Thanks once again for such useful info. I hear you on the Macbeth chart—but I also think we (actually, SMPTE or somebody like them) need to come up with some sort of electornically generated color pattern that helps us set up the new monitors. The SMPTE Split Field bars miss a lot, while addressing things that aren’t really that much of an issue for digital, namely phase. Understandable since they were designed decades ago for the transmission of composite NTSC color, and nothing else!

And congrats on you guys finally being able to go forward with the wedding! The best news of a turnaround of a turnaround I’ve heard in a long time!

Posted by Steven Bradford  on  07/04  at  01:27 PM

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[That’s fine for a film stock, but I’ve not worked with many HD cameras that react to a meter the same way twice.]

that’s exactly how it is with a DALSA, which is why I try to work with camera that whenever possible

red’s build 16 is a mild improvement, complicated, and the camera is still a PITA. no thanks.

mXb

Posted by .(JavaScript must be enabled to view this email address)  on  07/04  at  10:20 PM

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Thanks for the info and mucho congrats on getting married. One piece of advice. Don’t take a serious camera on your honeymoon unless your wife’s a DP too.

Posted by davhud  on  07/07  at  08:25 AM

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okay
has its time come?

is there anywhere i can go and see an actual movie done by this camera ( i saw zodiac, and it was sort of cool the way the viper did the digital look of the darkness)

any movies out i can see? even just on DVD….

Posted by billS  on  08/08  at  04:02 AM

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