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Art Adams
A native of Northern California, Art Adams has been in the film industry for 22 years--including the last 17 as a director of photography. After spending ten years in Hollywood, Art is now based in the San Francisco Bay Area.
He has been published in HD Video Pro, American Cinematographer, Camera Operator Magazine, Film/Tape World and CineSource.
Art is a member of the International Cinematographers Guild (IATSE 600), the Society of Camera Operators (SOC), and is a trustee of the National Writers Union (UAW 1981).
His web site is at www.artadams.net.
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Sunday, March 16, 2008
RED doesn’t like fluorescents, and after this clip you won’t either.
I was shooting some exposure tests with a RED and I turned my tungsten reference light off to look at something on the camera. I noticed green roll bars crawling up the monitor, and quickly figured out that it was the rolling shutter interacting with the overhead cool white Ace Hardware fluorescents in the shop. The problem was completely eliminated by going to 1/40th/sec. on the camera shutter at 23.98 fps.
This was build 14. I understand build 15 will introduce shutter angle control in degrees, so it’s probably good to know that the equivalent to 1/40th is 217 degrees.
1/48th at 24 fps is right on the edge of the 60hz flicker-free window, so I habitually shoot with other cameras at 1/40th or 217 degrees just to avoid flicker issues with house power or odd discharge lights in the background. It looks to me like this practice might be mandatory with this camera. Any additional motion blur is minimal.
Notice how green the image is. Most other cameras (three chip CCD’s) don’t see the green spike in the average uncorrected hardware store fluorescent fixture. This camera sees it almost as strongly as film would. Very interesting.
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