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Tuesday, June 01, 2010

Filed under: CamerasEditingLightingPost ProductionProductionTrainingVisual Effects

VFX Tell the Story in California State Fair Spots

Art Adams | 06/01

A RED ONE, a barn, seven kids, a guy in a yellow bear costume, the setting sun, an animated dinosaur and dozens of visual effects elements combine to create dazzling imagery on a moderate budget.

A bit of prior planning, some clever visual effects and a new RED software build help a talented production team get maximum bang for minimum bucks.

Not long ago I wrote about some PSAs that I shot for an organization called WEAVE. Directed by Ian McCamey, and made possible on a low budget through generous contributions of equipment and stage space by Adam Wilt and his employer Meets the Eye, these :30 PSAs won several regional Addy Awards and prompted the agency to ask Ian to direct several spots for the California State Fair. The budget was low for what they wanted to do but it wasn’t impossible, and it was another chance to strut my stuff with a budding and very talented director.

Ian and I first met through his former boss, Stu Maschwitz, while Ian was a visual effects editor at The Orphanage. I’d mentioned on the Cinematography Mailing List that I was looking for directors to work with on creative spec spots and Stu responded and introduced me to Ian. That introduction led to spec spots for Porsche, Lego and Facebook, with an upcoming spot for Abilify as well as a spec music video for Pink Martini (currently in post). With the dissolution of The Orphanage Ian is now directing full time.

Ian has wonderful sensibilities and a very down-to-earth working style, so it’s very easy for me to bounce ideas off of him and enhance his ideas with mine.

Before I go on I should probably show you the spots:

The :15 versions of these spots have been running in Sacramento theaters in front of Iron Man 2 for a couple of weeks. The: 30 versions will air starting in late June. Turn the page for a behind-the-scenes and inside-the-brains look at how we pulled off this shoot in one day…

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The Best of Stunning Good Looks

Art Adams | 08/30

A directory of my best articles, sorted by topic.

This entry is a guide to my best articles, sorted by topic. Enjoy!

Revisiting the RED workflow, Smoke 2012 style

Marc-Andre Ferguson | 02/03

image

My love affair with RED Digital Cinema began in 2007, when my brief stint as demo artist in the NAB RED booth turned into a regular gig at events and trade shows.…

After Effects Apprentice Free Video: Exploring Shape Effects

Chris and Trish Meyer | 01/31

An overview of five of the simpler shape operators that can turn your basic outline into something quite twisted.

As we mentioned awhile back, we’ve been busy the past year and a half creating an extensive, multi-course video training…

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Excellent post Art, thanks for sharing your knowledge.

JR.

Posted by .(JavaScript must be enabled to view this email address)  on  06/04  at  11:21 AM


Thanks, Jerry. Glad you liked it. smile

Posted by Art Adams  on  06/06  at  10:21 PM


Nicely done, thanks for the play by play.

-Dane

Posted by DaneH  on  06/09  at  09:54 AM


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The Best of Stunning Good Looks

Art Adams | 08/30

A directory of my best articles, sorted by topic.

This entry is a guide to my best articles, sorted by topic. Enjoy!

Revisiting the RED workflow, Smoke 2012 style

Marc-Andre Ferguson | 02/03

image

My love affair with RED Digital Cinema began in 2007, when my brief stint as demo artist in the NAB RED booth turned into a regular gig at events and trade shows.…

After Effects Apprentice Free Video: Exploring Shape Effects

Chris and Trish Meyer | 01/31

An overview of five of the simpler shape operators that can turn your basic outline into something quite twisted.

As we mentioned awhile back, we’ve been busy the past year and a half creating an extensive, multi-course video training…

4K > 1080P?

Matt Jeppsen | 01/30

Why you probably don’t need a 4K TV in your living room

image

There’s a nice, ranty article over at CNET entitled “Why…

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