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Saturday, November 22, 2008

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Even Rembrandt Sang the Blues

Art Adams | 11/22

Great painters had a lot in common with modern cinematographers

The following was translated from a little known parchment relating to a discussion between Rembrandt and one of his many patrons:

Patron: “You’re killing me, Remmy baby, you’re killing me! I can’t stand like this all day and these costumes are costing me plenty!”

Rembrandt: “Just one more candle… I need to add one more candle…”

Patron: “Just sketch it in, I’ll have one of your students fix it later!”

Rembrandt: “But this is the third time I’ve painted this portrait! Always time to do another painting but never enough time to light one more candle…”

Patron: “Hey, I can hardly see into those shadows, add some white, will ‘ya?”

Rembrandt: “Always with the shadows… next it’ll be too much perspective…”

Patron: “Yeah, what’s with that foreshortening stuff? I paid for everything in this room and I want it all to look BIG!!!”

Rembrandt: (sighing) “Time for the large brushes and a gallon of thinner…”

(This was originally posted to the Cinematography Mailing List and also appeared on my web site.)

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A Video Interview with Rodney Taylor, ASC

Christine Purse | 01/26

Hear how he got started and how he works with aspiring cinematographers.

image

We sat down with Rodney Taylor, ASC at the Entertainment Technology Expo in Burbank (November 2011) and discussed what it takes to become an accomplished cinematographer.

BOOK REVIEW: “How to Shoot Movies Without Shooting Yourself in the Foot”

Art Adams | 01/20

The best books about cinematography aren’t necessarily about the art of cinematography. They’re about getting all the other stuff out of the way so you can practice cinematography. This is the book that tells you what you didn’t know—but need to know—about becoming a cinematographer.

This book is not for everyone. If you don’t eat, breathe and live cinematography… maybe you should read something else. Seriously. This book may not be for you. (But if it is… you’d better not miss it.)

LIGHTING STRATEGIES: Soft Light vs. Hard Light

Art Adams | 12/21

Hard lights are great for textures, but soft lights are great for defining spaces.

In a previous article I described how to place a hard key light. In this article I’ll look at…

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A Video Interview with Rodney Taylor, ASC

Christine Purse | 01/26

Hear how he got started and how he works with aspiring cinematographers.

image

We sat down with Rodney Taylor, ASC at the Entertainment Technology Expo in Burbank (November 2011) and discussed what it takes to become an accomplished cinematographer.

BOOK REVIEW: “How to Shoot Movies Without Shooting Yourself in the Foot”

Art Adams | 01/20

The best books about cinematography aren’t necessarily about the art of cinematography. They’re about getting all the other stuff out of the way so you can practice cinematography. This is the book that tells you what you didn’t know—but need to know—about becoming a cinematographer.

This book is not for everyone. If you don’t eat, breathe and live cinematography… maybe you should read something else. Seriously. This book may not be for you. (But if it is… you’d better not miss it.)

LIGHTING STRATEGIES: Soft Light vs. Hard Light

Art Adams | 12/21

Hard lights are great for textures, but soft lights are great for defining spaces.

In a previous article I described how to place a hard key light. In this article I’ll look at…

LIGHTING STRATEGIES: Placing a Hard Key Light

Art Adams | 12/13

Hard light and faces… do they go together? The short answer is yes… but be careful!

The most important thing you will ever learn about lighting is this: LIGHTING IS NOT A FORMULA. Learning about lighting, though, is a process of becoming aware, and in this first of many articles I’m going I’m going to try to increase…

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