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Saturday, November 22, 2008

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Even Rembrandt Sang the Blues

Art Adams | 11/22

Great painters had a lot in common with modern cinematographers

The following was translated from a little known parchment relating to a discussion between Rembrandt and one of his many patrons:

Patron: “You’re killing me, Remmy baby, you’re killing me! I can’t stand like this all day and these costumes are costing me plenty!”

Rembrandt: “Just one more candle… I need to add one more candle…”

Patron: “Just sketch it in, I’ll have one of your students fix it later!”

Rembrandt: “But this is the third time I’ve painted this portrait! Always time to do another painting but never enough time to light one more candle…”

Patron: “Hey, I can hardly see into those shadows, add some white, will ‘ya?”

Rembrandt: “Always with the shadows… next it’ll be too much perspective…”

Patron: “Yeah, what’s with that foreshortening stuff? I paid for everything in this room and I want it all to look BIG!!!”

Rembrandt: (sighing) “Time for the large brushes and a gallon of thinner…”

(This was originally posted to the Cinematography Mailing List and also appeared on my web site.)

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Lights, Camera, Kids: Shooting a Childish Spot for T-Mobile on the Canon 5D

Art Adams | 03/26

“Just for the web” is no reason to skimp on a project’s look. A few simple tricks made this web spot shine.

A web spot may be seen by more people than a broadcast spot, so making it pretty is more important than ever. In this case, simple but elegant lighting and custom gamma curves made this spot shine. (And when shooting kids, “simple” becomes very…

A Video Interview with Rodney Taylor, ASC

Christine Purse | 01/26

Hear how he got started and how he works with aspiring cinematographers.

image

We sat down with Rodney Taylor, ASC at the Entertainment Technology Expo in Burbank (November 2011) and discussed what it takes to become an accomplished cinematographer.

BOOK REVIEW: “How to Shoot Movies Without Shooting Yourself in the Foot”

Art Adams | 01/20

The best books about cinematography aren’t necessarily about the art of cinematography. They’re about getting all the other stuff out of the way so you can practice cinematography. This is the book that tells you what you didn’t know—but need to know—about becoming a cinematographer.

This book is not for everyone. If you don’t eat, breathe and live cinematography… maybe you should read something else. Seriously. This book may not be for you. (But if it is… you’d better not miss it.)

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The Best of Stunning Good Looks
LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse
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GEEK-OUT: The Matrix, Reloaded
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CANON C300: Trimming White Balance, Plus a Look at Daylight vs. Tungsten Color
CAMERAS: Now It’s Rocket Science
Lights, Camera, Kids: Shooting a Childish Spot for T-Mobile on the Canon 5D
GEEK OUT: The Non-Technical Technical Guide to Sony OLED Monitors
LIGHTING STRATEGIES: Rough Guide to Illuminating a Bounce Card
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For You, a Panel Discussion
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Lights, Camera, Kids: Shooting a Childish Spot for T-Mobile on the Canon 5D

Art Adams | 03/26

“Just for the web” is no reason to skimp on a project’s look. A few simple tricks made this web spot shine.

A web spot may be seen by more people than a broadcast spot, so making it pretty is more important than ever. In this case, simple but elegant lighting and custom gamma curves made this spot shine. (And when shooting kids, “simple” becomes very…

A Video Interview with Rodney Taylor, ASC

Christine Purse | 01/26

Hear how he got started and how he works with aspiring cinematographers.

image

We sat down with Rodney Taylor, ASC at the Entertainment Technology Expo in Burbank (November 2011) and discussed what it takes to become an accomplished cinematographer.

BOOK REVIEW: “How to Shoot Movies Without Shooting Yourself in the Foot”

Art Adams | 01/20

The best books about cinematography aren’t necessarily about the art of cinematography. They’re about getting all the other stuff out of the way so you can practice cinematography. This is the book that tells you what you didn’t know—but need to know—about becoming a cinematographer.

This book is not for everyone. If you don’t eat, breathe and live cinematography… maybe you should read something else. Seriously. This book may not be for you. (But if it is… you’d better not miss it.)

LIGHTING STRATEGIES: Soft Light vs. Hard Light

Art Adams | 12/21

Hard lights are great for textures, but soft lights are great for defining spaces.

In a previous article I described how to place a hard key light. In this article I’ll look at…

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