scare Arri’s Alexa Where I’ll Be at NAB February The Secret Art of Slating: 25 Tips to Help You Slate Like a Pro iPhone Apps: The Short List for the Average Cinematographer Panasonic AF-100: The Good, The Bad, and The Ugly January Career Advice for the Young DP 2010 December Phantom Adventures: 1000fps on a Budget October Alexa ISO Settings: The Least You Need to Know September Arri Alexa’s Dynamic Range: It’s All in How You Use It August Canon 5D: How much dynamic range does it have, really? My Love Affair with Alexa July Next Stop: The Last Stop! RED MX Latitude Tests IR Cheat Sheet, Updated to Version 2 Arri Alexa and Far Red: A Problem That’s Already Been Solved RED MX IR Tests: The New Sensor is Similar to the Old Sensor Step into the Matrix: What I Learned from Examining RED’s Build 30 Color Science June Lighting Against The Wind: The Making of a Mime Music Video A Cine Gear Find: TechScout Touch GearNex: The Next Generation of Gear Head VFX Tell the Story in California State Fair Spots April Everyone Looks Sexy at 1000fps March The Tiger Lillies Finally Set Sail February Random Tips from a Professional Camera Operator Two New Sharp-Looking Charts from DSC Labs The Making of an Epic Media Project January Low-Budget PSA’s, Shot on RED, Prove that Budget is Not a Barrier to Excellence A Tale of Forbidden Love, Shot on RED 2009 November Anatomy of a Spot: Commonwealth Club World’s Only “Death Oompah” Band Gets Virtual Reality Music Video October So You Want to Work with Cameras ADHD Guide to Flash Video for the Web Rough Guide to Flicker-Free HD Shooting September What You Need to Know about Green, Blue and RED RED Color Comparison Tiffen Goes Into Production on T1 Far Red Filter The Vertical Bar Graph Raw Exposure Meter RED’s Blue Noise: Where It Went, and Other Color Anomalies You Should Know About August CameraMania! RED Build 20 Torture Tests Busy Person’s Guide to Color Correcting the Canon 5D Abel Cine offers New Mattebox System for Canon 5D Mark II My First Shoot with the Canon 5D July NorCal Digital Cinema Society Meeting Tonight, 6pm June Facebook Mobile spot, Shot on RED Black Glimmerglass and Hollywood Black Magic Filter Tests Diffusion Confusion Using the ND .90 Filter as a Preproduction Tool Far red on the EX1/EX3/F35: “It’s a feature, not a bug!” Look for me at CineGear The Last Far Red Filter You’ll Ever Need? Porsche Spot VFX Breakdown May Why Does Blue Hurt So Much? Tiffen tests new no-ND IR filter for EX1/EX3/F35 Optically White Balance the RED with Schneider CTB Filters Whatever Happened to Ira Tiffen? Hands on with the Gearnex Gear Head April Tiffen DFX 2 Digital Filters Rosco Shows New IR Filter (and other goodies) at NAB Gear Head for the RED March Porsche F35 Spec Spot Revealed IR Filter Cheat Sheet Mysteries of Color and Light The Quicktime Conundrum, Part 2: Solved by our Readers The Quicktime Conundrum Anatomy of a Porsche Spec Spot February EX1/EX3 IR Filter Shoot-Out Fake Tilt-Shift Cinematography F35 IR Filter Shoot-Out RED Hot Mirror Shoot-Out		3D Audio Budgeting Business Cameras Distribution Editing Hardware Lists Lighting Motion Graphics NAB '09 Pre-Production Production Post Production Training Visual Effects LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse Art Adams \| 05/24- 11:24 AM *Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…* I love stacking cucolorii… David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection Todd_Kopriva \| 05/22- 12:31 PM *Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.* In December… After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition Chris and Trish Meyer \| 05/21- 08:53 AM *...plus an update on what’s next for the Apprentice series.* As… Advertisements

Copyright © 2012, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use | Privacy Policy

Check PageRank