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Saturday, November 22, 2008
Even Rembrandt Sang the Blues
Art Adams | 11/22
Great painters had a lot in common with modern cinematographers
The following was translated from a little known parchment relating to a discussion between Rembrandt and one of his many patrons:
Patron: “You’re killing me, Remmy baby, you’re killing me! I can’t stand like this all day and these costumes are costing me plenty!”
Rembrandt: “Just one more candle… I need to add one more candle…”
Patron: “Just sketch it in, I’ll have one of your students fix it later!”
Rembrandt: “But this is the third time I’ve painted this portrait! Always time to do another painting but never enough time to light one more candle…”
Patron: “Hey, I can hardly see into those shadows, add some white, will ‘ya?”
Rembrandt: “Always with the shadows… next it’ll be too much perspective…”
Patron: “Yeah, what’s with that foreshortening stuff? I paid for everything in this room and I want it all to look BIG!!!”
Rembrandt: (sighing) “Time for the large brushes and a gallon of thinner…”
(This was originally posted to the Cinematography Mailing List and also appeared on my web site.)
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Art Adams | 03/26
“Just for the web” is no reason to skimp on a project’s look. A few simple tricks made this web spot shine.
A web spot may be seen by more people than a broadcast spot, so making it pretty is more important than ever. In this case, simple but elegant lighting and custom gamma curves made this spot shine. (And when shooting kids, “simple” becomes very…
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Christine Purse | 01/26
Hear how he got started and how he works with aspiring cinematographers.
We sat down with Rodney Taylor, ASC at the Entertainment Technology Expo in Burbank (November 2011) and discussed what it takes to become an accomplished cinematographer.
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Art Adams | 01/20
The best books about cinematography aren’t necessarily about the art of cinematography. They’re about getting all the other stuff out of the way so you can practice cinematography. This is the book that tells you what you didn’t know—but need to know—about becoming a cinematographer.
This book is not for everyone. If you don’t eat, breathe and live cinematography… maybe you should read something else. Seriously. This book may not be for you. (But if it is… you’d better not miss it.)
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