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Art Adams
A native of Northern California, Art Adams has been in the film industry for 22 years--including the last 17 as a director of photography. After spending ten years in Hollywood, Art is now based in the San Francisco Bay Area.
He has been published in HD Video Pro, American Cinematographer, Camera Operator Magazine, Film/Tape World and CineSource.
Art is a member of the International Cinematographers Guild (IATSE 600), the Society of Camera Operators (SOC), and is a trustee of the National Writers Union (UAW 1981).
His web site is at www.artadams.net.
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Wednesday, February 25, 2009
The EX1/EX3 built-in Hot Mirrors suck. Or do they? One way to find out…
The Sony EX1 and EX3 are great cameras for the price, but they do have some fairly obvious issues with IR/far red when used with neutral density filters in front of the lens. This test taught me far more, though, than just what filters to use to eliminate a color problem on these cameras: I learned never to make assumptions about how a piece of equipment works until I’ve tested all possible options.
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